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Oakland Post

New Life for Oakland Henry J. Kaiser Convention Center

OAKLAND POST — The Henry J. Kaiser Convention Center (Auditorium) in downtown Oakland is being brought back to life by nationally renowned developer, Orton Development, Inc. (ODI). ODI specializes in structuring win-win public private partnerships and has redeveloped a diverse range of properties including factories, offices, warehouses, retail, medical, educational, and live-work spaces.

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By Eddie Dillard

The Henry J. Kaiser Convention Center (Auditorium) in downtown Oakland is being brought back to life by nationally renowned developer, Orton Development, Inc. (ODI).

ODI specializes in structuring win-win public private partnerships and has redeveloped a diverse range of properties including factories, offices, warehouses, retail, medical, educational, and live-work spaces.

City of Oakland’s Mayor Libby Schaaf states: ‘The Kaiser Convention Center is the crown jewel of Lake Merritt. The renovation of this historic space will revitalize the immediate area and bring a new, vibrant energy, to the shores of oui’ lake and one of Oakland’s greatest landmarks.”

The Project

The Henry J Kaiser Convention Center, a historic, publicly owned, multi-purpose building, is located at 10 Tenth St. in downtown Oakland. The 215,000-square-foot building is three stories tall with a full basement and includes a 6,000- seat arena, a large theater, a large ballroom and 185 parking spaces. Built in 1914, it closed in 2005. For 14 years, the building has been vacant and remains in deep disrepair.

Rust}’ Jackson, a nationally- known concert promoter said “the Henry J. Kaiser has an outstanding history as a building that hosted African American cultural arts and entertainment. From concerts featuring James Brown, to the Temptations, to the ‘Trat Games” and stage plays in the theater, the Henry J. Kaiser building has hosted events of historical significance in the Black community.”

The Orton Development Team’s plans are to restore the arena foyer and him the arena portion into offices for local arts and non-profit organizations, add a restaurant with outdoor seating on the first floor, and create practice rooms, rehearsal spaces, shops and storage space for artists in the basement.

The Calvin Simmons Theater, (named after the first African American conductor of a major symphony), located on the west side of the building, will have new theater systems, an expanded orchestra pit, revised seating and renovated dressing rooms.

According to Project Manager David Dial the north facade of the building, which includes historic cornices, awnings and signage, will be preserved. The restoration will include new ADA accessible paths of travel at the building entrances, replacement of sidewalks surrounding the building, and loading and drop off zones along 10th street.

ODI Development Team’s vision for the project encompasses the following 6 core values: 1) History’ – honor the building’s illustrious history in fiction and design; 2) Energy – create a hub of activity that spans the building throughout the day; 3) Community’ – invite the public into the building and design space that builds community within it; 4) Arts – accommodate artists as tenants and value the arts throughout the building; 5) Education – provide spaces for people of all ages to learn from experts and one another, 6) Fairness – support uses that all Oakland visitors and residents can enjoy.

According to Arif Khatib, founder and president emeritus of the Multi-Ethnic Sports Hall of Fame, “the Henry J. Kaiser Convention Center has a rich history in Oakland, as the former Oakland Auditorium. This project will position Oakland for additional visibility as a city on the rise. It will enhance Oakland’s arts community’, its past and present performers, and has multiple uses that will make major contributions to the city and its citizens. It will add to Oakland’s reputation as a leader in advancing new and innovative ideas, themes and ventures of great social and cultural impact, and enhance the viability of the Bay Area, as a model region’

Project Benefits

The restoration of the Henry’ J Kaiser Convention Center, which will be renamed, Oakland Civic, creates substantial benefits for the City of Oakland, its residents and visitors. Bringing this premier concert venue back to life adds another first-class meeting place for major attractions and augments the Fox Theater and the Paramount Theater.

The project will create long-term and short-term employment opportunities for Oakland businesses and residents during the construction and operation phases. Fifty percent of all work will be performed by local. Oak- land-based small businesses, and will include union construction jobs and apprenticeship opportunities for Oakland residents. Commercial events in the Calvin Simmons Theater will provide work for the IATSE Local 107 stagehands. The project will also partner with local education institutions to create sustainable, hands-on training programs within the arts and trades.

The project will contribute $75,000 annually to support local arts organizations’ use of the Calvin Simmons Theater, the Gold Room and the Ballroom.

“The Oakland Civic represents a major opportunity to activate and operationalize the Mayor’s Task Force strategies for cultural preservation, as well as implement the Cultural Equity’ framework in the Cultural Plan” noted Eric Arnold, co-founder of the Community Coalition for Equitable Development and co-director of the Black Arts Movement Business District Community’ Development Corporation, ‘To do that requires some creative and visionary thinking — how can you balance permanent affordability, community inclusion, and economic feasibility, given the financial and logistical constraints? You have to not only apply an equity’ framework, but envision how community benefits can be realized over the duration of a 99-year lease.”

Next Steps

For the Project to move forward, the Oakland City Council must approve the Disposition and Development Agreement and approve the new markets tax credits, which stabilize the project’s funding. The Oakland City Council will hear this matter on July 9, 2009, 3:00 pm. at Oakland City Hall. Oakland residents and others interested in supporting this project are encouraged to inform the Council of their support and to attend the meeting.

Editor’s note: Eddie Dillard, the author of this article, is a supporter of the Orton project. A column written by opponents of the project has been published online at www.postnewsgroup.com

This article originally appeared the Oakland Post

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Activism

Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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