Arts and Culture
‘Architect to the Stars,’ Paul R. Williams Helped Define L.A.’s Building Style
Among his many remarkable buildings are the opulent Saks Fifth Avenue building in Beverly Hills and the flying saucer–shaped Theme Building at the Los Angeles International Airport (as co-designer). He also oversaw additions to the Beverly Hills Hotel in the 1950s. In addition to stores, public housing, hotels, and restaurants, he designed showrooms, churches, and schools.
By Tamara Shiloh
Paul Revere Williams (1894-1980) was an African American architect noted for his mastery of a variety of styles and building types and for his influence on the architectural landscape of Southern California.
In more than 3,000 buildings over the course of five decades, mostly in and around Los Angeles, he introduced a sense of casual elegance that came to define the region’s architecture. His work became so popular with Hollywood royalty that he was known as the “architect to the stars.”
Williams, the second of two children, was born in 1894, shortly after his parents moved to Los Angeles from Memphis, Tenn. Both his parents died by the time he was four years old, and Williams was reared by a family friend while his brother lived with a different family.
Because his foster mother quickly recognized his talent, Williams received a solid education and followed his dream to become an architect, though there were few African American architects at the time.
His architectural aspirations remained uppermost in his thoughts. He attended the Los Angeles atelier of the Beaux-Arts Institute of Design (1913–16) and was certified as an architect in 1915.
While attending a program for architectural engineering at the University of Southern California from 1916-1919, he took a series of low-paying jobs at several architectural firms to learn as much as he could.
He learned about landscape architecture while working with Wilbur D. Cook and got his first taste of designing on a palatial scale at the firm of Reginald D. Johnson. From 1920 to 1922, he worked for John C. Austin (with whom he later collaborated), turning his attention to designs for large public buildings.
In 1921, Williams received a license to practice architecture in California and accepted his first commission from Louis Cass, a white, former high school classmate.
A year later, at age 28, Williams founded his own business, Paul R. Williams and Associates, and in 1923 he became the first African American member of the American Institute of Architects. He later was licensed to practice in Wash., D.C. (1936), New York (1948), Tennessee (1960), and Nevada (1964).
His designs for suburban and country estates incorporated Mediterranean, Spanish Revival, and English Tudor themes, a blend of styles that strongly appealed to California residents at mid-century. No matter what their stylistic elements, his houses were impeccably designed down to the smallest detail, and they were airy, sun-filled, and graceful.
As Williams’ reputation grew, he received commissions to design houses for such Hollywood stars as Lon Chaney, Lucille Ball, Frank Sinatra, Bill (‘Bojangles’) Robinson, Barbara Stanwyck, Cary Grant, Humphrey Bogart and Lauren Bacall and Anthony Quinn.
Among his many remarkable buildings are the opulent Saks Fifth Avenue building in Beverly Hills and the flying saucer–shaped Theme Building at the Los Angeles International Airport (as co-designer). He also oversaw additions to the Beverly Hills Hotel in the 1950s. In addition to stores, public housing, hotels, and restaurants, he designed showrooms, churches, and schools.
After 1950, when Modernism and its most-predominant architectural manifestation, the International Style, began to hold sway, Williams was seen as an architect of traditional (that is, old-fashioned) designs.
His gift for accommodating eclectic tastes while obeying sound design principles was seen as a drawback. But public taste eventually came full circle, and Williams-designed homes, especially, were again in demand in the early 21st century.
Williams wrote a number of articles, notably “I Am a Negro” (1937) for The American Magazine, and two books, “The Small Home of Tomorrow” (1945) and “New Homes for Today” (1946). In 1953, he was awarded the NAACP Spingarn Medal. Many awards and honors followed, both during and after his lifetime.
Sources: https://www.npr.org/2012/06/22/155442524/a-trailblazing-black-architect-who-helped-shape-l-a
Activism
Essay: Intentional Self Care and Community Connections Can Improve Our Wellbeing
At the deepest and also most expansive level of reality, we are all part of the same being, our bodies made from the minerals of the earth, our spirits infused by the spiritual breath that animates the universe. Willingness to move more deeply into fear and pain is the first step toward moving into a larger consciousness. Willingness to move beyond the delusion of our separateness can show us new ways of working and living together.
By Dr. Lorraine Bonner, Special to California Black Media Partners
I went to a medical school that was steeped in the principles of classical Western medicine. However, I also learned mindfulness meditation during that time, which opened me to the multifaceted relationship between illnesses and the interconnecting environmental, mental and emotional realities that can impact an individual’s health.
Therefore, when I began to practice medicine, I also pursued training in hypnosis, relaxation techniques, meditation, and guided imagery, to bring a mind-body focus to my work in medical care and prevention.
The people I saw in my practice had a mix of problems, including high blood pressure, diabetes, and a variety of pain issues. I taught almost everyone relaxation breathing and made some general relaxation tapes. To anyone willing, I offered guided imagery.
“My work embraced an approach to wellness I call “Liberatory Health” — one that not only addresses the treatment and management of disease symptoms but also seeks to dismantle the conditions that make people sick in the first place.”
From my perspective, illness is only the outermost manifestation of our efforts to cope, often fueled by addictions such as sugar, tobacco, or alcohol, shackled by an individualistic cult belief that we have only ourselves to blame for our suffering.
At the deepest and also most expansive level of reality, we are all part of the same being, our bodies made from the minerals of the earth, our spirits infused by the spiritual breath that animates the universe. Willingness to move more deeply into fear and pain is the first step toward moving into a larger consciousness. Willingness to move beyond the delusion of our separateness can show us new ways of working and living together.
