Commentary
Russell Hornsby: “Proven Innocent,” Actor is a Proven Talent
NNPA NEWSWIRE — “A dear friend of mine used to say there was a time when boats were made of wood and men were made of steel. That’s what I want our people [black people] to see on this show,” says Russell Hornsby who plays the character of Ezekiel “Easy” Boudreau in “Proven Innocent” which airs on FOX, Fridays at 9 p.m. EST.
By Nsenga K. Burton, Ph.D., NNPA Newswire Culture and Entertainment Editor
Russell Hornsby should be a household name by now with his impressive body of work. His latest role as a crusading attorney and family man on FOX’s “Proven Innocent” may be the role to do it.
The Oakland born thespian has been bringing characters to life on stage and screen for over two decades. Hornsby believes in studying the craft of acting, which is proven by his training at Boston University followed by Oxford University’s British Academy of Drama.
He is probably best known to fans for his role as police officer Eddie Sutton in the critically acclaimed show “Lincoln Heights,” (ABC Family) and most recently as Maverick Carter in the hit film The Hate U Give and Buddy Marcelle in the knockout film Creed II. Hornsby has studied under theater royalty (Lloyd Richards and August Wilson) and worked opposite incredible talent including Regina Hall, Nikki Micheaux, Erica Hubbard, Amandla Stenberg, Regina King, Denzel Washington, Robert DeNiro, Sylvester Stallone, Michael B. Jordan and the list goes on.
No stranger to the small screen, Hornsby has been delighting fans with powerful performances on top shows like “Gideon’s Crossing” (NBC), “In Treatment” (HBO), “The Affair “(Showtime), “Seven Seconds:” (Netflix) and now “Proven Innocent” (Fox).
Hornsby plays the character of Ezekiel “Easy” Boudreau, a lawyer who is best known for freeing Madeline Scott (Rachelle LaFevre), a wrongly-convicted woman, after she served 10 years in prison. Teaming up with Scott, Boudreau has dedicated his life to freeing the wrongly-convicted as part of the “Injustice Defense Group.”
While promoting “Proven Innocent” at the 2019 SCAD aTVFest in Atlanta, Hornsby discussed his keen ability to move between the stage, film and television playing a range of characters that have been historically unavailable to black actors.
The Drama Desk award-winner says when choosing roles, quality is most important. “You’ve heard the saying you need to start where you finish? Well, I started at such a high-level in acting, that I have to keep it going,” he says.
Hornsby explains that his first job after graduation was working for $217 a week for the great Lloyd Richards, the first black director to direct “A Raisin in the Sun” on Broadway. Richards was also Dean of the Yale School of Drama, which is one of the reasons the show had acting greats like Courtney B. Vance, Charles S. Dutton and Angela Basset. From there, Hornsby worked under August Wilson, a two-time Pulitzer Prize winner and 10-time Tony award-winner, on shows like “Jitney.”
“I started at the top with quality, so that’s my norm. Now when I assess material, I assess it from that standpoint. I’m constantly traversing between film, television and theater so I’m constantly staying at a high level and I can’t go back,” says the Obie award-winner. “I’m not holier than thou or anything,” Hornsby expounds. “I’m just saying I was blessed to be able to make money as an actor early on in my career. I was smart with my money, which enabled me to be able to say no and maintain my integrity when choosing roles,” he adds.
Hornsby’s work often delves into complex issues and “Proven Innocent” is no exception. In a social and civic climate where the topic of mass incarceration, the prison industrial complex, unjust sentences, wrongly convicted prisoners and a justice system run amok are at peak level, “Proven Innocent” is tackling these complicated issues head on.
Hornsby, who is known for playing strong family men, purposely chose this role because of its important representation of a black man.
“I want people to recognize and see that real men exist,” says Hornsby. “A dear friend of mine used to say there was a time when boats were made of wood and men were made of steel. That’s what I want our people [black people] to see on this show,” he says.
Hornsby, who was raised by a single mother and was surrounded by strong men, including his father, believes this is a much-needed image in media. “I’m not saying sisters don’t deserve the credit. They do. My mother did the damned thing and I’ve got a wife who is bad as she can be — smart, talented, everything — but men exist too. Let’s not exalt one at the detriment of the other. Let’s say we can co-exist, partner in the struggle together,” he explains, which is another reason why this character spoke to him.
