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The TINA TURNER Musical Reveals Trials and Triumphs

THE OKLAHOMA EAGLE — The 1993 movie “What’s Love Got to Do with It” portrayed the relationship between Ike and Tina Turner as abusive before their breakup. Ike was also said to victimize Tina, as she shared in a 2018 interview with Oprah Winfrey. But Deon Releford-Lee, the actor who plays Ike in the Broadway musical, says there is more to Ike’s story than is told on screen. In preparing for the part, the Broadway actor searched for the triggers that made Ike who he was known to be.  
The post The TINA TURNER Musical Reveals Trials and Triumphs first appeared on BlackPressUSA.

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By Kimberly Marsh | The Oklahoma Eagle

According to Tulsans who knew him and the actor who plays him in the musical Tina, The Tina Turner Musical, Ike Turner may have had multiple sides to his personality. However, the Ike Turner the public has seen is a violent man.

The arc of Tina Turner’s career is well-known. Although Ike’s story is lesser known, he had a powerful influence on Tina’s life and career. They had a family together, and he witnessed Tina rise to superstardom.

Naomi Rodgers performing ‘What’s Love Got to Do with It?” as Tina Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy for MurphyMade.

Naomi Rodgers performing ‘What’s Love Got to Do with It?” as Tina Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy for MurphyMade.

The 1993 movie, “What’s Love Got to Do with It,” portrayed the relationship between Ike and Tina Turner as abusive before their breakup. Ike was also said to victimize Tina, as she shared in a 2018 interview with Oprah Winfrey. But Deon Releford-Lee, the actor who plays Ike in the Broadway musical, says there is more to Ike’s story than is told on screen. In preparing for the part, the Broadway actor searched for the triggers that made Ike who he was known to be.

Ike is part of the musical until the breakup and the start of Tina’s solo career in the second act. Because of the problematic themes of domestic violence, the musical is recommended for ages 14 and older.

Naomi Rodgers performed “Proud Mary” as Tina Turner and the cast of the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Naomi Rodgers performed “Proud Mary” as Tina Turner and the cast of the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Ike Turner 

In an interview with The Oklahoma Eagle, Releford-Lee said playing Ike Turner was a healing experience for him. While “villains” have challenging roles, Releford-Lee said it is liberating in some respects, and he embraces the challenge.

“I have a wealth of knowledge of difficult things to play. My focus is to do as much…research as possible to figure out who this human was, what happened in his path, and what maybe led him to the places to do some of the horrible things he did. Not to excuse their behavior because it’s deplorable, right? We don’t just walk around hating people, throwing them around, forcing them, and manipulating them to do things,” Releford-Lee said. He described Ike’s aggressive behavior, especially with his wife.

Channeling that aggressive hyper-masculine energy takes a toll but also frees Releford-Lee to be softer, more feminine, more free, and more in touch with his emotions off-stage. Having played many villains in the past, he said he learned to become “Okay with my ugliness because that ugliness is in all of us.”

“Ike was a Black man who wrote music and was one of the fathers of Rock ‘n’ Roll but never received the credit,” Releford-Lee said. As Tina took center stage and became the superstar she was, Ike was overlooked.

Zurin Villanueva performed as Tina Turner and Garrett Turner as Ike Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Zurin Villanueva performed as Tina Turner and Garrett Turner as Ike Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

“Those are the things that I focus on to help ground me in the (character) because being rejected for being Black, being talented, being othered, is something that I can connect to.”

Tulsa Connections 

In an article published in June 2023 following Tina’s death, The Oklahoma Eagle Editor Gary Lee reflected on the days when the Ike and Tina Revue came to Tulsa and performed at the Big Ten Ballroom. The Ike and Tina Revue was a Big Ten headliner several times in the 1960s, and they performed together until their 1976 divorce.

Tulsa musician and radio personality Bobby Eaton Jr. knew them both and witnessed much of what was happening around them on the road. Eaton recently held a launch party for his new band, Eaton Out.  During the performance, he recounted working with Ike and Tina Turner as the youngest guy in the band. Eaton said he appreciated Ike as a band leader, a musician/composer, and a businessman who showed him the ropes in the industry. But Eaton acknowledged that the relationship was not easy.

“Tina was there, and a lot of fights and a lot of crazy stuff went on back in those days, but at the same, I couldn’t wait to get away because they had too much drama going on.”

Singer Michelle Love, a/k/a Sweet Randi Love, became an Ikette in 1993 and knew him during the last decade of his life when he revived his career as a frontman. She joined the band despite being familiar with the tumultuous relationship Tina described.

