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Black Music Month Kicks Off with Highly Anticipated Local Events
THE AFRO — … concert series and festivals like Jazzy Summer Nights are not just concerts, but celebrations of our culture and music that has given the world blues, jazz, rock and roll, funk, soul, hip hop, disco, house, gospel and many others,” said trombone superstar Jeffrey Bradshaw. “Black Music Month is an honor to celebrate, but it’s a microcosm compared to how Black music has shaped the world.”
The post Black Music Month Kicks Off with Highly Anticipated Local Events first appeared on BlackPressUSA.

By Ericka Alsto Buck| Special to the AFRO
June marks the celebration of Black Music Month, a time dedicated to recognizing and honoring the contributions of Black musicians and the profound impact of Black music on culture and society. Established in 1979 by President Jimmy Carter, Black Music Month highlights the rich legacy and ongoing influence of Black music genres, including jazz, blues, soul, hip-hop and more.
Baltimore’s celebration of Black Music Month began with a bang with two spectacular events: “Wine on the Water: Caribbean and Neo Soul Edition” and the return of Jazzy Summer Nights.
“Wine on the Water,” organized by local promoter Stevie Love, was held at the waterfront on Waterview Avenue in south Baltimore on June 2. The event brought together music lovers from across the region to enjoy an evening of soulful performances by the water. Regional musician April Sampe was one of the headliners of the day with her powerful renditions of neo-soul classics, captivating a sea of attendees who had gathered to soak in the soulful sounds. Her performance set the tone for an afternoon of musical excellence.
The highlight of the event was undoubtedly the performance by Davon McCoy, better known as “Davon the Drummer.” Born in Baltimore and hailing from a long line of musicians, McCoy began playing drums at a very young age. His impressive career includes collaborations with artists like Lalah Hathaway; Monifah; Basement Boys; Ultra Naté; Petey Pablo and many others.
“I created music and started playing drums with DJs in 1994. Playing all over the world, you can catch me at large festivals, upscale parties and events like Jazzy Summer Night, spreading love through music. It is my gift and passion,” McCoy shared. His performance at “Wine on the Water” was nothing short of spectacular, showcasing his ability to merge genres and satisfy the musical cravings of every attendee.
The celebration of Black Music Month continued with the launch of Jazzy Summer Nights on June 6 at the Baltimore Peninsula. Celebrating its 24th year, this summer series has become the music destination for Baltimore, D.C. and regional residents. LaRian Finney, founder and managing Partner of The Finn Group, expressed his excitement.
“We are celebrating year 24 of the series, every first Thursday this summer – it’s the music destination for Baltimore and D.C.,” said Finney. “Jazzy is a great, safe environment to enjoy an evening of music, food, and culture at the Peninsula!”
Headlining the inaugural night was trombone superstar Jeffrey Bradshaw, who wowed the audience with performances of his popular songs like “Prototype” and “All Time Love.”
Bradshaw emphasized the importance of independent artists performing at venues like Jazzy Summer Nights.
“Being an independent Black soul and jazz artist for 21 years, I’ve definitely seen the peaks and valleys that come with this great gift,” said Bradshaw.
The musician explained the plight of Black artists in America and how he’s seen national tours for some of the greatest artists “stifled because of obvious racism.”
“Artists were sometimes coming to perform in the very cities where they received hatred,” he said. “But the tenacity and work that was done by our civil rights heroes, along with the power of love through music, has afforded us opportunities to be able to perform in every major city in America and abroad.”
“That’s why concert series and festivals like Jazzy Summer Nights are not just concerts, but celebrations of our culture and music that has given the world blues, jazz, rock and roll, funk, soul, hip hop, disco, house, gospel and many others,” said Bradshaw. “Black Music Month is an honor to celebrate, but it’s a microcosm compared to how Black music has shaped the world.”
Joining Bradshaw on stage was his friend, the soulful artist Eric Roberson, who enchanted the crowd with his hits “Picture Perfect” and “Lessons.”
Roberson shared his thoughts on the significance of events like Jazzy Summer Nights.
“You have supporters and new people who don’t know you as well. So people are going to learn your art and Black music at the end of the day,” said Roberson. “For me to be able to sing a song in front of thousands of people– where a good portion will know it and a good portion won’t know it– this is what it’s all about.”
The summer lineup for Jazzy Summer Nights will feature performances by:
Thursday, July 4 | Bilal
Thursday, August 1 | The Bela Dona Band
Thursday, September 5 | Goapele
Thursday, October 3 | The LFTOVRZ ft. Gary Groove
In addition to these events, other notable Black Music Month performances in the region include:
Friday, June 14, 2024 – Eric Benét live at Birchmere, Alexandria, Va.
Friday, June 14, 2024 – Maze featuring Frankie Beverly live at Capital One Arena, Washington, D.C.
Thursday, June 20, 2024 – The Soul Rebels with special guests Ghostface Killah and GZA, The Howard Theatre
Sunday, June 23, 2024 – Jhené Aiko live at Capital One Arena, Washington, D.C.
Tuesday, June 25, 2024 – T-Pain live at Pier Six Pavilion, Baltimore.
Friday, June 28, 2024 – The O’Jays live at The Theater at MGM National Harbor, National Harbor, Md.
Sunday, June 30, 2024 – Chris Brown live at CFG Bank Arena, Baltimore.
With an incredible lineup and a strong sense of community, the D.C., Maryland and Virginia (DMV) area’s celebration of Black Music Month is set to be an unforgettable experience, honoring the past, present and future of Black music and its profound impact on the world.
The post Black Music Month Kicks Off with Highly Anticipated Local Events first appeared on BlackPressUSA.
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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