Entertainment
Art Neville was a recognized genius, but not a well-compensated one
NEW TRI-STATE DEFENDER — It’s an all-too-common story: A fabulous black musician redefines a genre of music. He’s adored and emulated by other musicians, including famous white acts. But the financial rewards, for complicated reasons, don’t match up.
By The Undefeated
A founder of both the Meters and the Neville Brothers, he brought the funk to New Orleans
It’s an all-too-common story: A fabulous black musician redefines a genre of music. He’s adored and emulated by other musicians, including famous white acts. But the financial rewards, for complicated reasons, don’t match up.
This week, we lost a real one: Singer and keyboardist Arthur Neville of New Orleans died Monday at 81. A principal founder of both the Meters and the Neville Brothers, his sound and singular coolness were central to the worlds of jazz, funk and soul music.
“Everyone in the industry digs us. … [But] I wanna go to the bank.”
Neville’s genius is forever attached to the city he loved. He was born on Dec. 17, 1937, and grew up in the Calliope Projects that would later raise another musical giant from the Crescent City in Master P. His career technically began as a 17-year-old in 1954, when he was a member of a school band called the Hawketts that recorded a cover of “Mardi Gras Mambo.” To this day, Neville’s fingerprints are all over Mardi Gras, and it’s impossible to fully embrace Fat Tuesday without his sound.
From there, Neville would help elevate New Orleans funk to an entirely new level. In an eight-year stretch between 1969 and 1977, Neville and the Meters (formerly known as Art Neville & the Neville Sounds) dropped eight albums. Their best known songs were “Cissy Strut,” “Fire on the Bayou” and “Hey Pocky A-Way.” Their 1974 album Rejuvenation was listed at No. 138 on Rolling Stone’s 500 Greatest Albums of All Time list. The Meters toured with the Rolling Stones and won the adoration and respect of Paul McCartney — the band recorded a live album, Uptown Rulers, in 1975 from a performance at a release party for the former Beatle’s Venus and Mars album.
But the Meters grew frustrated with their lack of mainstream success. And like so many acts before and after them, that frustration (and drug usage) led the group to disband. It didn’t take long, though, for Neville to begin the next chapter of his career. Along with his three brothers, Aaron, Charles and Cyril, and their uncle George “Jolly” Landry, they formed the Neville Brothers in 1977. And like the Meters before them, they were beloved both in New Orleans and across the industry, although the financial reciprocation wasn’t always present.
“Everyone in the industry digs us. Every other band, bands I love, bands I look up to, they looking at us the same way,” he told Rolling Stone in 1987. “Huey Lewis — those cats was onstage watching us every night. The Stones was watching us. [But] I wanna go to the bank. For once in my life, I’d like to be able to do something for my family.”
Between 1987 and 1990, the Neville Brothers released three albums that would ultimately cement their status as authentic sound leaders of their city and of their time. Uptown (1987) featured the likes of Jerry Garcia, Carlos Santana and others. Yellow Moon (1989) earned the group its first Grammy, best pop instrumental performance for “Healing Chant.” And the aptly titled Brother’s Keeper became a cultural touchstone for a city that has no shortage of them.
Neither Art nor the Meters or the Neville Brothers found runaway success, but the sound he created for his city won over the world. He’d tour and reunite with the Meters and Neville Brothers throughout his life. Neville even captured another Grammy in 1996 for his contributions to “SRV Shuffle,” found on A Tribute to Stevie Ray Vaughan.
For as long as he could, Neville placed mind over matter and continued to perform despite mounting health issues. There were complications from back surgery and the effects of a stroke. Neville, though, would come to embody what Bob Marley and The Wailers once dubbed the medicine of music: One good thing about music, when it hits you feel no pain. The stage was Neville’s sanctuary, where he felt safest and where fans felt most at peace.
“You can bring me there in the ambulance, roll me onto the stage, give me a microphone and mirror where I can see the people,” Neville said in 2013. “Man, look. I’ve been doing this all my life. I enjoy it. Even the bad part of it, the parts I didn’t like … I found out that’s the way things go sometimes. You’ve got to go along with them.”
The music industry didn’t always give him the flowers he deserved. It never does to most. Last year, the Meters received a Grammy Lifetime Achievement Award in Los Angeles, although Neville wasn’t well enough to attend.
Still, he created art that has no expiration date. Neville earned his chops performing at establishments that may never be famous outside of NOLA, like Nite Cap in Uptown or Ivanhoe on Bourbon Street. But that’s the beauty about planting roots even if the world only gets to see what blossoms.
This article originally appeared in the New Tri-State Defender
Activism
Oakland Post: Week of May 21 – 27, 2025
The printed Weekly Edition of the Oakland Post: Week of May 21 – 27, 2025

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Bo Tefu
Gov. Newsom Highlights Record-Breaking Tourism Revenue, Warns of Economic Threats from Federal Policies
“California dominates as a premier destination for travelers throughout the nation and around the globe,” said Newsom. “With diverse landscapes, top-rate attractions, and welcoming communities, California welcomes millions of visitors every year. We also recognize that our state’s progress is threatened by the economic impacts of this federal administration, and are committed to working to protect jobs and ensure all Californians benefit from a thriving tourism industry.”