“Real men still exist. Men can stand up straight, look you in the eye, conduct themselves justly and appropriately and not be afraid. That’s what I want,” says the 2018 AAFCA award winner. “Men need to share and be open and more malleable. That’s what you’ll see with this character,” Hornsby reveals.
“Ezekiel is malleable. He and his wife are going to be going through trials and tribulations and issues but he’s still valuable and willing to learn. They are still partners. Those are the men I saw. That’s what empowers me to portray the kind of characters I play.”
“Proven Innocent” airs on FOX, Fridays at 9 p.m. EST. Check local listings for channel information.
Nsenga K. Burton, Ph.D. is entertainment and culture editor for NNPA/BlackPressUSA. A film and media scholar, Dr. Burton is founder and editor-in-chief of the award-winning news blog The Burton Wire, which covers news of the African diaspora. Follow her on Twitter @Ntellectual or @TheBurton Wire.
Activism
Books for Ghana
We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings.
By Min. Rauna Thurston, Chief Mpuntuhene Afua Ewusiwa I
My travels to Afrika began in June 2022, on a tour led by Prof. Manu Ampim, Director of the organization Advancing The Research. I was scheduled to become an ordained Minister by Wo’se Community of the Sacred African Way. It was vital that my feet touch the soil of Kemet and my spirit connect with the continent’s people before ordination.
Since 2022, I’ve made six trips to Afrika. During my travels, I became a benefactor to Abeadze State College (ASC) in Abeadze Dominase, Ghana, originally founded by Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area and now run by the government. The students there were having trouble with English courses, which are mandatory. The Ghanaian Minister of Education endorsed a novel written by 18-year-old female Ghanaian first-time writer, Nhyira Esaaba Essel, titled Black Queen Sceptre. The idea was that if the students had something more interesting to read, it would evoke a passion for reading; this seemed reasonable to me. Offer students something exciting and imaginative, combined with instructors committed to their success and this could work.
The challenge is how to acquire 800 books?!
I was finishing another project for ASC, so my cash was thin and I was devoid of time to apply for annual grants. I sat on my porch in West Oakland, as I often do, when I’m feeling for and connecting to my ancestors. On quiet nights, I reminisce about the neighborhood I grew up in. Across the street from my house was the house that my Godfather, Baba Dr. Wade Nobles and family lived in, which later became The Institute for the Advanced Study of Black Family Life & Culture (IASBFLC). Then, it came to me…ancestors invited me to reach out to The Association of Black Psychologists – Bay Area Chapter (ABPsi-Bay Area)! It was a long shot but worth it!
I was granted an audience with the local ABPsi Board, who ultimately approved funding for the book project with a stipulation that the Board read the book and a request to subsequently offer input as to how the book would be implemented at ASC. In this moment, my memory jet set to my first ABPsi convention around 2002, while working for IASBFLC. Returning to the present, I thought, “They like to think because it feels good, and then, they talk about what to do about what they think about.” I’m doomed.
However, I came to understand why reading the book and offering suggestions for implementation were essential. In short: ABPsi is an organization that operates from the aspirational principles of Ma’at with aims of liberating the Afrikan Mind, empowering the Afrikan character, and enlivening: illuminating the Afrikan spirit. Their request resulted in a rollout of 400 books in a pair-share system. Students checked out books in pairs, thereby reducing our bottom line to half of the original cost because we purchased 50% fewer units. This nuance promoted an environment of Ujima (collective work & responsibility) and traditional Afrikan principles of cooperation and interdependence. The student’s collaborative approach encouraged shared responsibility, not only for the physical book but for each other’s success. This concept was Dr. Lawford Goddard’s, approved by the Board, with Dr. Patricia “Karabo” Nunley at the helm.
We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings. (A collectible novel for all ages). A proposed future phase of this collaborative project is for ASC students to exchange reflective essays on Black Queen Sceptre with ABPsi Bay Area members.
