Black Girl Magic: Misty Copeland Inspires Bay Area Black Ballerina Angela Watson


Trailblazer Ballerina Misty Copeland Inspires Black Ballerina Angela Watson who performs as “Clara” and “Dragonfly” in the 2017  San Francisco Nutcracker Ballet.

Humble and graceful, Misty Copeland took the stage at the Nourse Theater for a fireside chat with Laurene Powell Jobs on Monday, December 18. A brief video shared the event’s purpose – a benefit for the Gugulethu Ballet Project, an organization that brings the art of classical ballet to the youth of South African townships.

The sold-out event featured an insightful Copeland who candidly spoke of growing up awkward, underprivileged, quiet and unsure of where to fit in. During the 90-minute talk, Copeland shared her swan dive into the world of ballet only to emerge as the first African-American principal ballerina at the prestigious American Ballet Theatre (ABT).

The heartfelt discussion was a delight and pure inspiration for anyone, especially young ballerinas. Born Misty Danielle Copeland September 10, 1982 in Missouri, she was raised with four siblings in San Pedro, California. Through the Boys and Girls Club she was exposed to ballet at 13, which is late for most. However, Copeland was just getting a taste of her true destiny becoming a child prodigy just two years later. To everyone’s amazement, Copeland’s physique and determinate enabled her to accomplish in months what most dancers require years to master, and by the tender age of 15 she was an award- winning starlet.

Fast forward to today and Copeland is an American ballet dancer for ABT, one of only three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT’s 75-year history.

In 1997, Copeland won the Los Angeles Music Center Spotlight Award as the best dancer in Southern California. After two summer workshops with ABT, she became a member of ABT’s Studio Company in 2000 and its corps de ballet in 2001, and became an ABT soloist in 2007. As a soloist from 2007 to mid-2015, she continued to perfect her technique.
During the talk, Copeland recanted the coveted opportunity to perform Firebird, a milestone in her career and again being the very first Black woman in the role.

The outpouring of African American support was enormous. Copeland, well aware of the magnitude for all black ballerinas and the community graciously accepted the role of unicorn, being the first, the trailblazer, the one paving the path of color in ballet. “I remember my colleagues asking me if they were my family members.” Copeland was able to power through opening night, but she was soon faced reality; a severe injury – 6 stress fractures to her tibia, requiring a plate to be screwed in and a year of rehabilitation. Copeland came back even more powerful and at 35, she says she’s not just yet ready to retire her pointe shoes.

Copeland was named in 2015 as one of the 100 most influential people in the world by Time magazine, appearing on its cover. She performed on Broadway in On the Town, toured as a featured dancer for Prince and appeared on the reality television shows A Day in the Life and So You Think You Can Dance.
Copeland said it was an honor to work with Prince and that the tour exposed many to ballet for the first time. “Touring and appearing in Prince’s video was an honor. Prince was supportive, and always told me that it was ok to be different.

As a sought after speaker, Copeland takes honor in giving back to the next generation of dancers as a mentor. Prior to the talk, Misty met with young Black ballerina, Angela Watson, who stars as “Clara” in the San Francisco Ballet production of the Nutcracker. Watson, a 4.0 student at the Oakland School for the Arts was excited to meet her inspiration.

During the Black girl magic moment, Watson took photos with Copeland and received an autographed copy of her latest book “Ballerina Body.” The day also marked the 125th anniversary of the world premiere of the Nutcracker in St. Petersburg, Russia where it all began.

“I was so excited to meet her,” said Watson, a sixth level student at the San Francisco Ballet Company. “She has achieved something I have been working hard to achieve. When I first read about her I was inspired to work harder.” Watson has been featured in the media and her style and physique at her age are comparable to her muse.

Watson, began her training in classical ballet, at age 11, at Oakland School for the Arts (“OSA”) School of Dance under Reginald Ray Savage, Artistic Director and Principal Choreographer. After training in technique for the first half of the 2014-2015 school year, Watson was authorized to throw her ballet slippers into the National Ballet Tours of 2016 arena. She came out a winner, receiving 7 Summer Intensive training offers of 7 auditions with the most prominent ballet schools in America; American Ballet Theatre, Alvin Ailey American Dance, Boston Ballet, Joffrey Chicago, Joffrey NYC, School of American Ballet, and San Francisco Ballet School. She was also awarded 3 merit-based scholarships.

Watson chose the 2016 Summer Intensive program at S.F. Ballet School and after training with SFBS for 3 weeks, Watson was invited to join its 2016-2017-year round training program in recognition of her potential to achieve a professional career in ballet. Within weeks, Watson was selected as one of the few ever African-American ballerinas to dance the leading character role of Clara in the 74-year-old first full length American Nutcracker for SF Ballet Company’s 2016 holiday season where she danced into the hearts of little and big hopeful ballerinas across the Oakland/San Francisco Bay Area.