“We were more like a family unit. When it came to work, though, he was a real hard ass. I don’t want to say it like that. But you know what I mean? He was serious when it came to work. As far as that goes, he didn’t play any games because he was like, this is me on stage, and it represents me.

“After the Tina stuff, Ike was self-conscious…about every little thing that he did because he had already gotten kind of a bad rap behind the movie. So, he was a real stickler as far as that goes,” Love said, “But when it was time for everybody to go home and we were calming down, Ike was just a big old teddy bear. Honestly, he was really. I think a lot of what he went through, you know, in the past team as well, had a lot to do with his insecurities. During the Jim Crow days, he went through quite a bit. So, there’s a lot that people don’t know about him. As far as his background story goes, I’m not trying to take away from Tina’s background story because she has a story to tell, but it might explain why he was the way he was.”

Ike was released from prison in 1991 after serving 18 months for drug offenses. Cocaine was his drug of choice, and it flowed freely, in large quantities, around him. Ike’s drug addiction relapse in 2004 led to his drug overdose in 2007.

Love has returned to Tulsa and continues to sing and perform with Sweet Randi Love and The Love Thang band.

About Deon Releford-Lee 

Releford-Lee attended Fayetteville State University in North Carolina, an HBCU. At the university, he studied dance and theater. He began working professionally when he was still not old enough to play certain roles, portraying more mature characters. Although getting attention was difficult, he worked his way from ensemble to lead roles. A move to New York City followed, leading to his current role as Ike.

Deon Releford-Lee plays Ike Turner in the TPAC production TINA: The Tina Turner Musical.

Releford-Lee plays Ike full-time every night but has two understudy actors for this incredibly physical and emotional role.  A self-described Bohemian, Releford-Lee’s personality is very different from Ike’s, and he is shocked when audience members have no idea who he is when the cast goes out to greet them.

Following a night onstage, he does breathwork to unwind and get out of character, which can take about 15 minutes to exit.

“I realized that when I’m feeling anxious, it’s mostly because physically I’m not breathing at all. I’m holding my breath, so I’m just reminding myself to breathe. I’m someone who doesn’t leave the theater right away. I just kind of sit there for a bit, take off my costume, take off my wig, put my jewelry on, put my own clothes back on, and just kind of sit and listen to music, and then move on.”

Releford-Lee said people will learn a little more through Ike’s backstory, how the industry treated him, and why he was the way he was.

“And in the same breath, you’re also seeing him being manipulative and hurtful. And the audience is kind of on his side in one second, and then the very next second, betrayed by him.

“I love the moment where Tina and Ike first meet because you see them laughing, you see them enjoying each other. It’s one of the only times of fun between them. And I think that’s beautiful. I love watching Tina discover herself in the second act.”

Celebrity Attractions describes “Tina-The Tina Turner Musical” as the inspiring journey of a woman who broke barriers and became the Queen of Rock ‘n’ Roll. “Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters.” Tina Turner won 12 Grammy Awards and her live shows were seen by millions, with more concert tickets sold than any other solo performer in music history. Featuring her songs, “Tina–The Tina Turner Musical” is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.  

The post The TINA TURNER Musical Reveals Trials and Triumphs first appeared on BlackPressUSA.

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COMMENTARY: Women of Color Shape Our Past and Future

MINNESOTA SPOKESMAN RECORDER — Every March, Women’s History Month invites us to pause and honor the women whose courage, intellect, and leadership have shaped our world. This year, that invitation feels especially urgent. We are living in a time when history is being rewritten, when DEI is being recast as a threat, and when the stories we choose to uplift matter more than ever. The stories of women of color must be centered, celebrated, and carried forward with intention.

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Women of Color Leadership Shapes the Legacy of Women’s History Month

By Dr. Sharon M. Holder | Minnesota Spokesman Recorder

Women’s History Month offers an opportunity to recognize the enduring impact of women of color leadership across history and in the present day. From Harriet Tubman and Shirley Chisholm to today’s leaders in science, politics and culture, women of color continue to shape movements, institutions and communities through courage, collaboration and vision.

Every March, Women’s History Month invites us to pause and honor the women whose courage, intellect, and leadership have shaped our world. This year, that invitation feels especially urgent. We are living in a time when history is being rewritten, when DEI is being recast as a threat, and when the stories we choose to uplift matter more than ever. The stories of women of color must be centered, celebrated, and carried forward with intention.

