National
Black Unemployment Rises
By Freddie Allen
NNPA Senior Washington Correspondent
WASHINGTON (NNPA) – After falling into the single digits in April, the Black unemployment rate increased to 10.2 percent in May, according to the latest jobs report from the Labor Department.
The national unemployment rate also increased from 5.4 percent in April to 5.5 percent in May. Most economists attribute the slight uptick in the jobless rate to the fact that more workers, nearly 400,000 by Labor Department estimates, entered the labor market last month. The national labor force participation rate, the share of the population that either has a job or is currently looking for one, crept up to 62.9 percent from 62.8 percent the previous month. The number of Blacks in the labor force also increased, but the participation rate was steady at 62 percent, compared to the White labor force participation rate, which rose from 62.8 percent in April to 63 percent in May.
The White unemployment rate hasn’t budged since February 2015 and in May it was still 4.7 percent. And while the share of the Black population that held a job, also known as the E-POP ratio, fell from 56 percent to 55.7 percent, the E-POP ratio showed a thin increase among Whites (59.9 percent in April vs. 60 percent in May).
The jobless rate for Black men over 20 years-old leaped a full percentage point from 9.2 percent in April to 10.2 percent in May and the participation rate for Black men decreased from 68.7 percent in April to 68.5 percent in May During the same period, the unemployment rate for White men fell from 4.4 percent to 4.2 percent in May. The labor force rate for White men was steady month over month at 72.2 percent.
The jobless rate and the labor force participation rate for Black women over 20 years-old didn’t budge in May and were 8.8 percent 61.9 percent, respectively. Meanwhile the unemployment rate for White women ticked up to 4.3 percent in May from 4.2 percent in April and the participation rate dipped to 57.3 percent from 57.6 percent in April.
Although economists often caution against drawing long-term conclusions based on one months jobs report, the Black jobless rate is still nearly double the national rate a trend that has continued for decades.
As the recovery continues, economists also continue to search for reasons why hourly wages haven’t improved more as the labor market tightens and the national unemployment rate falls toward pre-recession levels.
A recent report by the Center for Popular Democracy (CPD), a national group that advocates for social, racial and economic justice, pointed to Federal Reserve policies that seem to favor Wall Street over Main Street.
“The Federal Reserve’s focus over the past 35 years has been on price stability, or tamping down inflation,” said the CPD report. “While this focus is good for Wall Street, it has resulted in wage stagnation for most workers on Main Street.”
The report also said that wages have been stagnant or falling for the vast majority of workers since 2000.
The report continued: “While at the median, wages for white workers have risen only 2.5 percent in 14 years, African-American workers have seen a wage cut of 3.1 percent over the same period.”
The CPD report recommended that the Federal Reserve support policies that build a “full employment economy,” keep interest rates low for cities and states to encourage investments in infrastructure, and focus on policies that can help to grow a stronger middle class.
In a recent blog post on job growth and wages, Elise Gould, a senior economist at the Economic Policy Institute, said that if the economy added 280,000 jobs a month, the jobs gap would be closed by August 2016, but if the economy only added 207,000 jobs per month, the most recent three month average, “at that pace, we wouldn’t return to pre-recession labor market health until April 2017.”
In a statement about the Labor Department’s jobs report, Chad Stone, the chief economist for the Center on Budget and Policy Priorities, a nonpartisan think tank that studies how budget decisions affect low-income families, that even though many of the labor market indicators have recovered since the Great Recession, it’s still too early for the Federal Reserve to raise interest rates.
“By testing whether it can push unemployment lower — rather than play it safe to avoid any risk of inflation — the Fed could bring more workers back into the labor force, help more long-term unemployed find work, and begin to generate solid wage gains for most workers,” Stone said in the statement.
The Federal Reserve shouldn’t even think about raising interest rates until 2016, Gould said because the recovery is still lukewarm and wages are mostly flat.
Connie Razza, the director of strategic research for the Center for Popular Democracy (CPD), a national group that advocates for social, racial and economic justice, echoed those concerns.
In a press release about the jobs report, Razza said that unemployment among women and people of color is disproportionately high and that “many of those who have found work remain underemployed, underpaid, and unfairly scheduled.”
Razza continued: “Against this backdrop, the next steps for the Federal Reserve are clear. The Fed should keep interest rates low to let the economy continue its recovery, which will lead to more jobs and higher wages. This is the only monetary policy option that supports an inclusive recovery.”
Activism
Oakland Post: Week of November 5 – 11, 2025
The printed Weekly Edition of the Oakland Post: Week of November 5 – 11, 2025
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#NNPA BlackPress
Michael: The King of Pop’s Story Returns to the Big Screen
BLACKPRESSUSA NEWSWIRE — The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making.
By Stacy M. Brown
Black Press USA Senior National Correspondent
The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making. Directed by Antoine Fuqua, the film will arrive in theaters on April 24, 2026, with the singer’s nephew, Jaafar Jackson, stepping into the spotlight to portray his legendary uncle.
