Entertainment
Reel-ality TV Talk
By Marquesa LaDawn
NNPA Columnist
The Real Housewives of New Jersey – (Personal Accountability) Even if you do not watch reality tv, you could not have missed this story; I’ll tell you the quick version, Teresa and her husband, Joe Guidice, are two heavy hitters on the RHONJ, and they got caught with their hands in the cookie jar. Personal accountability is a foreign concept to this couple, especially Teresa; nothing is ever her fault. She lives in excuses land. Well, she got away with it for a long time, but all good things must come to an end. Regardless of what you and I believe, they pleaded guilty on multiple accounts of fraud and got 15 months (Teresa) and 41 months (Joe) in prison. The Lesson: Deal with your issues before the law gets involved and you lose all control!
The Real Housewives of Beverly Hills– (The queen can fall) I’m not a fan of emotional people who take everything personally. That being said, I’ve learned to be empathetic to different personality types. Lisa Vanderpump, who seems to be popular, is on two Bravo reality TV shows, is a tough nut to crack. She’s a smart business woman and nice friend, but if you offend her she never forgives you. She projects the aura of being the Queen Bee and I get that, but she forgets to keep her peeps happy. Last season, her peeps turned on her and all hell broke loose and in Queen Bee fashion she never said “I’m sorry” or took any level of responsibility. Sounds familiar? What’s really annoying is how she blames her Brit origin as the reason for her lack of empathy, my response, you are in America, act like it.
The Real Housewives of Atlanta- (Is your house really a home?) The law seems to be busy in the reality TV world and the RHOA is no exception. Apollo Nida, a house husband to Phaedra Parks, was sentenced to eight years in prison, making this his second time behind bars for a long amount of time. He’s a good looking, smooth talking bad boy, who seems to be challenged with doing the right thing. In an ironic situation his wife, soon to be ex- wife, calls herself a Southern belle. You know that Phaedra’s pattern is sharing as little as possible and appearing to be perfect. It doesn’t help that her husband, now in prison, hurt her reputation from the moment he was introduced, then continued to make bad decisions, including flirting with other women. On top of all of this, his favorite line was “Nobody can control me or tell me what to do or how to act.” I think he forgot the law. Of course, Phaedra, is not completely blameless, she’s a smart woman that pretends to miss things, like money being spent by her husband, etc.
The Real Housewives of Atlanta– (Being a mother does not give you a pass…) Oh my goodness, where do I begin, they call her Mama Joyce and boy did she pull the wool over our eyes during the early seasons. Well, all was revealed, and Mama Joyce is the meanest mom on the planet. She’s like a gangsta mom, literally, she threatens to fight even when she clearly starts the argument. She lies like she breathes, she feels that when it comes to her daughter Kandi, she can do anything she wants – and she does. I remember watching Kandi’s beautiful wedding, and when the cameras focused on her frown-faced mother, several of Kandi’s guests had this look of distaste all over their faces. It was really sad! She is talked about so terribly all over social media, I feel so bad for Kandi. But she is a major enabler and although I understand the need to protect your mom no matter what, it’s important that you ask your mother to respect others.
The Real Housewives of Atlanta- – (We all have a limit) Do you remember the big fight during the reunion when Porsha pulled Kenya’s hair? It was a big moment for RHOA and sealed in their first-place popularity. Kenya Moore is something else, a truly mixed up lady. She’s always the victim, though her behavior encourages a lot of what happens in her life. Well, this reunion was no different: she insulted, put objects in people’s face and thought there was no limit. Little did she know, it’s a bad idea to push a recent divorcee with mean words. She learned this hard lesson once Porsha reacted by pushing her down and pulling her hair (thank goodness it’s real).
FINAL WORD: Don’t assume all reality TV is trash; some of it, maybe. But, if you really pay attention, you can learn so much. I think reality TV should make us all look in the mirror and ask ourselves if we in some context share a similar behavior, I know I have. I think reality TV can be great therapy! So stretch out on the couch and get ready for my next column.
Marquesa LaDawn is a professional business woman who escapes the pressures of living in New York City by retreating into the real world of reality TV.
Activism
Oakland Post: Week of December 18 – 24, 2024
The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024
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Arts and Culture
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
Special to the Post
It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks
Marks, who wrote and directed the musical, also owns PM Productions.
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”
Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.
Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.
Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.
“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.
Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.
Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.
Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.
Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.
Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.
“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”
Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.
“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”
The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.
Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”
Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”
Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”
“I’m so proud of my daughter,” said Smith.
Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.
“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.
The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com
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Oakland Post: Week of December 11 – 17, 2024
The printed Weekly Edition of the Oakland Post: Week of December 11 – 17, 2024
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