Entertainment

Celebrating Women in GoGo

THE AFRO — The live performance review and GoGo honorarium, “The First Ladies of GoGo,” took place Sept. 19 on the rooftop of Eaton Hotel in downtown Washington, D.C. Featuring female pioneers in the GoGo music genre, the event was one of many GoGo themed events put up this year by music activist group “DontMuteDC.”

Published

5 years ago

October 2, 2019

Oakland Post

The First Ladies of GoGo event took place at the Eaton Hotel Sept. 19, honoring Maiesha Rashad (center) of Maiesha and The Hiphuggers. (Courtesy Photo)

By Nyame-kye Kondo

The live performance review and GoGo honorarium, “The First Ladies of GoGo,” took place Sept. 19 on the rooftop of Eaton Hotel in downtown Washington, D.C. Featuring female pioneers in the GoGo music genre, the event was one of many GoGo themed events put up this year by music activist group “DontMuteDC.”

Backed by the GoGo band Sirius and Company for the entirety of the night, “The First Ladies of GoGo” featured live performances by a handful of important female singers within the genre, including a rousing performance by Chrystian B, of GoGo band TCB, who sang a medley of ballads by D.C. native Ari Lennox. GoGo pioneer, Maiesha Rashad, lead singer of 90’s GoGo band Maiesha and the Hip-huggers was honored for the role she played in carving out a space for women in a male-dominated genre, where there had been none. The Hip-huggers started out as an old school cover band comprised of the legendary Sugarbear, Ju Ju House, and Sweet Cherie Mitchell.

Providing middle aged GoGo lovers with an outlet, and women with a new voice, Rashad was affectionately titled, “First Lady of GoGo,” and the GoGo subgenre she and her band created was called “Grown and Sexy.”

Sitting at the front of the stage, Rashad jammed to the performances and humbly accepted her praise.

KK Baby, the daughter of Chuck Brown, and one of the current members of “The Chuck Brown Band’ performed her fathers 2006 hit, “Chuck Baby” all the while memorializing Lil Benny, of Little Benny and The Masters. Continuously uttering the refrain “We still cranking,” KK Baby, made it a point to talk about Rashad bringing her feminine energy to the often times misogynistic Go-Go scene. “I appreciate your courage, your example, your feminine energy you brought to Go-Go culture,” KK Baby said.

Recently undergoing knee replacement surgery, and having limited mobility as a result, Rashad performed a brief but lively snippet of her band’s rendition of The Jackson Five’s, “I want you back.”

Facing the audience, her bright, red hair shining vibrantly before the audience, Rashad’s voice resonated raspy and strong as she used call and response on the audience, “D.C, I want you back! Lil Benny, I want you back!, Chuck Brown, I want you back!”

This article originally appeared in The Afro.

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Arts and Culture

Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

Published

10 hours ago

December 18, 2024

Oakland Post

Photo Courtesy Of Promise Marks.

Special to the Post

It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks

Marks, who wrote and directed the musical, also owns PM Productions.

Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.

Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.

Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.

“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.

Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.

Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.

Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.

Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.

Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.

“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”

Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.

“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”

The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.

Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”

Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”

Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”

“I’m so proud of my daughter,” said Smith.

Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.

“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.

The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com

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Oakland Post: Week of December 11 – 17, 2024

The printed Weekly Edition of the Oakland Post: Week of December 11 – 17, 2024

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5 days ago

December 13, 2024

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Activism

Black Talk Radio Network’s Recent Podcast Offers Perspective on Nov. 5 Election

“Time for an Awakening” is a Black Talk Radio Network program that runs on Sundays from 7-9 p.m. According to the program’s website, past guests have included Dr. Molefi Asanta, BaBa Ashra Kwesi, BaBa Runoko Rashidai, Dr. Leonard Jeffies, Michelle Alexander. Boyce Watkins, State of Black Farmers series and many others.

Published

1 week ago

December 8, 2024

Oakland Post

Dr. Gerald Horne, left, Obi Egbuna Jr., right. Courtesy image.

Special to The Post

University of Houston Professor of African American Studies Professor Dr. Gerald Horne and renowned speaker and advocate for Pan-African unity, Obi Egbuna Jr, were in conversation on the podcast “Time for an Awakening” hosted by Bro. Elliott and Bro. Richard on Dec. 1.

“Time for an Awakening” is a Black Talk Radio Network program that runs on Sundays from 7-9 p.m.

According to the program’s website, past guests have included Dr. Molefi Asanta, BaBa Ashra Kwesi, BaBa Runoko Rashidai, Dr. Leonard Jeffies, Michelle Alexander. Boyce Watkins, State of Black Farmers series and many others.

With the election in the rearview mirror, Horne, a historian, and author of “The Apocalypse of Settler Colonialism” and “Jazz and Justice: Racism and the Political Economy of the Music,” raised the idea of a Black International Front Conference.

He described proposed locations and the need for independent political organizing in Black communities across the country, with a focus on local elections and alternatives to the direction of Black political leadership.

Joining the conversation in the second hour with valuable information was the External Relations officer to the Zimbabwe-Cuba Friendship Association, and former correspondent to the Herald, Zimbabwe’s national newspaper, Obi Egbuna Jr. A poet and playwright, Egbuna is most known for his passion in creating ties within and among the people and nations of the African diaspora.

He has organized chapters of the Pan African Student Youth Movement in St. Louis, Missouri, Seattle Washington, Charlottesville Virginia and Chicago, Illinois, Egbuna has also written several Resolutions to the United Nations covering a wide range of issues, including HIV/AIDS in Zimbabwe and Police Brutality issues in the United States.

To listen to the podcast, please go to https://timeforanawakening.com/?powerpress_pinw=111154-podcast.

Sources for this story include Wikipedia and Time for an Awakening media.