#NNPA BlackPress
Film, fellowship puts Memphian Jamey Hatley on course for the big screen
NNPA NEWSWIRE — Hatley is the recipient of the inaugural Indie Memphis Black Filmmaker Fellowship in Screenwriting. Funded by Barry Jenkins (“Moonlight” and “If Beale Street Could Talk”), the two-month fellowship comes with a $7,500 unrestricted cash grant to help Hatley develop her screenplay, “The Eureka Hotel.”
By Karanja A. Ajanaku, New Tri-State Defender
kajanaku@tsdmemphis.com
Jamey Hatley is from Walker Homes and while debates still rage over whether that’s in Whitehaven or Westwood, there is no question that Hatley’s writing career is on an upward trajectory.
Hatley is the recipient of the inaugural Indie Memphis Black Filmmaker Fellowship in Screenwriting. Funded by Barry Jenkins (“Moonlight” and “If Beale Street Could Talk”), the two-month fellowship comes with a $7,500 unrestricted cash grant to help Hatley develop her screenplay, “The Eureka Hotel.”
Jenkins also handpicked Raven Jackson, another native of Tennessee, as the winner of the Indie Memphis national Black Filmmaker Residency for Screenwriting. The two-month residency, including travel and housing, affords Jackson, a thesis student in New York University’s Graduate Film program, $7,500. Her feature film product is “all dirt roads taste of salt.”
“As an artist, I’ve always admired Memphis and what it’s meant to black artistry across many forms and genres,” said Jenkins. “To partner with Indie Memphis in supporting Jamey Hatley and Raven Jackson in taking the next steps in their quest to creatively engage and contribute to the diaspora is an honor most high.
“In their work, I find resounding proof that Memphis both raises talent from within (Hatley, a native Memphian) and inspires it from abroad (Jackson).”
A Whitehaven High School alum, Hatley had definite plans – attend the University of Tennessee-Knoxville and become a corporate executive – the day she walked off the graduation stage.
What happened? So many things, she said, including an internship that contributed to her rethinking her plans. Later, she got a journalism degree from the University of Memphis and at one point got mixed up in the music industry via a connection.
“…(W)ords and books were so important to me that I could not imagine myself being a writer. I tiptoed up to it,” she said. “I was doing everything to run away from these stories, but I was still scribbling. The stories ended up catching up with me.”
Screenwriting came into the picture by email and out of the blue last September.
“At that time, I had no job. My literal organization had gotten defunded, it had fallen apart. It was like, ‘Oh, this fancy director considers you an ideal collaborator. Would you do it?’ I’m like, ‘I like to eat, I like to pay my rent, so OK.’”
That project, which is for a major network, still is in development. The experience opened the door to the Writer’s Guild and primed her for the Indie Memphis Black Filmmaker Fellowship in Screenwriting opportunity.
“I think one of my superpowers is knowing, ‘Oh, here’s your door. Are you going to walk through it?’ If it’s a door and I feel like it’s mine, then I’m going to run through it and I’ll figure it out on the other side.”
That the fellowship was being funded by Jenkins was a huge attraction. She’d met him at an event in New Orleans (where she was living at the time) and had summoned the resolve to share with him her first – and then recently published in the Oxford American – short story.
Content to “just watch Barry’s beautiful movies for the rest of my life,” she learned on Twitter that she had won the fellowship and the opportunity to learn more directly from him.
“I still can’t believe it,” she said.
Hatley entered a treatment into the fellowship, eager for the resources and support to create a finished version of her screenplay, “The Eureka Hotel.”
The Eureka Hotel was a real place in Memphis. Hatley became aware of it while researching for her novel, learning that it had operated out of a Victorian-styled home that she had stared at so many times while visiting a friend’s Downtown Memphis art gallery.
“The Eureka Hotel,” Hatley says, is “a journey story because the Eureka was a colored hotel. … Their tagline was ‘Always open.’”
A short film based on the screenplay now is in post-production.
“It’s beautiful. Absolutely beautiful,” says Hatley, who must deliver a script for a feature-length film to Jenkins.
She also has “a few things else that are secret that are working in the background that happen to be scripts.
“But I’m also going to finish my novel, because I’m still a novelist….”
The novel is about Memphis.
“Everything I write is about Memphis, and it’s about Walker Homes. It’s called the ‘Dream Singers.’ It takes place in the wake of the King assassination, and there is a woman … I call her a dream singer. …She has babies, twins. One is born at the moment that King is assassinated. One is born at the moment that he dies, and all the hopes and dreams of this community, that’s based on Walker Homes, reside in these babies. In three months, four months, later in July, one of the babies passes away. That stymies the community. …
“I feel like Memphis feels a debt about King dying here that we’ve never fully acknowledged. …To me, dreams are debt. Anybody’s dream, somebody else pays for it. …It’s really exploring who gets the dream and who pays the price for that.”
America, she says, has never been honest with itself, regarding the root-level issues that existed before Dr. King – issues that brought him to Memphis and ultimately led to his assassination.
“I think art gives us an opportunity to at least explore being honest in a way that’s not comfortable, but more successful.”
#NNPA BlackPress
Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans
BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.
Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.
To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:
- A 30 percent across-the-board cut in SNAP funding.
- A 15 percent cut in Medicaid funding.
- Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
- Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.
Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.
Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.
“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.
#NNPA BlackPress
A Threat to Pre-emptive Pardons
BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

By April Ryan
President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid. The power is unreviewable by the courts.”
However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen. The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.
Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select Committee during the Hill proceedings. Trump has threatened members with investigation or jail.
#NNPA BlackPress
Reaction to The Education EO
BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

By April Ryan
There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.
Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.
During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”
Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”
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