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Celebrating 50 Years of Hip Hop: Legislative Black Caucus Honors West Coast Greats
By Antonio Ray Harvey California Black Media The California Legislative Black Caucus (CLBC) and the Recording Industry Association of America (RIAA) celebrated the 5oth anniversary of hip hop on Aug. 14, with a tribute to the West Coast pioneers, leaders and innovators who shaped the genre. The Bring the Peace Movement organized the rally and […]
The post Celebrating 50 Years of Hip Hop: Legislative Black Caucus Honors West Coast Greats first appeared on BlackPressUSA.

By Antonio Ray Harvey
California Black Media
The California Legislative Black Caucus (CLBC) and the Recording Industry Association of America (RIAA) celebrated the 5oth anniversary of hip hop on Aug. 14, with a tribute to the West Coast pioneers, leaders and innovators who shaped the genre.
The Bring the Peace Movement organized the rally and ceremony where speakers paid homage to the honorees.
Juana Burns-Sperling, co-founder of Rialto/Los Angeles-based all-female hip hop group JJ FAD, told California Black Media (CBM) that the love received from state lawmakers — which included standing ovations on both the Senate and Assembly floors — was a long time in the making, but well worth the wait.
“It was amazing. It was an honor to be there to represent the West Coast and represent my group,” said Sperling, who goes by the stage name, MC JB. “When I first heard about it my thoughts were, ‘finally’ because the West Coast seems to be left out of things that are going on right now. So, the fact that our (lawmakers) were honoring us, we didn’t have to rely on other geographical areas. I was truly happy. We’re finally getting recognized.”
The rap songs Sperling, “Baby D” (Dania Birks) and “Sassy C” (Michelle Ferrens) performed were produced by world-renowned Hip Hop mogul Dr. Dre (Andre Young), and Arabian Prince (Kim Renard Nazel). They group was signed to Ruthless Records.
JJ FAD (an acronym created with the names of the original group members in 1985: Juana, Juanita, Fatima, Anna, and Dana) reached the top of the charts with their signature song, “Supersonic” in 1988.
The program organized by Jamilia Land of the Bring the Peace Movement, featured a voter registration drive and entertainment and was attended by CLBC chair Assemblymember Lori D. Wilson (D-Suisun City), Vice-Chair and Sen. Steven Bradford (D-Gardena) and other officers and members.
“At the time of its founding, hip hop was met with vitriol from politicians. However, today a host of politicians, community organizations and leaders convene to honor the pioneers and architects of the hip hop movement,” Wilson said on the Assembly floor.
Sperling was joined at the State Capitol with West Coast hip hop artists and music producers King T (Roger McBride), Kid Frost (Arturo R. Molina Jr.), Arabian Prince Mistah F.A.B.(Stanley Cox), Micheal Latt, Karega Bailey, Tinish Hollins, Greg Mack, Violet Brown, LaRussell Thomas, Greg Mack, Casual from the Hieroglyphics (Jon Owens), Disco Daddy (Michael Khalfani), filmmaker Deon Taylor, and Alonzo “Lonzo” Williams.
Mickelle “Hayón” Hellon, Leila Steinberg (who was Tupac’s manager), the Magical Rock Band, and retired legislative aid Rory Kaufman were also recognized as honorees.
Known to the West Coast hip hop community as “Grand Master Lonzo,” Williams is the innovator behind the legendary R&B/Rap group “World Class Wreckin Cru,” that found major success with the 1987 hit “Turn Off the Lights.”
“When I called my partner and Senator, Sen. Bradford, and told him we need to do something for hip hop on the West Coast I had no idea that it would end up on the Assembly and Senate floors,” Williams told CBM. “My initial plan was to do something in Compton, get all the homies and OGs together and show some love. But here we are today, and it was a great event.”
Bradford and Williams “go way back” on the music scene of Gardena, Compton, and Los Angeles. They used to promote singing groups, bands, and hip-hop dancing cliques. The artists received a warm welcome from lawmakers in both chambers; thanks to Bradford, Wilson, and Sen. Lola Smallwood-Cuevas (D- Ladera Heights).
“Steve understood what we did back in L.A. back in the day because he was a part of it but only on another level,” Williams said. “Steve was a dance promoter before he became a Compton city councilman, assemblymember, and senator. He was my competition. It just made for a great situation.”
Williams is credited with launching the careers of Dr. Dre, Ice Cube (O’Shea Jackson), D.J. Yella (Antoine Carraby) and Eazy E. (Eric Wright), formerly known as N.W.A. The group is credited with ushering in a form of hip-hop music that was coined gangster rap.
The gangster rap genre propelled the careers of Snoop Dogg (Calvin Broadus Jr.), Nate Dogg (Nathaniel Hale), DJ Quick (David Marvin Blake), Above the Law, Warren G (Warren Griffin III), Lady of Rage (Robin Yvette Allen), Yo-Yo (Yolanda Whitaker), E-40’s (Earl Stevens) little sister Suga-T (Tenina Stevens), among others.
The elements of hip hop culture first emerged in the 1970s in Morris Heights, a neighborhood in the Bronx borough of New York City. Hip-hop consists of four elements: “deejaying,” or “turntabling,” “MCing” or “rhyming,” graffiti painting, and the hip-hop dance, style, and attitude of “B-boying.”
The West Coast artists extracted the characteristics and stylings from East Coast hip hop but were able to create their own musical flavor with stories, references and imagery that reflected street life and living in urban centers, mostly in California.
Gangster rap and the “G-funk era” dominated the hip-hop scene in the late 1980s and all through the 1990s from the Los Angeles region to Oakland/San Francisco Bay Area by standouts like Too $hort (Todd Anthony Shaw).
Joel Flatow, Senior Vice President, Artist and Industry Relations, and Chief of West Coast operations for RIAA, said the accolades bestowed on the artists in Sacramento are a tribute to the innovation and foresight they brought to the culture.
“We just have a tremendous wealth of talent in this state,” Flatow added.
RIAA is a trade organization that supports and protects the rights of artists and music labels in the US.
Adding to the cultural weight to the celebration, Land and other community activists issued a proclamation, offered samplings of poetry, gave shoutouts to hip-hop history, and appealed to the audience to become politically engaged champions of peace.
“This is a time of celebration and reflection,” stated Land, who is also the co-founder of the Anti-Violence, Safety, and Accountability Project (ASAP). “We acknowledge the monumental achievements of West Coast artists and also reflect on the effect of unresolved trauma and violence in the Culture.
The post Celebrating 50 Years of Hip Hop: Legislative Black Caucus Honors West Coast Greats first appeared on Post News Group. This article originally appeared in Post News Group.
The post Celebrating 50 Years of Hip Hop: Legislative Black Caucus Honors West Coast Greats first appeared on BlackPressUSA.
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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