Entertainment
Black Ex-Soap Opera Star Sues CBS with Retaliation Charge

In this Nov. 10, 2014 file photo, actress Victoria Rowell arrives at the 2014 Glamour Women of the Year Awards at Carnegie Hall in New York. (Photo by Evan Agostini/Invision/AP, File)
NEW YORK (AP) — Former soap opera actress Victoria Rowell has sued CBS and producers, saying they have kept her off the air as retaliation for advocating the casting of more black people.
The 55-year-old Rowell, who’s black, is best known as a star of “The Young and the Restless” for 17 years. She played Drucilla Winters, an illiterate thief and prostitute, who, at Rowell’s urging, “transformed herself through an adult literacy program into a positive figure,” according to the lawsuit, filed in federal court in Manhattan.
The lawsuit alleges that though more black characters were added to the show over the years, the producers “treated them, including Ms. Rowell, as second-class citizens.”
CBS officials didn’t immediately return a call seeking comment Friday.
Rowell says she clashed with the producers in 2005 over their refusal to let her write and direct episodes of the show. Two years later, she decided to leave the show after the producers created a story line in which her character went insane.
“Ms. Rowell was placed in a straight jacket on camera and dragged to an asylum,” the lawsuit says.
In recent years, the actress has sought to persuade the soap opera it should reprise her role based on demand by hardcore fans voiced on social media, the suit says.
“If they were making business decisions not steeped in retaliatory motivations and actions, defendants’ executives would most assuredly have jumped at the opportunity to re-employ Ms. Rowell instead of rebuffing all of her efforts between 2010 and 2014,” it says.
The suit asks the court to force the show to rehire Rowell or consider her for a part on the show. It also seeks “reasonable” monetary damages and back pay.
The Maine-born Rowell lives in California and is listed in the lawsuit as having “an African-American father and an Anglo-American mother.”
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
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Activism
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