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Camille Brown: Tony Nominee to Host ‘100 Women of Hip-Hop Sisterhood’ Sunday

THE BURTON WIRE —  Brothers for colored girls… will feature a talkback directly following the show moderated by celebrated playwright Keenan Scott III and featuring for colored girls… lead producer and four-time Tony Award winner Ron Simons, activist Rev. Jacques Andre DeGraff and special guest and Tidal senior vice president Jason Kpana.
The post Camille Brown: Tony Nominee to Host ‘100 Women of Hip-Hop Sisterhood’ Sunday first appeared on BlackPressUSA.

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NEW YORK, NY — The critically acclaimed and reimagined revival of Ntozake Shange’s groundbreaking for colored girls who have considered suicide/when the rainbow is enuf will host “100 Women of Hip Hop Sisterhood Sunday,” a spirited gathering of Black women May 22 at 3 p.m. Double Tony nominee Camille A. Brown, the first person to receive a Tony nod for Best Direction of a Play and Best Choreography for this production, will be interviewed by New York City’s 94.7 The Block Afternoon Host Shelley Wade in a talkback immediately following the matinee. The event will come on the heels of “Brothers for colored girls…,” a convening of Black men in support of the show on Saturday at 2 p.m. for colored girls… runs through Sunday, June 5, at Broadway’s Booth Theatre.

 Brothers for colored girls… will feature a talkback directly following the show moderated by celebrated playwright Keenan Scott III and featuring for colored girls… lead producer and four-time Tony Award winner Ron Simons, activist Rev. Jacques Andre DeGraff and special guest and Tidal senior vice president Jason Kpana.

The celebrated production has received seven Tony nominations, including Best Revival, Best Performance by an Actress in a Featured Role in a Play for Kenita R. Miller, Best Costume Design of a Play for Sarafina Bush, Best Lighting Design of a Play for Jiyoun Chang and Best Sound Design of a Play for Justin Ellington.

The Universal Hip Hop Museum is a community partner for “100 Women of Hip Hop Sisterhood Sunday.”

for colored girls… is Camille A. Brown’s directorial debut on Broadway. She is the first Black woman to serve as both director and choreographer on Broadway in more than 65 years, bringing a reinvented, joyful and celebratory production of Shange’s seminal work back to its original home at the Booth Theatre, where the play premiered in 1976.

The production has received three Drama League Award nominations including Outstanding Revival of a Play, Outstanding Direction of a Play (Camille A. Brown) and Distinguished Performance Award (Kenita R. Miller). for colored girls… has also received three Outer Critics Circle Award nominations including Outstanding Revival of a Play, Outstanding Director of a Play (Camille A. Brown) and Outstanding Choreography (Camille A. Brown).

The show has also been nominated for two Drama Desk Awards, including Best Revival of a Play and Outstanding Featured Actress in a Play (Kenita Miller); and three Chita Rivera Awards nominations, including Outstanding Female Dancer in a Broadway Show (Tendayi Kuumba), Outstanding Ensemble in a Broadway Show and Outstanding Choreography in a Broadway Show (Camille A. Brown).

The cast stars Amara Granderson as Lady in Orange, Tendayi Kuumba as Lady in Brown, Kenita R. Miller as Lady in Red, Okwui Okpokwasili as Lady in Green, Stacey Sargeant as Lady in Blue, Alexandria Wailes as Lady in Purple, and D. Woods as Lady in Yellow. Rachel Christopher, Treshelle Edmond, McKenzie Frye, Kala Ross and Alexis Sims join the company as standbys and understudies.

The revival has received rave reviews by theater critics. Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf is the “landmark of American theater” (The New York Times) that blazed a trail for generations to come. Now, this celebration of the power of Black womanhood returns to Broadway for the first time, reinvented, directed, and choreographed by “a true superstar of theater and dance” (NPR), Tony Award nominee Camille A. Brown.

For more information, visit www.forcoloredgirlsbway.com.

Tickets are on sale for the show’s final weeks at www.telecharge.com. To attend “Sisterhood Sunday,” use the code FCGSISGRL. To attend “Brothers for colored girls…,” use the code FCGBROS. Both events are open to the public. Discounted tickets are now available to students who present a valid Student ID at $25 per ticket.

Follow on FacebookInstagram and Twitter for updates. This article was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

This article originally appeared in The Burton Wire.

The post Camille Brown: Tony Nominee to Host ‘100 Women of Hip-Hop Sisterhood’ Sunday first appeared on BlackPressUSA.

Nsenga K. Burton Ph.D.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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