The trailer wastes no time rekindling the aura of Jackson’s genius. Opening with a studio scene between Jackson and his longtime producer Quincy Jones, played by Kendrick Sampson, the clip builds from a quiet, familiar rhythm to the electrifying pulse of “Wanna Be Startin’ Somethin’.” Viewers catch glimpses of the singer’s childhood, flashes of “Thriller,” and the silhouette that redefined pop culture. Each frame reminds fans of why Jackson remains unmatched in artistry and influence. The cast surrounding the late pop king’s nephew, Jaafar Jackson, reads like a who’s who of Black entertainment and music history. Colman Domingo plays Joe Jackson, Nia Long portrays Katherine Jackson, and Larenz Tate takes on the role of Motown founder Berry Gordy. Laura Harrier portrays music executive Suzanne de Passe, while Kat Graham embodies Diana Ross. Miles Teller plays attorney John Branca, a towering entertainment lawyer and longtime Jackson confidant who later became co-executor of his estate. The film’s journey to release has been as complicated as the icon it portrays. Production wrapped in 2024, but legal hurdles over depictions of past controversies forced extensive reshoots and editing delays. Even so, Fuqua’s film now appears ready to reclaim the narrative, focusing on Jackson’s creative ambition and humanity beyond tabloid noise. IndieWire reported that the film had faced “a massive legal snafu” over a disputed storyline but was retooled to center the music and legacy that defined generations.
Maven. Photo Credit: Glen Wilson
“Michael” promises more than a chronological retelling. It aims to explore how a child star from Gary, Indiana, became the world’s most influential entertainer. The script, written by Oscar-nominated John Logan, traces Jackson’s early years with the Jackson 5 through the triumphs and isolation of global superstardom. With Fuqua’s cinematic eye and producer Graham King—who brought “Bohemian Rhapsody” to life—joining forces with estate executors Branca and John McClain, the film is positioned as both a tribute and a restoration of Jackson’s cultural truth. Branca’s work behind the scenes has long shaped Jackson’s posthumous success. After the singer died in 2009, Branca and McClain took control of the estate burdened by debt and turned it into a global powerhouse worth billions. Under their stewardship, Jackson’s projects have generated more than $3 billion in worldwide ticket sales and landmark deals, including a $600 million joint venture with Sony earlier this year. At its heart, though, “Michael” is a story about artistry that transcends scandal. It offers a reminder that, despite the noise surrounding his life, Jackson’s music still bridges continents and generations. The trailer’s closing moments capture that spirit. As the beat of “Billie Jean” swells and Jaafar Jackson moonwalks into a spotlight, audiences are left with a familiar feeling—the awe of witnessing something timeless return home.
“Michael” opens worldwide in theaters April 24, 2026. See the official trailer here.
#NNPA BlackPress
Donald Trump Is the Biggest Loser
BLACKPRESSUSA NEWSWIRE — The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.
By April Ryan
The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.
Chris Jones, Democratic candidate for U.S. House of Representatives (AR-02), says, “Last night was electric, and it was unquestionably a wave.” Democrats won big in what is widely considered a repudiation of Trump’s 9 months at the White House in his second term.
In the state of Virginia, which produced the first big election night win and saw the election of the first woman governor, Democrat Abigail Spanberger, 56% of Virginia’s residents disapprove of President Trump. In New Jersey, 55% of state residents disapprove of the president; in New York, 69% disapprove; and in California, 63% disapprove of the president. The Trump brand or his support for any candidates did nothing to benefit those he endorsed in this election. They actually lost in each race he publicly put his name behind. Trump endorsed former New York Democratic Governor Andrew Cuomo, who lost the New York mayor’s race in his run as an independent. And New Jersey Republican Jack Ciattarelli, who ran for governor with the presidential endorsement, also lost his prospective race.
The next question is, will the democratic momentum be sustainable? Jones further explained, “This can become a 2026 tsunami, but turning a wave into a tsunami takes energy. A lot of energy. It doesn’t just happen. The conditions are there. Now we have to work!”
Some Democrats would argue that the work is already underway. The pushback against Trump’s national redistricting efforts received a thumb in the eye from California voters. Prop 50, California Governor Gavin Newsom’s counterbalance to President Trump’s redistricting efforts, passed in California last night. Although Trump’s name was not on the ballot last night, his Republican policies were. The United States has now entered the longest government shutdown in its history. Forty-two million Americans are not getting SNAP benefits. Economists are acknowledging that the government shutdown is contributing to the rise in delinquent debt in the student loan, automotive, and credit card industries. These items are among the negatives Americans are protesting against.
Compounding Trump’s political problems is a tariff battle that’s directly impacting pocketbooks. The day after the elections, the Trump administration was arguing before the US Supreme Court in favor of the president’s tariff powers. Meanwhile, President Trump‘s poll numbers are underwater, standing at a 37% national disapproval rate
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