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Black community radio boosts local artists

THE WEEKLY CHALLENGER — Local musicians are gaining exposure on south St. Pete’s own WBPU 96.3 FM, also known as “Black Power 96.” The station’s weekly Local Going Global contest invites listeners to vote for their favorite local artist.

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By The Weekly Challenger

ST. PETERSBURG — Local musicians are gaining exposure on south St. Pete’s own WBPU 96.3 FM, also known as “Black Power 96.” The station’s weekly Local Going Global contest invites listeners to vote for their favorite local artist.

Hundreds of votes are counted each week, most from St. Pete residents, but also from listeners as far away as New York and Colorado who tune in through the station’s mobile app and web stream. Local Going Global shows how a small community radio station can help local artists find a big audience.

Local Christian/gospel rapper BLA (Bruce Loves the Almighty) was the first contest winner. He writes rhymes and produces his own tracks. He is a husband to his lovely wife Tessa, cuts hair, sings in two choirs and serves as Bethel Metropolitan’s Sunday School department superintendent under the direction of Rev. Dr. Ricky L. Houston. He performed on the Black Power 96 soundstage at St. Petersburg’s MLK Day this year.

BLA said his music “offers a lyrical message inspired by God over sultry melodic tunes with the low-frequency bass rumble of today’s popular trap songs.” He relates the gospel message to everyday personal struggles.

“Every day another person is dealing with pain in some way, shape or form whether it be the pangs of addiction, homelessness, a lack of self-identity or just a genuine need to hear the truth,” he said. “We should also acknowledge God when things are going well for us, too.”

Next up was local performing group, the GBT Babies. Aprincea, 10, Zy’cariah “Princess Zy,” 8, and Daegeana, 10, are cousins whose parents were local St. Petersburg rap artists. GBT was the name of the group their parents were a part of: Gutta Beezy, now known as Aprincea’s father, Josh (aka Hot Wheels), and Tank, Zy’cariah’s mom, Quaniesha.

GBT Babies also performed on MLK Day at Black Power 96.3’s Free Da Mic event. Last month they traveled to St. Louis to perform at a conference of the African National Women’s Organization where they were enthusiastically received. Under the tutelage of their manager, “Cheese,” GBT Babies’ original songs such as “Why U Mad?” and “No More Bullying” bring a positive message with a catchy beat.

Another winner of the Local Going Global contest was V.O.C.A.L.E. (Voices on Christ and Lyrical Expressions). This local group combines elements of praise and a variety of genres including gospel, R&B, hip-hop, jazz, spoken word and neo-soul to create, as they say “music that touches on the problems that many people face every day and the remedy to those problems, which is our Lord and Savior Jesus Christ.”

V.O.C.A.L.E. members Manuel Allen (spoken word artist AKA Finale), vocalist Jaylissa Golden (Lady Jay) and vocalist Larry Young (Deacon Soul) write their own songs. Finale is an ordained minister born in Cincinnati and raised in Chicago. Lady Jay was born and raised in St. Petersburg, where she follows in the footsteps of her mother and grandmother who sang in the church choir. Deacon Soul was born and raised in Detroit, where he was inspired to sing while listening to his mother rehearse with her R&B and gospel groups.

Crunkcoco has held Black Power 96’s Local Going Global title for four consecutive weeks. Born Courtney Fraser in St. Pete, he gained popularity on YouTube when he posted videos shot with a school camera in the classroom.

His “Who You Finna Try” video went viral, and he has since appeared in Cristol’s music video and on “WorldStarHipHop” 12 times. He’s been on “Upload with Shaq,” truTV, as well as on BET’s “106 & Park,” MTV’s “Ridiculousness” and on “The List.”

The free-spirited Crunkcoco is known for his over-the-top dancing in which he puts his extreme flexibility on display, often wrapping one arm around his head. He has been on stage with K. Michelle and Cardi B, City Girls and Da Brat.

“I’m cool with celebrities Cardi B, Safaree, Nicki Minaj, K. Michelle and Trina,” said Crunkcoco, who just released a new single called “Like That” featuring Heather Marie.

Winners of Black Power 96’s Local Going Global contest are announced on the air Fridays at 5 p.m. Their songs get placed into heavy rotation on the airwaves and they receive promotion through the station’s website and mobile app along with an award certificate.

The contest is the brainchild of Black Power 96 DJ Eddie “Florida Blind Boy” Maultsby, whose gospel show airs Monday, Wednesday and Friday from 7-9 a.m. DJ Eddie is well-known throughout St. Pete for his years playing guitar and singing on the streets and for his stint on the airwaves of the now-defunct WRXB.

DJ Eddie volunteers at Black Power 96 as assistant station manager and can be heard at many times throughout the week bringing local updates and popular music.

“We are a station of the people,” he said. “I wanted to connect with the people and the artists. I didn’t know this contest would be so popular, but I’m very happy to help the community to get connected.”

Themba Tshibanda, Black Power 96’s station manager, said: “The black community is powerful when we come together. Our talent should belong to us and Black Power 96.3 FM radio is ensuring that our community is heard here in St. Pete and around the world so that artists like these can make music that serves our people and they don’t feel forced to cater to those who mean our community no good.”

Local artists are invited to submit their songs for broadcast on the station through the website at www.blackpower96.org.

Volunteers are needed to help with office work, community outreach, voice work and audio production. Training is available. For more information, call 727-914-3614 or visit the station during business hours at 1245 18th Ave. S, St. Petersburg.

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Oakland Post: Week of December 18 – 24, 2024

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Arts and Culture

Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

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Photo Courtesy Of Promise Marks.
Photo Courtesy Of Promise Marks.

Special to the Post

It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks

Marks, who wrote and directed the musical, also owns PM Productions.

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”

Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.

Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.

Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.

“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.

Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.

Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.

Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.

Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.

Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.

“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”

Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.

“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”

The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.

Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”

Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”

Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”

“I’m so proud of my daughter,” said Smith.

Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.

“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.

The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com

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Oakland Post: Week of December 11 – 17, 2024

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