While Watson enjoyed attending a second Summer Intensive with SFB, she has been appointed to the elevated Girls Level 6 on scholarship for 2017-2018 year round.
After receiving an outstanding 9 Summer Intensive 2017 training offers, Watson will now dance her way East to New York City attending the Russian American Federations Bolshoi Ballet Academy. On a merit-based scholarship, supported by U.S. Dept. of Education and the Youth America Grand Prix, Watson will now enter the ballet world’s version of the Olympics, where she will also learn to speak Russian.

Through the holiday season, Watson performs the Nutcracker at the War Memorial Opera House as “Clara” December 20th and 23rd at 7:00 p.m. and as Dragonfly, December 22, 2:00 p.m. and 7:00 p.m. Next week she performs as Clara December 27 at 2:00 p.m. and December 29 at 2:00 p.m. and 7:00 p.m. Dragonfly performances are Christmas Eve at 11:00 a.m.; December 28, 2:00 p.m. and 7:00 p.m. and a final performance December 30 at 11: 00 a.m. and 4:00 p.m. Along with Angela, follow three other OSA students, Daniil Shaposhnikov (Mouse), Pilar Ortega(Dragonfly) and Angelina Williams (Dragonfly) from Oakland School for the Arts’ School of Dance to the 2017 San Francisco Nutcracker Ballet’s Land of Dreams. For more information visit


Angela Watson, an Oakland School for the Arts ballerina, proudly shares an autographed copy of Misty Copeland’s latest book “Ballerina Body”



  1. Actually, Misty was not the first black woman to dance the role of the Firebird. Far from it. Dance Theatre of Harlem debuted their Firebird in 1982 with Stephanie Dabney as the lead (among other DTH women): . In the 1990s, Lauren Anderson also danced the lead role in Houston Ballet’s Firebird. As for Misty accepting “the role of unicorn, being the first, the trailblazer, the one paving the path of color in ballet”, I must inform you that none of those titles truthfully describes Copeland in all of ballet history. Her history-making status lies only with ABT. She’s far from the first-ever black principal ballerina. Black women (and men) have been thriving and surviving in ballet for decades. As far as black principal ballerinas go, Debra Austin became the 1st African-American principal ballerina in a major international American ballet company (Pennsylvania Ballet) in 1982. Prior to that, she was hand-picked by Balanchine to join the New York City Ballet (NYCB) where she danced many soloist roles and became the 1st black ballerina at NYCB. In 1990, Lauren Anderson became a principal with Houston Ballet, making her the 2nd African-American principal ballerina in a major American company. Not long after that, Myrna Kamara (another NYCB alumna) became a principal with Miami City Ballet, making her the 3rd African-American principal ballerina with a major int’l American company. She was also a principal with Bejart Ballet and is still dancing professionally. In 2006, Tai Jimenez became a principal with Boston Ballet, making her the 4th African-American principal ballerina in a major int’l American company. Prior to that, Tai was a principal with DTH.
    So this would make Misty the 5th. And so far, all five of these women are the first and only black principal ballerinas in their respective companies. I should also note that there have been countless black ballerinas in the corp de ballet and soloist ranks of these companies and other companies around the world. And naturally DTH- being a black/multi-ethnic classical ballet company- has always had a majority of African-American ballerinas.
    This is not intended to tarnish Misty’s accomplishments, but to merely educate the public and the media, especially, about a generally unfamiliar subject matter; and to highlight the idea that there’s room for everyone at the table and that their stories are equally important and should be told too.

    • Anna, thank you so much for your comment of December 27th regarding Misty Cooeland’s Principal Ballerina position within ABT. My understanding, too, is that while she and her PR represent arrive have generated a great deal of attention to the fact that there are beautiful and talented Black Ballerinas all around us, past and present who have made great achievements and, like young Angela Watson, many who will represent the future of classical ballet, Mist is the first African-American Principal Ballerina in The ABT company in more than 2 decades. So, yes, a trailblazer for ABT in the sense that she has established, through high frequency visiable public relations, a renewed trail to blaze, I understand that she is in fact not the first for ABT either. But kudos to her and her PR, Gilda Squires, because for real, where would she be without that publicity and hopefully Ms. Copeland and Ms. Squires will embrace the opportunity to share the light when a young very talented Black Ballerina looks to follow down that trail that is so well blazed with light. Because, in Gilda’s own words, “why do we not know” about this talented young Black Ballerina, Angela Watson, an inspired and dedicated and very talented Black Ballerina from Oakland, California, one of those communities in the world that hasn’t had more negative attention than positive and if Angela can shed more light on the beauty that lay within these City walls, then no one should stand in the way of her light. Hopefully we will learn more about her progress as she begins to move up in the ranks of the world of ballet. I will not be surprised if Angela Watson lands on the cover of Pointe Magazine as one of the top 25 up and coming American Dance students to watch in 2018-2019!

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