Entertainment
8 festivals to attend in Atlanta this spring
ROLLINGOUT.COM — Springtime in Atlanta means it’s festival time in the city. From art to live entertainment, food and dancing, you will definitely find these events to be fun for the entire family.
By Rollingout.com
Springtime in Atlanta means it’s festival time in the city. From art to live entertainment, food and dancing, you will definitely find these events to be fun for the entire family.
GEORGIA RENAISSANCE FESTIVAL
Weekends, now through June 2, 2019
Georgia Renaissance Festival
6905 Virlyn B. Smith Road
Fairburn, Georgia 30213
In addition to live entertainment, the Renaissance Festival features lots of games, rides and activities suitable for the whole family.
Info: www.garenfest.com
SWEETWATER 420 FEST
April 19-21, 2019
Centennial Olympic Park
265 Park Ave. West NW
Atlanta, GA 30313
Live music on three stages, comedy, art, food and lots of SweetWater brews to sample
Info: www.sweetwater420fest.com
INMAN PARK FESTIVAL
April 26-28, 2019
Inman Park (approximately two miles east of downtown Atlanta)
This festival offers tours of the neighborhood’s historic homes, street artists, dance performances, music and Kids’ Zones.
Info: inmanparkfestival.org
CHASTAIN PARK ARTS FESTIVAL
May 11-12, 2019
Chastain Park
140 W. Wieuca Road NW
Atlanta, GA 30327
185 artists and artisans displaying fine arts and crafts, plus live music, local food and beverage concessions, and gourmet food trucks.
Info: chastainparkartsfestival.com
SWEET AUBURN SPRINGFEST
May 11-12, 2019
Sweet Auburn Historic District
230 John Wesley Dobbs Ave.
Atlanta, GA 30303
The largest free outdoor festival in the Southeast, featuring 10 stages of live music and dozens of vendors selling art, jewelry, fashion and food.
Info: www.sweetauburn.com
ATLANTA CARIBBEAN CARNIVAL
May 24-25, 2019
Central Park
400 Merritts Ave. NE
Atlanta, GA 30308
Celebrate Caribbean culture with music, dancing, food, children’s activities and more.
Info: www.atlantacarnival.org
ATLANTA JAZZ FESTIVAL
May 25-26, 2019
Piedmont Park
400 Park Drive NE
Atlanta, GA 30309
One of the country’s largest free jazz festivals, offering local and national jazz musicians, a youth jazz band competition, a kids’ play areas and many other family-friendly activities.
Info: atlantafestivals.com
DECATUR ARTS FESTIVAL
May 25-26, 2019
Downtown Decatur
101 E Court Square
Decatur, GA 30030
Artist street market, live musical performances, improvisational and stand-up comedy, a children’s festival and parade, literary events, dance performances and more.
Info: decaturartsfestival.com
This article originally appeared in Rollingout.com.
Activism
Oakland Post: Week of December 18 – 24, 2024
The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024
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Arts and Culture
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
Special to the Post
It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks
Marks, who wrote and directed the musical, also owns PM Productions.
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”
Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.
Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.
Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.
“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.
Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.
Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.
Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.
Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.
Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.
“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”
Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.
“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”
The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.
Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”
Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”
Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”
“I’m so proud of my daughter,” said Smith.
Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.
“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.
The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com
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