Bay Area
IN MEMORIAM: Oakland Vocalist Freddie Hughes, 78
“(Freddie Hughes) was the epitome of the likes of Johnny Mathis,” noted Tillman Smith. “That’s how impressive he was. Most people have no knowledge of his schooling or if he ever had a job, but they do remember his love for singing. Every time you saw Freddie, he was always handing out his latest CD.”
By Clifford L. Williams
Freddie Hughes, one of the most gifted vocalists and a great human being, passed away unexpectedly from leukemia and complications from COVID-19 on Jan. 18, 2022, according to drummer, songwriter and producer Paul Tillman Smith. He was 78 years old.
Hughes was born on Aug. 20, 1943, in Berkeley to parents who moved West from Texas seeking the plentiful jobs during WWII.
His father, Fred W. Hughes, was a longshoreman and pastor who helped found Oakland’s Good Samaritan Church of God in Christ, and his mother Lola Mae Anderson was a singer and missionary.
“Freddie has been singing and recording since a young child and had a huge hit in 1968 with the recording of ‘Send My Baby Back,’ said Tillman Smith. “The song showcased Hughes for the public at a time when everyone in the music business in the Bay was trying to find a way to get through…to find their niche.”
Hughes’ son Derick, a former lead vocalist with Tower of Power, has followed in his father’s footsteps, having recorded with Motown and Prince, and toured extensively with Roberta Flack.
Freddie and Derick are featured performers on a new CD, sponsored by the Bay Area Jazz Society and the West Coast Blues Society called “The Sounds of Oakland” to be released this month throughout the nation. The CD celebrates the legacy of East Bay soul and R&B.
“(Hughes) was the epitome of the likes of Johnny Mathis,” noted Tillman Smith. “That’s how impressive he was. Most people have no knowledge of his schooling or if he ever had a job, but they do remember his love for singing. Every time you saw Freddie, he was always handing out his latest CD.”
The East Bay Times noted that “Hughes was held in the highest esteem by his peers during the past six decades and was a pillar of the Bay Area music scene. Hughes played a central role in shaping the sound of East Bay soul during a pervasively influential era defined by church-reared Black vocalists bringing the fervent cadences of gospel music to secular settings.”
Oakland blues artist Johnny Talbot, a close friend of Hughes, said that his relationship with Hughes started in church when they were teenagers. “It was me, Freddie, Walter and Edwin Hawkins who sang in the choir at the Good Samaritan God in Christ Pentecostal Church,” said Talbot. “When Freddie was just 13, he sang lead in the grown-up choir, and the grown folks couldn’t take that away from him. That’s how good he was.”
Hughes is survived by his brother, Wayne Hughes of Oakland; five children, Sonia Hughes Farmah of Hanford, Derick Hughes of Oakland, Derene Hughes Jones of Alameda, Lena Hughes, and Jelani Hughes; 23 grandchildren, and many great-grandchildren.
A memorial service will be held on Saturday, Feb. 12, 2022, at 11 a.m. at the Lily of the Valley Christian Center, located at 1010 91st Ave., Oakland. A repast will be held at 1 p.m. at St. Augustine Episcopal Church, located at 501 29th St. in Oakland.
The Bay Area Jazz Society, a 501(c)(3) organization, is asking the public to help raise money for Hughes’ memorial and burial. Hughes spent his lifetime performing throughout the Bay Area but didn’t leave behind a pension or available savings. The goal is to raise $20,000 in this effort. Please consider making a donation to www.gofundme/money-for-freddiehughes. For more information, contact Tillman Smith at 510-697-7130.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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