Art
Calvin Macon’s battle from addiction to published author
THE BIRMINGHAM TIMES — Macon started out smoking marijuana, eventually used cocaine and then crack cocaine. After retiring from the military, he was mostly using crack. When he realized he was addicted, he tried several ways to quit smoking the drug.
By Erica Wright
To this day, Calvin Macon regrets the condition he was in when his parents last saw him.
“I was struggling,” he said. “I had a house and I was married, but I was still struggling with drugs. My parents died within about a month of each other [in 2004], and then my uncle died. I remember my dad telling my mom when she was really sick, ‘The only reason I’m here is for you.’ He died shortly after she did.”
Macon said his father had diabetes and an abscess on his toe. He went to the hospital to have it removed, which resulted in a blood clot that led to his death.
Macon, 62, a retired U.S. Navy veteran, sculptor, and recent author recalled the day he was getting ready to smoke crack cocaine at home—then he saw the light and knew it was time to quit. That was six months after he lost his parents, and he has been clean for the past 15 years.
Resisting temptation hasn’t always been easy: “I can see a cigarette lighter and think about when I used to smoke, or I can be driving somewhere and think about it because there are so many places I’ve been around Birmingham where I would go and buy drugs and smoke it or whatever,” he said.
Faith
Macon’s faith in God’s redemptive power is much stronger than his urge to do drugs, though.
“I believe in God, Jesus Christ, and I always knew I was supposed to be doing something else. That’s how I ended up writing my book,” he said. “I wrote my book in like a week and a half. I had written a couple of poems before, but when I decided to do this, I did it in hopes that it would help somebody because if I can do it, then they can do it.”
Part of his trusting God meant he had to end friendships that were not good for him, he said.
“I had to cut people off because they weren’t real friends anyway,” he said. “They’re friends while you’re smoking, but you just have to let folks go and you can’t be around it.”
Macon said he focused on sculpting, which he has done since serving in the Navy from 1975 to 1999. While serving on his first ship, he hand-carved a sculpture out of a wooden pallet.
“After we got supplies, I would find pallets or … any kind of wood available, [such as] broom handles, to make mobiles, coffee coasters, pipe holders, whatever,” he said. “Then in 1997, I started [working with] stone. I was stationed in Japan, where I met a stone sculptor. He gave me a chunk of soapstone, and I gave him a piece of ebony. Since then, I’ve been [working with] stone.”
Macon said it usually takes a month to shape a piece. Though he has done work for others and some galleries, he now mostly creates works for himself.
First Book
Macon began writing his book last year. He was inspired by some of his sculptures and would write poems to go with the pieces, then decided to put those poems in a book.
“A word or a phrase [would come to me], then I would write a poem around that word or that phrase and put it on Facebook with a picture of my work,” he said. “People would tell me I should copyright [the poems and pictures I put on Facebook].”
Macon got in contact with a publisher about writing a book. A few weeks later, the vice president of acquisitions called and said they were interested. It took Macon about a week and a half to put together material for his recently released first book, “I Can See the Light,” a compilation of pictorial poems that accompany his sculptures and illustrate how he overcame his struggle with drug addiction.
“Some poems are related to a specific carving in the hope that the artwork will add texture to the poem. Some poems reflect my thoughts and feelings as an addict, [as well as] interactions with my family, friends, and other addicts. Some are based on [my] post addiction reflections on the general revelation of God and how I see things today,” he said.
Recently, Macon recited some of the poems from the book at Bards and Brews, a poetry performance and beer tasting hosted by the Birmingham Public Library (BPL) at the Birmingham Museum of Art.
Birmingham Native
Macon grew up in Birmingham as one of eight children; he has four older siblings and three younger siblings.
“I was a middle child, so I was pretty much on my own,” he said. “The older kids got stuff and the baby kids got stuff, but I was in the middle, so I was kind of by myself most of the time. [Even] when I would come home from the military, no one would even notice.”
His father worked at the Greyhound Bus Station in downtown Birmingham and Dickey Clay Pipe Company in Fairfield. His mother cleaned houses in Mountain Brook.
Macon’s family grew up in the Acipco-Finley and Hooper City neighborhoods and moved to Hooper City by the time he was in fifth grade, which he began at Lewis Elementary School before transferring to Eagan Elementary.
“We had to change schools and went to Eagan, [where] we were one of two black families,” he said. “We had to fight our way home every day.”
Macon attended Phillips High School, where he was in one of the first few classes to integrate the school. After graduating in 1975, he enlisted in the Navy for advanced electronics.
“I was the only black in the class out of 50-something guys that went through,” he said. “There were plenty of black guys in the Navy, but they weren’t in advanced electronics or air controllers; they were on deck jobs and things like that.”
Macon was stationed in several different U.S. locales, including Memphis, Tenn.; Norfolk, Va.; Jacksonville, Fla.; San Diego, Calif.; Monterey, Calif.; he also served in Japan. While enlisted, he earned a bachelor’s degree from a State University of New York (SUNY) school.
“The Navy had instructors riding on ships, so you could take some of your basic classes onboard,” he said. “The way the program is set up, you could take the classes, or you could take the tests if you thought you could pass. Then [your work would be] submitted to the university, which would give you credit. That’s the way I did it.”
For Those Who Suffer
Once he retired from the Navy, Macon returned to Birmingham and worked as a receiving manager at a home-improvement store. While working, Macon was a self-described “functioning drug addict.”
“I probably started using drugs in the 1980s, when I was still in the military,” he said. “When I wasn’t around it, I was fine. Whenever I would come to Birmingham, I would be in trouble until I could get back up to Memphis, [where I was stationed], and then I would be fine. Once I retired, [though], there was no control of it because I was retired and getting a check, and I had my own house, so it was hard.”
Trying to Quit
Macon started out smoking marijuana, eventually used cocaine and then crack cocaine. After retiring from the military, he was mostly using crack. When he realized he was addicted, he tried several ways to quit smoking the drug.
“I would carry only certain amounts of money. I couldn’t call anybody I would smoke with,” he said. “None of that worked until I just said, ‘Lord, help me, just help me!’ Somehow it worked, kind of like that let-go-and-let-God thing. [At the time], I didn’t know what that meant, but now I do. … I used to just pray for one day, for Him to just give me one good day to quit.
“It’s extremely difficult for people who smoke crack or use any other opioid to stop. They may tell themselves, ‘I’m just going to do a little bit,’ but you can’t do just a little bit. No one starts out to be an addict; they just get caught up in it. Once they’re hooked, the world collapses because they can’t get out.”
Macon was finally able to get out—and he knows his parents would be glad to see that their son has now seen the light.
“I Can See the Light” (Covenant Books) is available at Amazon and in bookstores, including Barnes and Noble and Books A Million.
This article originally appeared in The Birmingham Times.
Activism
Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

By Godfrey Lee
Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.
Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.
The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.
For more information, go to griottheatercompany.squarespace.com/productions-v2
Activism
MLK Day of Service Volunteers Make Blankets and Art for Locals in Need
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

By Kathy Chouteau
The Richmond Standard
The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.
Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.
Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”
“People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.
CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects. The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.
BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.
Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.
Art
Vandalism at Richmond Ferry Terminal Saddens Residents
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

The Richmond Standard
“This is why we can’t have nice things,” stated the post on NextDoor.
The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.
On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.
Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.
A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.
A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”
“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.
It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.
“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”
In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.
On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.
On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.
Kathy Chouteau contributed to this report.
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