For centuries, women of color have been architects of progress, even when history tried to confine them to the margins. They have led movements, built institutions, transformed culture, and expanded the boundaries of justice, leadership, and community. Their contributions are not postscripts; they are landmarks. Yet too often, their brilliance has been acknowledged only in hindsight. Women’s History Month offers a chance to correct that imbalance, not only by remembering the past, but by recognizing their leadership unfolding before us.

This legacy lives in Harriet Tubman, whose courage and strategic brilliance transformed the Underground Railroad into one of the boldest freedom operations in American history. In Barbara Jordan, whose moral clarity reshaped the nation’s understanding of justice and constitutional responsibility. In Madam C. J. Walker, expanding both the beauty industry and the economic horizons of Black women. It dances in Josephine Baker, who challenged racism and resisted fascism. In Ida B. Wells and Dolores Huerta, who wielded truth and determination in pursuit of justice. In Chien-Shiung Wu, whose experiments altered science, and Shirley Chisholm, whose political courage expanded the very definition of leadership. These women did more than break barriers; they built new worlds.

A powerful throughline in the leadership of women of color is how they lead: collaboratively, creatively, relationally, and with deep responsibility to community. Their leadership is grounded not in hierarchy but in connection, in the belief that progress is something we build together.

We see this in Kamala Harris, whose presence expands the boundaries of possibility; in Ketanji Brown Jackson; in Oprah Winfrey; and in Toni Morrison, who insisted that the interior lives of Black women are essential to the human story. It resonates in Simone Biles and Serena Williams, redefining strength through excellence and self-belief.

Today, women of color continue to drive breakthroughs in medicine, technology, the arts, politics, and environmental justice. Their leadership appears not only in boardrooms or public office, but in mentorship, advocacy, and the daily navigation of systems never designed for them. The spirit shines in Mae Jemison and Ellen Ochoa; in Michelle Obama; and in the brilliance of Katherine Johnson, Dorothy Vaughan, Mary Jackson, and Christine Darden, whose work helped launch a nation into space.

Celebration is important, but it is not enough. Honoring women of color requires intentional action rooted in equity. It means creating environments where their voices are valued, challenging the biases that shape who is recognized, and ensuring progress is shared.

As we celebrate Women’s History Month, let us honor women of color not as symbols, but as leaders whose work continues to guide us. When we uplift women of color, we honor history and shape the future.

Dr. Sharon M. Holder lives in South Carolina. She holds a PhD/MPhil in Gerontology from the Center for Research on Aging at the University of Southampton, UK; a Master of Science in Gerontology from the Institute of Gerontology at King’s College London, UK; and a Master of Social Work from the Graduate College of Social Work at the University of Houston, Texas.

Dr. Holder discovered her love of poetry at the University of Houston–Downtown, where she published in The Bayou Review and the Anthology of Poetry. Today, she writes poetry as a practice of gratitude alongside her academic research.

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Woman’s Search for Family’s Roots Leads to Ancestor John T. Ward – A Successful Entrepreneur and Conductor on the Underground Railroad

THE AFRO — For years, she wanted to know more about her ancestor John T. Ward, she said, and her curiosity eventually became an obsession, leading her to become the genealogist for her family. And so, for more than a decade, she set out to trace her family’s roots and discovered a story that would change her life and the way she viewed American history. 

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By D. Kevin McNeir | Special to The AFRO 

Shanna Ward, the owner of a publishing company and insurance agency located in Columbus, Ohio, said the elders in her family often say she inherited her entrepreneurial spirit from one of their ancestors – a formerly enslaved child from Virginia whose freedom came through manumission in 1827.

For years, she wanted to know more about her ancestor John T. Ward, she said, and her curiosity eventually became an obsession, leading her to become the genealogist for her family. And so, for more than a decade, she set out to trace her family’s roots and discovered a story that would change her life and the way she viewed American history.

John T. Ward would help others secure their freedom and justice in his roles as a conductor on the Underground Railroad, an abolitionist, and political activist. But realizing that economic freedom was essential to his and his family’s survival, he and his son founded the Ward Transfer Line in 1881 (now E.E. Ward Moving) – one of America’s oldest Black-owned businesses. While it has transferred ownership, the business remains in operation today.

Shanna Ward recently published a book about her ancestor, “The Bequest of John T. Ward,” which she hopes can be added to other unheralded tales of Black resistance that occurred during America’s antebellum period.

