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African American Museum & Cultural Center in the Works
NNPA NEWSWIRE — On June 12, the community is invited out to an AfroNoon celebration at White Park in downtown Riverside at Market and 9th Street. The artist village event features a mini-museum and Charles Bibbs along with local regional and national artists, among top-level sponsors IEHP and the City of Riverside. Rooths said that vendors, sponsors and volunteers are welcome to RSVP to the event, which runs from 12:00-7:00 p.m.
The post African American Museum & Cultural Center in the Works first appeared on BlackPressUSA.
By Dianne Anderson, Precinct Reporter Group News
Not for lack of talent, the inland empire never had a gallery where Black artists could gather to exhibit their works, bask in their creativity, or otherwise have a place to call home – until now.
In the works, the Charles A. Bibbs African American Museum & Cultural Center will serve to house and preserve renowned and emerging artworks.
Janice Rooths said the center is currently in the planning stages, but there is no telling how big it could grow.
“We want the entire region to know that it’s coming,” said Rooths, president of the center’s board.
On June 12, the community is invited out to an AfroNoon celebration at White Park in downtown Riverside at Market and 9th Street. The artist village event features a mini-museum and Charles Bibbs along with local regional and national artists, among top-level sponsors IEHP and the City of Riverside. Rooths said that vendors, sponsors and volunteers are welcome to RSVP to the event, which runs from 12:00-7:00 p.m.
Last August, they received their nonprofit status, and pending approvals, are preparing to launch by late 2023. When completed, it will showcase regional creative outlets, but they also expect to attract African American influences across the spectrum, and around the world.
Aside from the museum’s permanent collections, the cultural center will spotlight various aspects of visual art, ancient modern, or futuristic, as well as traveling collections.
They are connecting with engineers and architects about potential technologies, such as ordering products from anywhere inside the museum. One creative concept includes the Nile River to the Tree of Life, possibly with water running under it with fish.
“[It’s to] have a sense of where we came from and how all of us are the branches off that, the creativity that our Black community can bring to the world, and that we at “the Bibbs” can help cultivate in the world,” said Rooths, who also serves many positions in the community, including Riverside Branch NAACP, and as a Human Relations Commissioner.
She said the area is long overdue for a world-class museum, an incubator for artists in residence program, as well as programs for junior artists K-12.
Architectural renderings are not yet available, but she said they are looking to locate downtown. Once the land is acquired, environmental impact reports will follow.
The idea came about two years ago when Mr. Bibbs received a city council award and met with the city manager. At first, the vision was to create a Black college in Riverside. They started calling the project “the Bibbs” to house both culture and art, along with an HBCU affiliation.
“We did the reverse of that [to] first incorporate the HBCU artists in residence program. Right now we’re in talks with RCC to provide credited coursework, from that maybe grow out into a college with more emerging artists in residence,” she said.
The past two years have been hard with most people stuck in the house, but it also has awakened a need to buy more art and brighten things up.
Charles Bibbs said his business has done well, which he feels reflects the power of art to inspire during the dark times. Other intense periods of history, like the Black Panthers and the Civil Rights movement also sparked much artistic expression.
“We as artists did well because we were telling the story with paintbrushes and pencils. We were one of those groups during the chaos that helped fix things. We get blessed for doing that, doing something to stem the tide to encourage people to not give up,” he said.
Bibbs, a Riverside-based internationally acclaimed artist, envisions the center will draw a boom of cultural activity to their 100 seat-arena featuring three or four art galleries and exhibitions. A library will exclusively feature Black History and African American works.
He said they are rallying fundraising and support, letting the community know the benefit of the center as a place to celebrate, and that the youth need a place to learn their history.
“That’s one of the things we’re going through now in our schools to finally get them to tell the truth on the beginnings of this country. Our cultural center will be a place where our students can come and learn the things that they are not taught in schools,” he said.
He hopes to see a partnership like The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum with the city of Riverside. Named after the famous comedian and art collector, it is slated to open in June.
Bibbs said 65% of the local population is of Mexican heritage, which ensures good traffic for the future. He said Riverside has always wanted to be more than a drive-through city, and that Cheech partnership changed the dynamic.
“I can’t go to L.A. and talk to my Chicano friends without them talking about Riverside,” he said. “It is the place for Chicano art. What we’re trying to do is be a center in Riverside for African American art.”
Bibbs has dedicated decades toward getting artists prepared to showcase their works to the community through various venues, including digital, hard copies, and sales.
His end goal is to establish the center for the community to flourish, where artists can learn from each other and cultivate creativity for a long time to come.
“It’s about time that this region has something that celebrates Black people, we’re coming together to give homage to celebrate our history,” he said. “It has to be an institution that is going to last the test of time.”
To find out more about the museum, or vendor opportunities, email thebibbsmuseum@gmail.com
The post African American Museum & Cultural Center In the Works appeared first on Precinct Reporter Group News.