We got into good trouble. To order Black Queen Sceptre, email esselewurama14@gmail.com.
I became an ordained Minister upon returning from my initial pilgrimage to Afrika. Who would have imagined that my travels to Afrika would culminate in me becoming a citizen of Sierra Leone and recently being named a Chief Mpuntuhene under Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area in Ghana, where I envision continued collaborations.
Min. Rauna/Chief Mpuntuhene is a member of ABPsi Bay Area, a healing resource committed to providing the Post Newspaper readership with monthly discussions about critical issues in Black Mental Health, Wealth & Wellness. Readers are welcome to join us at our monthly chapter meetings every 3rd Saturday via Zoom and contact us at bayareaabpsi@gmail.com.
Arts and Culture
In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map
By Terri Schlichenmeyer
The Bookworm Sez
An average oak tree is bigger around than two people together can reach.
That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.
And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.
Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.
In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.
According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.
As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?
She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.
“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”
In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.
The people he interviewed recalled family tales and community stories of support, hardship, and home.
Says coauthor Navies, “These images shout without making a sound.”
If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.
With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.
For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.
Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.
This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.
“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam
c.2024, University of Kentucky Press, $50.00.
Black History
Alice Parker: The Innovator Behind the Modern Gas Furnace
Born in Morristown, New Jersey, in 1895, Alice Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
By Tamara Shiloh
Alice Parker was a trailblazing African American inventor whose innovative ideas forever changed how we heat our homes.
Born in Morristown, New Jersey, in 1895, Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
Parker grew up in New Jersey, where winters could be brutally cold. Although little is documented about her personal life, her education played a crucial role in shaping her inventive spirit. She attended Howard University, a historically Black university in Washington, D.C., where she may have developed her interest in practical solutions to everyday challenges.
Before Parker’s invention, most homes were heated using wood or coal-burning stoves. These methods were labor-intensive, inefficient, and posed fire hazards. Furthermore, they failed to provide even heating throughout a home, leaving many rooms cold while others were uncomfortably warm.
Parker recognized the inefficiency of these heating methods and imagined a solution that would make homes more comfortable and energy-efficient during winter.
In 1919, she patented her design for a gas-powered central heating system, a groundbreaking invention. Her design used natural gas as a fuel source to distribute heat throughout a building, replacing the need for wood or coal. The system allowed for thermostatic control, enabling homeowners to regulate the temperature in their homes efficiently.
What made her invention particularly innovative was its use of ductwork, which channeled warm air to different parts of the house. This concept is a precursor to the modern central heating systems we use today.
While Parker’s design was never fully developed or mass-produced during her lifetime, her idea laid the groundwork for modern central heating systems. Her invention was ahead of its time and highlighted the potential of natural gas as a cleaner, more efficient alternative to traditional heating methods.
Parker’s patent is remarkable not only for its technical innovation but also because it was granted at a time when African Americans and women faced severe limitations in accessing patent protections and recognition for their work. Her success as an inventor during this period is a testament to her ingenuity and determination.
Parker’s legacy lives on in numerous awards and grants – most noticeably in the annual Alice H. Parker Women Leaders in Innovation Award. That distinction is given out by the New Jersey Chamber of Commerce to celebrate outstanding women innovators in Parker’s home state.
The details of Parker’s later years are as sketchy as the ones about her early life. The specific date of her death, along with the cause, are also largely unknown.
-
California Black Media4 weeks ago
California to Offer $43.7 Million in Federal Grants to Combat Hate Crimes
-
Black History4 weeks ago
Emeline King: A Trailblazer in the Automotive Industry
-
California Black Media4 weeks ago
California Department of Aging Offers Free Resources for Family Caregivers in November
-
California Black Media4 weeks ago
Gov. Newsom Goes to Washington to Advocate for California Priorities
-
Activism3 weeks ago
Oakland Post: Week of November 27 – December 3, 2024
-
Activism4 weeks ago
OCCUR Hosts “Faith Forward” Conference in Oakland
-
Activism4 weeks ago
Richmond Seniors Still Having a Ball After 25 Years
-
Bay Area4 weeks ago
Richmond’s New Fire Chief Sworn In