By Bo Tefu, California Black Media
Last week, Gov. Gavin Newsom, along with the nonprofit organization Visit California, announced that tourism spending in California reached a record $157.3 billion in 2024, reinforcing the state’s status as the top travel destination in the United States.
The Governor made the announcement May 5, referencing Visit California’s 2024 Economic Impact Report, which highlights a 3% increase in tourism revenue over the previous year.
According to the report, California’s tourism sector supported 1.2 million jobs, generated $12.6 billion in state and local tax revenues, and created 24,000 new jobs in 2024.
“California dominates as a premier destination for travelers throughout the nation and around the globe,” said Newsom. “With diverse landscapes, top-rate attractions, and welcoming communities, California welcomes millions of visitors every year. We also recognize that our state’s progress is threatened by the economic impacts of this federal administration, and are committed to working to protect jobs and ensure all Californians benefit from a thriving tourism industry.”
Despite the gains in tourism revenue, Visit California’s revised 2025 forecast points to a 1% decline in total visitation and a 9.2% decrease in international travel. The downturn is attributed to federal economic policy and what officials are calling an impending “Trump Slump,” caused by waning global interest in traveling to the United States.
To offset projected losses, the Governor is encouraging Californians to continue traveling within the state and has launched a new campaign aimed at Canadian travelers.
Activism
BOOK REVIEW: The Afterlife of Malcolm X
Betty Shabazz didn’t like to go to her husband’s speeches, but on that February night in 1965, he asked her to come with their daughters to the Audubon Ballroom in New York. Did Malcolm X sense that something bad would happen on that night? Surely. He was fully aware of the possibility, knowing that he’d been “a marked man” for months because of his very public break with the Nation of Islam.

By Terri Schlichenmeyer
Author: by Mark Whitaker, c.2025, Simon & Schuster, $30.99, 448 pages
Who will remember you in fifty years’ time?
A handful of friends – at least those who are still around – might recall you. Your offspring, grandkids, and greats, maybe people who stumble upon your tombstone. Think about it: who will remember you in 2075? And then read “The Afterlife of Malcolm X” by Mark Whitaker and learn about a legacy that still resonates a half-century later.
Betty Shabazz didn’t like to go to her husband’s speeches, but on that February night in 1965, he asked her to come with their daughters to the Audubon Ballroom in New York. Did Malcolm X sense that something bad would happen on that night? Surely. He was fully aware of the possibility, knowing that he’d been “a marked man” for months because of his very public break with the Nation of Islam.
As the news of his murder spread around New York and around the world, his followers and admirers reacted in many ways. His friend, journalist Peter Goldman, was “hardly shocked” because he also knew that Malcolm’s life was in danger, but the arrest of three men accused of the crime didn’t add up. It ultimately became Goldman’s “obsession.”
Malcolm’s co-writer for The Autobiography of Malcolm X, Alex Haley, quietly finished the book he started with Malcolm, and a small upstart publishing house snatched it up. A diverse group of magazines got in line to run articles about Malcolm X’s life, finally sensing that White America “’needed his voice even more than Blacks did.’”
But though Malcolm X was gone, he continued to leave an impact.
He didn’t live long enough to see the official founding of the Black Panther Party, but he was influential on its beginning. He never knew of the first Kwanzaa, or the triumphs of a convert named Muhammad Ali.
Malcolm left his mark on music. He influenced at least three major athletes.
He was a “touchstone” for a president …
While it’s true that “The Afterlife of Malcolm X” is an eye-opening book, one that works as a great companion to the autobiography, it’s also a fact that it’s somewhat scattered. Is it a look at Malcolm’s life, his legacy, or is it a “murder mystery”?
Turns out, it’s all three, but the storylines are not smooth. There are twists and tangents and that may take some getting used-to. Just when you’re immersed, even absorbed in this book, to the point where you forget about your surroundings, author Mark Whitaker abruptly moves to a different part of the story. It may be jarring.
And yet, it’s a big part of this book, and it’s essential for readers to know the investigation’s outcome and what we know today. It doesn’t change Malcolm X’s legacy, but it adds another frame around it.
If you’ve read the autobiography, if you haven’t thought about Malcolm X in a while, or if you think you know all there is to know, then you owe it to yourself to find “The Afterlife of Malcolm X.”
For you, this is a book you won’t easily forget.
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