The post African American Museum & Cultural Center in the Works first appeared on BlackPressUSA.
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OP-ED: The Illusion of Allyship. White Women, Your Yard Signs Mean Nothing to Me
NNPA NEWSWIRE – “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.
Political yard signs can symbolize intentions and allegiance. But this year, they’ve also symbolized betrayal. During this general election, Black women were led to believe that more White women would stand with us. Exit polls, however, told a different story. Despite overwhelming displays of support, more White women still chose to vote for the convicted felon, reality TV star, and rapist. White women answered the call but left us hanging at the polls.
A Familiar Disappointment
I live in DeKalb County, Georgia, and the abundance of Harris-Walz yard signs could’ve fooled me. But I’ve seen this before, back when Stacey Abrams ran for governor. White women showed up, put up signs, attended rallies, knocked on doors, and phone-banked. Yet, when it came time to vote, they let us down—not once but twice. I’ve been here for over 15 years, and if there’s one thing I know, it’s that political signs are symbols without weight.
In every election, I’ve talked with White women. Most aren’t the primary earners in their families and vote along party lines, aligning with the preferences of their fathers and husbands. These conversations reveal a reluctance to break from tradition, even when their votes affect women and certainly when their votes impact the lives of people who look like me.
The Illusion of Solidarity—Symbols Are Not Enough
On social media, I’m seeing White women posting pictures of blue bracelets to “prove” they didn’t vote for Trump. “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.
I’ve seen Black Lives Matter signs and black squares posted on Instagram to “prove” support for Black people, but we now know that was a lie, too. Will those same people who claimed Black lives mattered now take down their Harris-Walz signs and show their true selves?
Navigating these truths is a daily struggle for me—professionally and socially. White women often misuse their privilege, supporting us only when it’s convenient. Seeing overqualified Black women sabotaged or abandoned by White women at critical moments is a constant emotional challenge. It’s exhausting to live with this reality, especially when solidarity seems like something they pick up and discard at will.
One clever campaign ad from Harris-Walz that spoke directly to White women. “Your Vote, Your Choice” emphasized that their vote was private—independent of their household situation. Another was from Olivia Howell Dreizen, the “Vote Without Fear” campaign, which empowered women to consider the greater impact of their choices. But it seems many still couldn’t choose the roadmap to freedom—even when it was handed to them.
A Call for Action Beyond Words
White women, I want to believe you care, but actions speak louder than yard signs, bracelets, or Instagram posts. Show up in our communities, advocate in your workplaces, and stand up to dismantle the structures that uphold white supremacy. Only through real action will we know where you stand.
If you choose not to act, we see you—and we know exactly where you stand. Good luck these next four years.
Disclaimer: The views and opinions expressed in this article do not necessarily reflect the official policy or position of BlackPressUSA.com or the National Newspaper Publishers Association.
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Supernova Parenting Conference Empowers Over 100 Parents with Resources for Neurodivergence and Mental Health
The inaugural Supernova Parenting Conference was co-hosted by Natasha Nelson, known as Supernova Momma, and Yolanda Walker, founder of Parenting Decolonized. It brought together over 100 parents, caregivers, and educators dedicated to fostering understanding and support for neurodivergent children and mental health challenges. The conference provided invaluable resources, expert insights, and a collaborative space for […]
The inaugural Supernova Parenting Conference was co-hosted by Natasha Nelson, known as Supernova Momma, and Yolanda Walker, founder of Parenting Decolonized. It brought together over 100 parents, caregivers, and educators dedicated to fostering understanding and support for neurodivergent children and mental health challenges. The conference provided invaluable resources, expert insights, and a collaborative space for connection, marking a significant step toward creating a more inclusive parenting community.
The event featured a variety of workshops, panel discussions, and keynote speeches from leading experts in neurodiversity and mental health. Attendees left with practical tools and strategies to enhance their parenting journeys, emphasizing the importance of understanding and supporting the unique needs of neurodivergent children.
“While the conference was a tremendous success, we believe that our work doesn’t end here,” said Natasha Nelson. “It’s crucial to continue providing ongoing support and resources for parents as they navigate this important journey. We want to ensure families can access the tools they need long after the conference.”
To extend the momentum generated at the conference, Natasha and Yolanda are excited to announce the launch of the Supernova Parenting Community. This membership-based initiative aims to offer a safe and supportive environment for parents and caregivers to continue their growth as conscious parents.
Membership is available for as little as $5 a month via Patreon, making it accessible for all families seeking support.
“We know that parenting can be a challenging journey, especially when navigating neurodivergence and mental health issues,” Yolanda Walker added. “Our goal is to build a community where parents feel seen, heard, and supported. We hope you’ll join us in this vital work.”
For more information about the Supernova Parenting Community and to sign up for membership, please visit supernovaparenting.org
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Election Night on The Yard at Howard University
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