“Originally, I just wanted to write a 100-page story when I first began digging and was encouraged after I found a copy of a will dated 1827 which included him and was a rare example of a mass manumission,” Shanna Ward said. “Three of the slaves, including John’s grandfather, were given about 294 acres of land in the will, but all the former slaves were supposed to remain on the plantation until their 21st birthday. Some refused to remain. That’s how our family got to Ohio.”

Ward said she learned that newly freed Blacks, including her ancestors in Ohio, had to fend for themselves and often did so with amazing results given the obstacles they faced.

“In those days there were no civil rights organizations, and in local communities, Blacks formed and supported Black-owned businesses, took their own census recordings, and became involved in local politics – all without White involvement,” she said.

BOOK COVER: The cover of the book “The Bequest of John T. Ward,” written by Shanna Ward about her ancestor who, as a child, was granted his freedom in 1827 and went on to become a successful business owner in Ohio, a political activist, and a conductor on the historic Underground Railroad.

BOOK COVER: The cover of the book “The Bequest of John T. Ward,” written by Shanna Ward about her ancestor who, as a child, was granted his freedom in 1827 and went on to become a successful business owner in Ohio, a political activist, and a conductor on the historic Underground Railroad.

“There is part of Ohio where, during the days of slavery, if you successfully crossed the river you were free,” she said. “That was where Black life began – across the river in freedom. When we understand ourselves as more than property and uncover tales of survival which are the foundation of our legacy, then we can better understand who we are and what our ancestors endured. We are stronger than we are often led to believe.”

Efforts among African Americans to learn their family roots have increased over the past several decades, particularly given the success of the PBS documentary, “Finding Your Roots,” hosted and narrated by Harvard University professor Dr. Henry Louis Gates Jr.

On the show’s website, Gates said he developed the show in 2012 in efforts to continue his quest to “get into the DNA of American culture.”

In each episode, celebrities view ancestral histories and share their emotional experience with viewers. Gates attributes the success of the show to a significant surge in interest among Black Americans in tracing their family roots and a desire to reconnect with ancestral history that was severed by slavery.

JOHN T. WARD: John T. Ward, the historic patriarch in a family whose roots can be traced to the days of slavery in Virginia, is the subject of a new book written by a member of his proud family, Shanna Ward, called “The Bequest of John T. Ward.”

JOHN T. WARD: John T. Ward, the historic patriarch in a family whose roots can be traced to the days of slavery in Virginia, is the subject of a new book written by a member of his proud family, Shanna Ward, called “The Bequest of John T. Ward.”

“Advancements in DNA testing have increased accessibility of records and led to a cultural push to reclaim identity beyond the ‘brick wall’ of 1870,” said Gates who noted that the 1870 U.S. Census represents the first time former slaves were listed by name and, unfortunately, serves as the point where records of their lives often stop and cannot be traced any earlier.

In a recent paper published in the journal “American Anthropologist,” University of Illinois Urbana-Champaign anthropology professor LaKisha David posits that by using genetic genealogy, African Americans now have the real possibility of restoring family narratives that were disrupted, severed and destroyed by institutional slavery.

“For African Americans who have grown up with a sense of ancestral loss and disconnection, this reclamation of family history is deeply humanizing and healing,” she writes. “It replaces the genealogical unknown with tangible knowledge of ancestral histories and kinship ties.

“Identifying African ancestors and living relatives is an act of restorative justice. It is ultimately about (re)claiming the humanity, dignity, and agency of enslaved Africans and their descendants, which is an essential component of repairing the harms of slavery.”

Ward said by uncovering her family’s truth, she has established a platform for education and empowerment for herself, her children, and today’s youth.

“I realized how important it is to pass down our own stories to the next generation,” Ward said. “There’s so much our children need to know about the Underground Railroad, the quilt codes created by Black women, and other examples of unrecorded heroics and bravery exhibited by Black men and women. Their collective efforts led to the end of Jim Crow laws and the securing of equal rights in the U.S. Constitution for African Americans. If you look hard enough, I believe everyone has someone like Harriet Tubman or Frederick Douglass in their family.”

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Advocates Raise Alarm Over ICE Operation, MOU and Detention Risks in Baltimore County

THE AFRO — “This is highly problematic given many of the charges that land people in county correctional facilities to begin with are for misdemeanors of which they may not even ultimately be proven guilty and convicted,” said Cathryn Ann Paul Jackson, public policy director for We Are CASA. “It results in a subversion of the local criminal justice system as a means to further racial profiling and do ICE’s dirty work.”

