Art
Augusta Savage: A Sculptor, Activist and Renaissance Woman
Augusta Savage was a prominent sculptor and activist of the Harlem Renaissance, known for her artistic talent and dedication to encouraging and supporting African American artists.

By Tamara Shiloh
Augusta Savage was a prominent sculptor and activist of the Harlem Renaissance, known for her artistic talent and dedication to encouraging and supporting African American artists.
Augusta Christine Fells was born on Feb. 29, 1892, in Green Cove Springs, Fla. She later took the name of her second husband as her
Savage began sculpting as a child using natural clay found near her home. Her father, a Methodist minister, didn’t approve of her sculpting and did whatever he could to stop her. She once said that her father “almost whipped all the art out of me.” Despite her father’s objections, she continued to make sculptures.
When the family moved to West Palm Beach, Fla., in 1915, she encountered a new challenge: a lack of clay. She eventually got some materials from a local potter and created a group of figures that she entered in a local county fair. Her work was well received, winning a prize and along the way the support of the fair’s superintendent, George Graham Currie. He encouraged her to study art despite the racism she encountered.
In the 1920s, Savage moved to New York City, where she attended Cooper Union, a prestigious art school that provided free tuition. She excelled there, completing her studies ahead of time and receiving scholarships for living expenses. Despite being rejected for a summer program in France because of her race, she persevered, using the incident to highlight discrimination. She gained recognition during the Harlem Renaissance, creating sculptures of prominent African Americans, including W. E. B. Du Bois and Marcus Garvey.
In 1929, Savage received a Julius Rosenwald fellowship, which enabled her to study in Paris, where she exhibited her work at the Grand Palais, a famous exhibition hall and museum in the French capital.
When she returned to the U.S. during the Great Depression, Savage turned to teaching and founded the Savage Studio of Arts and Crafts, mentoring young artists like Jacob Lawrence and Norman Lewis. She played an active role in the Harlem Artists’ Guild and worked with the Works Projects Administration (WPA) to support struggling artists.
One of Savage’s most celebrated works was The Harp, created for the 1939 New York World’s Fair. Inspired by James Weldon Johnson’s poem “Lift Every Voice and Sing,” the monumental sculpture depicted twelve African American youth as the strings of a harp. Although it was highly acclaimed, The Harp was destroyed after the fair ended.
In her later years, Savage retreated to a quieter life in Saugerties, New York, teaching children and creating art as a hobby. She was married three times and had one child, Irene.
Savage passed away on March 26, 1962, in New York City after battling cancer. Although she was nearly forgotten at the time of her death, today Savage is recognized as a pioneering artist, educator, and advocate for African American art and artists.
Activism
Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

By Godfrey Lee
Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.
Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.
The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.
For more information, go to griottheatercompany.squarespace.com/productions-v2
Activism
MLK Day of Service Volunteers Make Blankets and Art for Locals in Need
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

By Kathy Chouteau
The Richmond Standard
The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.
Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.
Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”
“People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.
CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects. The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.
BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.
Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.
Art
Vandalism at Richmond Ferry Terminal Saddens Residents
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

The Richmond Standard
“This is why we can’t have nice things,” stated the post on NextDoor.
The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.
On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.
Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.
A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.
A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”
“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.
It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.
“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”
In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.
On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.
On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.
Kathy Chouteau contributed to this report.
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