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Celebrating Women in GoGo

THE AFRO — The live performance review and GoGo honorarium, “The First Ladies of GoGo,” took place Sept. 19 on the rooftop of Eaton Hotel in downtown Washington, D.C. Featuring female pioneers in the GoGo music genre, the event was one of many GoGo themed events put up this year by music activist group “DontMuteDC.”

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The First Ladies of GoGo event took place at the Eaton Hotel Sept. 19, honoring Maiesha Rashad (center) of Maiesha and The Hiphuggers. (Courtesy Photo)

By Nyame-kye Kondo

The live performance review and GoGo honorarium, “The First Ladies of GoGo,” took place Sept. 19 on the rooftop of Eaton Hotel in downtown Washington, D.C. Featuring female pioneers in the GoGo music genre, the event was one of many GoGo themed events put up this year by music activist group “DontMuteDC.”

Backed by the GoGo band Sirius and Company for the entirety of the night, “The First Ladies of GoGo” featured live performances by a handful of important female singers within the genre, including a rousing performance by Chrystian B, of GoGo band TCB, who sang a medley of ballads by D.C. native Ari Lennox. GoGo pioneer, Maiesha Rashad, lead singer of 90’s GoGo band Maiesha and the Hip-huggers was honored for the role she played in carving out a space for women in a male-dominated genre, where there had been none. The Hip-huggers started out as an old school cover band comprised of the legendary Sugarbear, Ju Ju House, and Sweet Cherie Mitchell.

Providing middle aged GoGo lovers with an outlet, and women with a new voice, Rashad was affectionately titled, “First Lady of GoGo,” and the GoGo subgenre she and her band created was called “Grown and Sexy.”

Sitting at the front of the stage, Rashad jammed to the performances and humbly accepted her praise.

KK Baby, the daughter of Chuck Brown, and one of the current members of “The Chuck Brown Band’ performed her fathers 2006 hit, “Chuck Baby” all the while memorializing Lil Benny, of Little Benny and The Masters. Continuously uttering the refrain “We still cranking,” KK Baby, made it a point to talk about Rashad bringing her feminine energy to the often times misogynistic Go-Go scene. “I appreciate your courage, your example, your feminine energy you brought to Go-Go culture,” KK Baby said.

Recently undergoing knee replacement surgery, and having limited mobility as a result, Rashad performed a brief but lively snippet of her band’s rendition of The Jackson Five’s, “I want you back.”

Facing the audience, her bright, red hair shining vibrantly before the audience, Rashad’s voice resonated raspy and strong as she used call and response on the audience, “D.C, I want you back! Lil Benny, I want you back!, Chuck Brown, I want you back!”

This article originally appeared in The Afro.

Activism

Oakland Post: Week of May 7 – 13, 2025

The printed Weekly Edition of the Oakland Post: Week of May 7 – 13, 2025

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Oakland Post: Week of April 30 – May 6, 2025

The printed Weekly Edition of the Oakland Post: Week of April 30 – May 6, 2025

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Arts and Culture

BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy

When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

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Love Rita Book Cover. Courtesy of Harper.
Love Rita Book Cover. Courtesy of Harper.

By Terri Schlichenmeyer

Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages

Take care.

Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.

It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’

Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.

Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.

She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”

When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”

After their mother died of colon cancer, Rita’s lupus took a turn for the worse.

“Did she even stand a chance?” Davis wrote in her journal.

“It just didn’t seem possible that she, someone so full of life, could die.”

Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.

Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.

But don’t. Not quite yet.

In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.

This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.

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