Entertainment
Bill Cosby Accuser’s Mom Appeals to Comedian’s Wife
TAMARA LUSH, Associated Press
SPRING HILL, Fla. (AP) — When William and Judy Thompson met comedian Bill Cosby in the late 1980s to discuss their teen daughter’s modeling and acting career, they felt immediately at ease.
Cosby and William Thompson both belonged to black fraternities in college. They both had lived in the Washington, D.C.-Maryland area. Both were born in July and both went by Bill as a first name.
Cosby reassured the Thompsons that their then-17-year-old daughter, Jennifer, would be fine living in an apartment with other models as she launched her career. He promised to help the teen, they said.
“We thought we were talking to Dr. Huxtable,” said William Thompson, referring to the comedian’s TV persona in “The Cosby Show.”
Jennifer Thompson now says she fended off unwanted sexual advances from Cosby and once performed a sex act on the comedian. He then gave her $700. That encounter — their final — clouded Jennifer Thompson’s next two decades.
“It basically shattered my faith so that anything that used to look promising to me, I saw it through a different lens,” she said.
Thompson, now 44, and her parents recently spoke to The Associated Press about the encounters with Cosby. They also revealed that three weeks ago, Judy Thompson sent a letter to Cosby’s wife, Camille.
“Mother to mother,” said Judy Thompson. “This letter was written from my heart.”
More than 20 women have stepped forward in recent months to level various accusations against Cosby, ranging from unwanted advances to sexual assault and rape. Additionally, Cosby is being sued by three women for defamation and by another woman who says he molested her when she was 15. Cosby has not been charged with any crime, and neither Cosby’s lawyer nor his spokesman returned calls seeking comment. Cosby’s lawyer, Martin Singer, previously has denied some of the allegations and made no comment on others.
Judy Thompson said she was inspired to pen the letter after she read Camille Cosby’s statement issued in December suggesting that her husband, not the women, is the party being harmed by the women’s allegations.
“None of us will ever want to be in the position of attacking a victim,” Camille Cosby said. “But the question should be asked __ who is the victim?”
Judy Thompson bristled when she read Cosby’s words. She said she watched her daughter go from a sparkling, ambitious teen to a woman “with an inner light extinguished.”
Only recently has Jennifer Thompson emerged from under “the dark cloud,” said Judy Thompson, who included a Psalms prayer in the letter.
“Your husband crossed boundaries that never should have been breached,” she wrote to Camille Cosby. “He shattered her innocence.”
Judy Thompson said she prays daily for the Cosbys and ended the letter by writing, “May you and Bill speak the truth and be afforded peace for your souls.”
It could not be determined whether Camille Cosby received the letter.
Judy Thompson said that it was difficult to find anyone, even a therapist, who would believe her daughter’s story. She didn’t go to police.
“To be so hurt and violated, and then not be believed! Resolution has not been easily forthcoming. We all remained in the shadows of your husband’s sick behavior,” she wrote.
Jennifer Thompson was one 13 so-called “Jane Does” in a 2005 civil suit that was brought by a woman named Andrea Constand, a former Temple University employee who claimed Cosby drugged and sexually assaulted her in 2004.
Constand later settled out of court and Thompson and the other women did not testify in the case.
Cosby on Monday released a new video message, his first in months. He doesn’t discuss the allegations and in the short video, promoted his Saturday show in Wheeling, West Virginia, the next stop in Cosby’s stand-up comedy tour which has seen more than a dozen shows canceled since the most recent round of allegations arose in November.
“You know I’ll be hilarious,” Cosby said in the video. “Can’t wait.”
He also added a note to the video, which read: “Dear fans, I hope you enjoy my wonderful video message that’s filled with laughter… Hey, hey, hey, I’m far from finished.”
____
Follow Tamara Lush on Twitter at http://twitter.com/tamaralush
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Activism
Oakland Post: Week of December 25 – 31, 2024
The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Black History
Ashleigh Johnson: Pioneering the Way in Water Polo
Ashleigh Johnson attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.
By Tamara Shiloh
Ashleigh Johnson has become a household name in the world of water polo, not only for her incredible athleticism and skill but also for breaking barriers as the first Black woman to represent the United States in the sport at the Olympic level. Her journey begins as a determined young athlete to a record-breaking goalkeeper.
Born on September 12, 1994, in Miami, Florida, Ashleigh grew up in a family that valued sports and academics. She attended Ransom Everglades School, where she was introduced to water polo. Despite water polo being a niche sport in her community, she quickly stood out for her remarkable agility, intelligence, and reflexes. Her unique skill set made her a natural fit for the demanding role of a goalkeeper.
Ashleigh attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.
In 2016, Ashleigh made history as the first Black woman to be selected for the U.S. Olympic Water Polo Team. Representing her country at the Rio Olympics, she played a crucial role in helping Team USA secure the gold medal. Her stellar performances earned her the distinction of being named the tournament’s top goalkeeper, further cementing her status as one of the best players in the sport’s history.
Ashleigh didn’t just stop at one Olympic appearance. She continued her dominance in water polo, playing a key role in Team USA’s gold medal win at the 2020 Tokyo Olympics. Her ability to remain composed under pressure and deliver outstanding saves in crucial moments made her an irreplaceable member of the team.
At the age of 29, Johnson appeared in her third Olympiad in Paris at the 2024 Summer Olympics. Their first match was against Greece and the US team won easily and Johnson only gave up 4 points. U.S. Olympic head coach Adam Krikorian shared, “She’s an incredible athlete. She’s got great hand-eye coordination, great reflexes and reactions. And then she’s fiercely competitive – fiercely. And you would never know it by her demeanor or by the huge smile on her face. But to us, on the inside, we know how driven she is to be one of the best ever to do it.”
Team USA Women’s Water Polo ended their Olympic season in fourth place after a 10 – 11 loss to the Netherlands. Johnson only allowed 37 percent of the shots from the Netherlands.
Beyond her achievements in the pool, Ashleigh has used her platform to advocate for diversity in water polo and sports in general. As a trailblazer, she recognizes the importance of representation and works to encourage young athletes, particularly those from underrepresented backgrounds, to pursue their dreams.
Ashleigh has spoken about the challenges she faced as a Black woman in a predominantly white sport and how she turned those obstacles into opportunities for growth.
Arts and Culture
In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map
By Terri Schlichenmeyer
The Bookworm Sez
An average oak tree is bigger around than two people together can reach.
That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.
And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.
Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.
In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.
According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.
As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?
She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.
“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”
In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.
The people he interviewed recalled family tales and community stories of support, hardship, and home.
Says coauthor Navies, “These images shout without making a sound.”
If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.
With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.
For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.
Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.
This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.
“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam
c.2024, University of Kentucky Press, $50.00.
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