To put these ideas into practical form, I would quote the immortal Mr. Rogers: “Find the helpers.” There are already people in every community working for liberation. Some of them are running for office, others are giving food to those who need it. Some are volunteering in schools, libraries or hospitals. Some are studying liberation movements, or are working in urban or community gardens, or learning to practice restorative and transformative justice, or creating liberation art, music, dance, theater or writing. Some are mentoring high schoolers or apprenticing young people in a trade. There are many places where compassionate humans are finding other humans and working together for a better world.
A more compassionate world is possible, one in which we will all enjoy better health. Creating it will make us healthier, too.
In community, we are strong. Recognizing denial and overcoming the fragmenting effects of spiritual disorder offer us a path to liberation and true health.
Good health and well-being are the collective rights of all people!
About the Author
Dr. Lorraine Bonner is a retired physician. She is also a sculptor who works in clay, exploring issues of trust, trustworthiness and exploitation, as well as visions of a better world.
Activism
A Call to Save Liberty Hall: Oakland’s Beacon of Black Heritage Faces an Uncertain Future
For generations, Liberty Hall has been more than bricks and wood — it has been a spiritual and cultural sanctuary for Black Oakland. The building once served as a hub for Marcus Garvey’s Universal Negro Improvement Association (UNIA), where Garvey’s call for economic independence and Pan-African unity resonated through the hearts of a people newly migrating to the West in search of freedom and dignity.
Special to The Post
On a quiet corner near the West Oakland BART Station stands a weathered but proud monument to African American history — the Universal Negro Improvement Association’s Liberty Hall, also known as the Marcus Garvey Building. Built in 1877, this two-story Italianate landmark has witnessed more than a century of struggle, self-determination, and community empowerment. Now, its survival hangs in the balance.
For generations, Liberty Hall has been more than bricks and wood — it has been a spiritual and cultural sanctuary for Black Oakland. The building once served as a hub for Marcus Garvey’s Universal Negro Improvement Association (UNIA), where Garvey’s call for economic independence and Pan-African unity resonated through the hearts of a people newly migrating to the West in search of freedom and dignity.
Local 188 of UNIA was the largest chapter in Northern California when the organization bought the building in 1925, but a fire burned the roof in 1931, and the chapter sold the building in 1933. The International Peace Movement, founded by Father Divine, used the building through the 1950s.
Since then, the building has been a meeting ground for civil rights organizers, artists, and educators like Overcomers With Hope who have carried that same flame of liberation through Oakland’s turbulent decades.
Today, local cultural organizer and artist Douglas “Pharoah” Stewart has stepped forward to lead the charge to save Liberty Hall. Stewart is already facing “Cultural Eviction” at the Oakland Cannery, and through his organization, Indigenous House, Stewart has rallied a coalition of artists, educators, historians, and community leaders to preserve and restore the site as a community-owned cooperative center — a place where arts, wellness, and economic empowerment can thrive for future generations.
“Liberty Hall is not just a building — it’s a living ancestor,” Stewart says. “This space gave birth to movements that shaped who we are as a people. If we lose this, we lose a piece of our soul.”
Stewart envisions transforming the historic landmark into a multi-purpose cooperative hub — complete with a cultural museum, community performance space, youth tech labs, and creative studios for local entrepreneurs. His vision echoes Garvey’s own: “A place where we can rise together, economically, spiritually, and culturally.”
But the fight is urgent. The aging building faces structural challenges, and time is running short to secure preservation funding. Stewart and his team are now calling on city officials, foundations, athletes, and celebrities to join forces with the community to raise the necessary capital for acquisition and restoration.
“We’re inviting everyone — from the Oakland A’s to local artists, from Golden State Warriors players to Black-owned businesses — to stand with us,” Stewart urges. “Let’s make Liberty Hall a model for what preservation can look like when the people lead.”
The Liberty Hall Project aligns with Oakland’s growing movement to protect historic Black cultural sites — places like Esther’s Orbit Room, Marcus Bookstore, and the California Hotel. For Stewart, Liberty Hall represents a chance to bridge the city’s past with its future, transforming preservation into a living, breathing act of justice.
“This is not nostalgia,” Stewart says. “This is nation-building. It’s about creating sustainable, community-owned spaces that honor our ancestors and empower our youth.”
As development pressures mount across West Oakland, Liberty Hall stands as a powerful reminder of resilience, resistance, and rebirth. The question now is whether the community — and those with the power to help — will answer the call.
For donations, partnerships, or information about the Liberty Hall Cooperative Development Project, contact Indigenous House at www.indigenoushouse.org Douglas Stewart dstewart.wealth@gmail.com
Activism
MLK Way at 57th Street in Oakland Renamed Bobby Seale Way for Black Panther Co-Founder
In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College located at 57th and Grove streets, now MLK. Jr. Way.
By Zac Unger
We are so proud to honor the legacy of the great Bobby Seale by commemoratively renaming 57th Street and Martin Luther King Jr. Way to Bobby Seale Way in North Oakland. Seale, 88, has dedicated his life to advancing social justice, racial equality, and community self-determination. He played an essential part in the history of our country by co-founding the Black Panther Party for Self Defense in Oakland in 1966 with the late Huey Newton.
Our City has a tremendous history of activism, and it is a legacy we are proud of and strive to continue as our community and country face so many incredible challenges right now.
In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College, located at 57th and Grove streets, now MLK. Jr. Way.
Later, they cofounded the first Negro history class, which led to the establishment of the first Black Studies program in college curricula in the country. Murrell is scheduled to introduce Seale at the street dedication.
The author of “Seize the Time,” Seale ran for mayor of Oakland in 1973, coming in second in a field of nine. We are proud to memorialize his legacy by renaming this street so that we do not forget the legacy and change he has made.
Zac Unger is Oakland’s District 1 Councilmember
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