Connect with us

#NNPA BlackPress

Attendees on What They Thought of City’s Inaugural Freedom Fest

BIRMINGHAM TIMES — The festival offered a balance of entertainment and education. Performers included Birmingham talents Ruben Studdard and Alvin Garrett as well as Huntsville hip hop artist Translee. Others included gospel artist Kristen Glover, neo soul artist Love Moor, soul group Midnight Star, hip hop soul artist Musiq Soulchild, and hip-hop duo 8Ball & MJG.

Published

on

From left: Kenneth Marbry II; Kenneth Marbry III; Amariya Marbry and Patrice Marbry during Freedom Fest (Photo by: Ameera Steward | The Birmingham Times)

By Ameera Steward

Local resident Marie Dixon got exactly what she was looking for when she attended the inaugural Birmingham Freedom Fest last weekend in Kelly Ingram Park.

“As a vegan I was worried I wasn’t going to find anything to eat,” said Dixon. “I had a …black bean burger it’s so good…[and] amazing.”

Dixon moved to Birmingham from Maryland 17 months ago and said the festival gave her a chance to interact with the community.

“I don’t come out as much as I should, so this has been a great opportunity to mix and mingle…,” she said. “I think it’s a great opportunity to be a part of the civil rights [institute] and all of the history that Birmingham has.”

The Freedom Fest drew thousands of people for a day long series of entertainment and empowerment in the heart of the Civil Rights District in downtown.

The festivities began at noon beneath a bright sun that illuminated colorful tents and food trucks that sold goods to the diverse crowd around Kelly Ingram Park.

The festival offered a balance of entertainment and education. Performers included Birmingham talents Ruben Studdard and Alvin Garrett as well as Huntsville hip hop artist Translee. Others included gospel artist Kristen Glover, neo soul artist Love Moor, soul group Midnight Star, hip hop soul artist Musiq Soulchild, and hip-hop duo 8Ball & MJG.

There was also an online contest where the residents of Birmingham voted on “Birmingham’s Emerging Artist” – Chrinway, a Bessemer city rapper.

The fest also gave attendees a chance to hear leaders and innovators in business, technology, beauty, the arts, and urban planning during seven empowerment sessions held in places like the historic Sixteenth Street Baptist Church and the Birmingham Civil Rights Institute. Panel discussions included the “Justice, Empathy and Advocacy” panel with Mayor Randall Woodfin, U.S. Senator Doug Jones, and Prison reform advocate Anthony Ray Hinton.

Visitors came away pleased by what they saw and heard. To some the festival was reminiscent of the past and for others it was a look into the future of Birmingham.

“I think this is a great event and it being the first year, I just wanted to come out and show some support,” said Dixon, who added she was glad to see the diverse crowds. “It’s about all of Birmingham and not just the African-American portion of Birmingham.”

“I was really proud to be in Birmingham on Saturday,” she said. “I was touched by the history of the Civil Rights District and proud to see how far Birmingham has come.”

LaTonya Roy, 47, originally from Anchorage, Alaska and who now lives in Birmingham said she was attracted to the fest because of the word “freedom…freedom of expression, freedom to connect with a diverse group of people.”

Roy said she was looking forward to “the entertainment, the panels, and the good weather that we’re having.”

“I love it,” said Jeremy Scott, 24, of Birmingham. “It’s brought out everybody in Birmingham, I hope they continue doing it so we can do this for years to come. I know it’s the first annual, I want it to be annual.”

Scott said he and his friends saw the event on Facebook and seeing a music festival in Birmingham was something different.

“We haven’t had a festival here in a long time,” he said. “The last time I came out for a music festival was [City Stages] so it’s been a while since I’ve seen…live talent in Birmingham but it’s been amazing.”

Scott said his favorite part was seeing Midnight Star, “I’m a big funk musician fan so I’m digging it right now.”

This slideshow requires JavaScript.

Panel Discussions

Patrice Marbry, 39, of Chelsea, Ala. said she enjoyed the empowerment sessions.

“I like the idea of having the musical artists as well as the informational sessions,” she said.

Marbry is a board member of STREAM Innovations, a nonprofit organization that helps students develop and explore their passion for Science, Technology, Reading, Engineering, Arts, and Mathematics (STREAM).  She attended the “Cracking Codes: The Power of STEM” panel discussion, held in St. Paul United Methodist Church to support the organization’s CEO, Dr. Adrienne Starks.

One thing she learned was the challenges faced by people of color who drop out of their PhD programs.

It was encouraging for young people to see people who look like them on the panel with PhDs  in front of their names, she said.

Another favorite was the “Justice, Empathy and Advocacy” panel, said Marbry, a regional middle school instructional coach at the University of Montevallo.

“Anthony Ray Hinton (was wrongly convicted of the 1985 murders of two fast food restaurant managers in Birmingham, sentenced to death, and held on the state’s death row for 28 years) called a lot of things the exact things that they are. As an educator I have been inclined to believe that education should be at the forefront of the Social Justice Movement.”

Scott attended the “She Decides: A Courageous Conversation about Women’s Rights” panel held in Sixteenth Street Baptist Church and said it was informative and it opened his eyes.

“I was kind of in the dark about everything but…I’m looking around and seeing what we need to change in the state, in the country, everywhere,” Scott said.

Jay Williams, 25, of Birmingham, also attended the “She Decides” panel. “We get to see what happens when women empower each other,” he said.

“I have been encouraged by seeing the turnout…I think that opportunities like this should come more to Birmingham [because] it’s just an opportunity for us to show what we have,” said Williams.

Leah Parker, 39, visiting Birmingham from Atlanta, Ga. said she enjoyed both the panels and the music.

“It’s nice to see everybody come out and just enjoy great music; everybody has been so friendly and positive,” she said. “And seeing what our city can really do . . . it’s great energy out here.”

“The music is great, you can’t beat it, live music, outside everybody is up dancing, everybody is having a memory when a song comes on, it’s been great,” she said. Her favorite part was “running into old friends and meeting some new friends.”

Vivian Davis, Alabama State Senator, said on the “She Decides” panel that women need to support one another.

“The more you share with others and you give up yourself to others the more your blessings will repeat the light onto you,” she said.

This article originally appeared in The Birmingham Times.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

#NNPA BlackPress

Rep. Al Green Files Articles of Impeachment Against President Trump

BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

Published

on

By Lauren Burke

Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005.  President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.

The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.

During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.

Continue Reading

#NNPA BlackPress

Affordable Childcare Remains a Barrier: Solutions in New Report

BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

Published

on

While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.

From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.

At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.

“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

CCAoA’s Childcare in America: 2024 Price & Supply report also found that:

  • The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
  • In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
  • In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
  • In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.

CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.

Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.

Continue Reading

#NNPA BlackPress

Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History

BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

Published

on

By Stacy M. Brown
Black Press USA Senior National Correspondent

As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?

It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.

Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.

Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.

While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.