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By Megan Sayles | AFRO Staff Writer
msayles@afro.com

As U.S. Immigration Customs and Enforcement (ICE) operations intensify nationwide, community organizations have become the eyes and ears of their neighborhoods—monitoring the agency’s presence and alerting residents to protect themselves and their neighbors.

In Baltimore County, nonprofits like We Are CASA have observed a spectrum of enforcement actions.

“We have seen a range of activity, including traffic stops and ICE showing up in neighborhoods or in seeming response to tips,” said Cathryn Ann Paul Jackson, public policy director for We Are CASA. “Beyond actual ICE activity in Baltimore County, we have seen many detentions of Baltimore County residents across the DMV, as community members tend to travel across counties and cities for work.”

We Are CASA, a national nonprofit headquartered in Maryland, is dedicated to empowering and improving the quality of life for working-class Black, Latino, Afro-descendent, Indigenous and immigrant communities. Jackson’s personal connection to this mission led her to the organization. A daughter of immigrants from Guyana and Trinidad, she said she grew up witnessing firsthand how immigration policy can define families’ safety, opportunity and sense of belonging.

She said the locations and times of ICE operations in Baltimore County have varied over time.

“We have consistently seen ICE arrest people at their check-in appointments, which were ironically created as an alternative to detention and are now being abused to trap people into custody,” said Jackson. “For a period of time, we were witnessing a significant amount of arrests along the Baltimore-Washington Parkway by U.S. Park Police, who were using a previously rarely enforced law against driving commercial vehicles on this road as a pretext to profile immigrant drivers, detain them and hand them over to ICE.”

Last fall, Baltimore County entered into a Memorandum of Understanding (MOU) with ICE, removing the locality from the Department of Justice’s (DOJ) sanctuary jurisdictions list and formalizing a policy for notifying ICE before the release of inmates with federal immigration detainers or judge-signed warrants.

The agreement codified an existing practice within the Baltimore County Department of Corrections. The MOU is not a 287(g) agreement, which is a partnership between local law enforcement and ICE to delegate immigration enforcement authority to police officers. Those agreements were banned by the state of Maryland on Feb. 17.

However, Jackson criticized the policy memorialized in the MOU, saying that although it is carefully drafted to avoid legal violations, it effectively allows detention centers to hold people past their court-ordered release so that ICE can take them into custody.

“This is highly problematic given many of the charges that land people in county correctional facilities to begin with are for misdemeanors of which they may not even ultimately be proven guilty and convicted,” said Jackson. “It results in a subversion of the local criminal justice system as a means to further racial profiling and do ICE’s dirty work.”

Baltimore County has said it entered into the MOU in an effort to preserve its access to federal funding. The locality explained its reasoning on a FAQ page about its removal from the DOJ’s sanctuary jurisdictions list.

“Inclusion on DOJ’s list could risk significant federal funding, on which the county and constituents depend,” the entry read. “Signing the MOU ensures that the county avoids risks to federal funding that is used to provide needed services.”

Baltimore County’s removal is not unique, as neither Maryland nor any of its counties appear on the DOJ’s list. Still, community members worry that the county’s MOU with ICE could lead to wrongful detentions and the misidentification of residents.

Immigration detainers are not always confirmation of a person’s immigration status—or lack thereof. They are requests by ICE that can be issued without a judicial determination and do not, on their own, establish a person’s legal status.

“We’re very concerned about errors occurring here in the county because of the amped up nature of this mass deportation push,” said Patterson. “This is a replacement theory-driven immigration policy. That means that at the same time we are importing White South African Afrikaaners—who at one time essentially colonized South Africa and oppressed Black South Africans—we are fast deporting people of color. All of us who are the minority can be mistaken for ‘unlawful immigrants.’”

The recent escalation in Minneapolis has heightened Patterson’s concern. He said the city has effectively been made a battleground.

Patterson said the Baltimore County NAACP wants the public to recognize that ICE operates as a militarized organization, unlike local police. He urged people to consider avoiding areas where ICE is active whenever possible and to exercise caution if they encounter agents. If approached, Patterson stressed that people verify warrants are properly signed and directed at them, assert their right to remain silent and contact an attorney before answering questions or consenting to searches.

He also encouraged residents to notify the Baltimore County NAACP of any encounters with ICE.

“We don’t want to wait for Minnesota in Maryland before speaking out about this,” said Patterson. “We want to equip our people to protect themselves behaviorally, consciously and conscientiously because these things are coming to pass. The imprint is among us and we need, therefore, to be aware.”

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