Connect with us

#NNPA BlackPress

African Culture Comes Alive in ‘The Burial of Kojo’ by Blitz the Ambassador

NNPA NEWSWIRE — “The Burial of Kojo,” is essentially a human story of courage and survival, a 2019 Pan African Film Festival Official Selection and the winner of the Urban World Film Festival Best Narrative Feature Award.

Published

on

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

“The Burial of Kojo” — among the offerings from Ava DuVernay’s Array Now Film Distribution Company and currently airing on Netflix, has been called quite the marvel that flexes visual storytelling muscles that you didn’t know existed.

Critics have also lauded the new flick for taking “unexpected risks with camera work and off-center choices when it comes to pushing a narrative forward.”

Deadline Hollywood’s Dino-Ray Ramos  said the film may “have a flair for the opulent, but through all of its sumptuousness, it’s grounded with a very personal story.”

The New York Times noted that when musicians turn to film directing, it doesn’t always work out. However, for hip-hop artist, filmmaker and Ghanaian visual artist Blitz the Ambassador, it more than works out with “The Burial of Kojo.”

Blitz wrote, directed and scored the film in what many already label as a dazzling and modern fable.

“I say that the film is my grandmother’s story because her stories were real and they always had some moral and was always still rooted in the real world,” Blitz told NNPA Newswire just prior to a special screening at the National Museum of African American History and Culture in Washington, D.C., on Friday, April 5.

“It’s a magical story that deals with a little girl who has to find her father after he goes missing on a mining expedition,” Blitz said.

“The Burial of Kojo” counts as the tale of two brothers told through the gifted eyes of Esi, a young girl who transports the audience to the beautiful lands of Ghana and other worlds that exist between life and death.

Born from a newspaper article and a Kickstarter campaign, Blitz captures the beauty of a family, even when the circumstances aren’t beautiful, according to the movie’s production company.

“The Burial of Kojo,” is an essential human story of courage and survival, a 2019 Pan African Film Festival Official Selection and the winner of the Urban World Film Festival Best Narrative Feature Award.

The initial scene of the movie immediately grabs the audience’s attention.

A car burns on a beach and Esi, begins to share the story of her father and uncle via what she says is a dream that’s really not a dream at all. “My birth was supposed to bring prosperity and good fortune to my family.”

“The Burial of Kojo” depicts Esi as a child who has the trust of an old blind man. She begins dreaming of a man in a crow costume – the movie moves through various forms of imagery with the characters colored in purple and red lighting. “It has a lot of magical entities and elements that are used to tell a sometimes-traumatizing story,” said Blitz.

“I was most concerned with how to contribute through specific African lens,” he said.

Born and raised in Accra, Ghana, Blitz, whose real name is Samuel Bazawule, comes from a music background of Afrobeat, Jazz, Highlife and Motown.

He moved to the United States and attended Kent State University in Ohio before relocating to New York where his hip hop career began to flourish, according to Deadline Hollywood.

He started a band called Embassy Ensemble and his own label, Embassy MVMT which pushed the genre forward.

While he was making music, he always knew that a filmmaker was dying to come out.

“It’s always been something that I’ve wanted to do,” he said.

“I come from visual arts — I draw. Those things are a gateway to understanding visual structure and colors. I always knew that at some point I would want to expand into motion pictures, but it just didn’t seem plausible.”

To view the trailer for “The Burial of Kojo,” click here.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

#NNPA BlackPress

Remembering George Floyd

Published

on

Continue Reading

#NNPA BlackPress

OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

Published

on

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

Continue Reading

#NNPA BlackPress

Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

Published

on

By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.