Events
Charlie Wilson’s “In It to Win It” at the Paramount Theatre, April 13
With a long list of number one singles, sold out tours and a best-selling memoir, Charlie Wilson has more than proven that he’s “In It to Win It,” the title of his latest album. Prior to having his twelfth number one single, Charlie Wilson gave fans “Burn Rubber on Me,” “Outstanding” and “Early in the Morning,” as the founder of the Gap Band. Nowadays as a solo artist, the hits keep on coming with “There Goes My Baby,” “I’m Blessed” and “Chills”.
Having survived addiction, homelessness and prostate cancer, Wilson says, “You can do anything in life; just keep it simple, believe in God and make God your first love,” he said.
In his darkest moments Wilson said he simply asked God to preserve his life and give him a chance to make music. “God is amazing—ask, trust and believe,” he said
Often referred to as Uncle Charlie, the solo star has collaborated with Snoop Dogg, T.I. and says he hopes to work with John Legend one day.
“I was actually with John one day and mentioned working with him. All of a sudden he pulled up an entire file labeled Charlie Wilson,” Charlie added.
“In It to Win It” was nominated for three 2018 NAACP Image Awards, Outstanding Male Artist, Outstanding Duo, Group or Collaboration and Outstanding Album. The set boasts the Billboard number one lead single “I’m Blessed” featuring T.I., which was one of the fastest rising top ten singles on the Urban Adult Contemporary chart and was Wilson’s first number one on the Gospel Singles chart.
Wilson was recently honored at the 2018 NAACP Image Awards with the first ever Music Makes A Difference Award, a tribute to his 22 years of sobriety, assisting the homeless and educating the African-American community about prostate cancer. “It was truly an overwhelming experience to receive this award,” stated Wilson.
“Early detection is key in the fight against cancer and I urge men to be your brother’s keeper and encourage one another to see a doctor regularly,” he said.
“’I’m Blessed’ says exactly where I am in my life, blessed to still be making music that people want to hear,” says Wilson. “2017 was a tough year for so many people around the world, so I was proud to release a song to remind us that we can all find some blessings in our lives.
As far as 2018 and the future, Wilson says he’s going to continue making great music. “I love performing for people – it keeps the little boy inside of me alive.”
“In It to Win It” features songs with Pitbull, Wiz Khalifa, Robin Thicke, Lalah Hathaway and Snoop Dogg. True to his faith and life testimony, Wilson unleashes his powerful tenor on the uplifting track, “Amazing God” and romance songs “Precious Love” and “New Addiction.”
Before launching his solo career in 2000, Wilson racked up a string of hits in the late ‘70s and ‘80s as front man with the Gap Band. He chronicled his odds-defying life and career in his 2015 best-selling autobiography, “I Am Charlie Wilson.” On April 13, Wilson performs at the Paramount Theater in Oakland.
Activism
Oakland Post: Week of October 30 – November 5, 2024
The printed Weekly Edition of the Oakland Post: Week of October 30 – November 5, 2024
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Activism
Oakland Post: Week of October 23 – 29, 2024
The printed Weekly Edition of the Oakland Post: Week of October 23 – 29, 2024
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Arts and Culture
Soaring Birds and Towering Waves Greet Attendees at 29th Annual Maafa Commemoration at Ocean Beach
The 29th Annual MAAFA Commemoration San Francisco Bay Area was held at Ocean Beach, Sunday, Oct. 13. Warm and cloudy with waves as high as tall buildings, we gathered to honor African ancestors who died by the millions over the centuries of the Trans-Atlantic Slave Trade.
By Wanda Sabir
Special to The Post
The 29th Annual MAAFA Commemoration San Francisco Bay Area was held at Ocean Beach, Sunday, Oct. 13. Warm and cloudy with waves as high as tall buildings, we gathered to honor African ancestors who died by the millions over the centuries of the Trans-Atlantic Slave Trade.
The 50 or so children and adults attending Maafa, Kiswahili word meaning ‘great disaster,’ came from as far as Monterey and Sacramento to just up the block. We all felt the ancestors’ ethereal embrace as Min. Imhotep and Min. Alicia of Wo’Se Community Church poured libations and invited us to call their names with our mouths, feet, and hands.
Birds on the beach lifted their wings in flight moving towards us and flying overhead the way legends say African ancestors flew away from plantation fields. Their collective Aṣé!
The theme for the 29th Maafa event was accountability and as Zochi led us through Mu-i (pronounced moo-ee, a movement meditation) we embraced our power from our roots through our crown chakras. Dr. Uzo Nwankpa, a healer in residence at Freedom Community Clinic, taught us the Igbo war chant —“Eyinmba” which was also an embodied movement.
Our ancestral poet this year was Frances Ellen Watkins Harper (1825-1911), born in Baltimore to free parents. She was a poet, abolitionist, suffragist, educator, and freedom fighter who lived in Philadelphia.
“It’s time to be a grown person,” Wanda Sabir, Maafa CEO stated. “Own up, fess up, get righteous. Accountability means we don’t blame others for our poor choices and their consequences. We don’t blame the system, genetic weakness, structural racism, poverty of the soul, families of origin, peer pressure, ignorance….
“We are more than the worse thing we have suffered. We are more than what our ancestors survived.
“Our ancestors do not want us to be functional. Our ancestors want us to be free.”
The drummers were phenomenal, and the section of the program open to reflections was filled with song, poetry, dance and prayers. A special treat was “Amkara Music” by Karamo Susso and Amina Janta, who will perform at Bissap Baobab in San Francisco on Oct. 20.
Join us for a Zoom dialogue on adrienne maree brown’s article, “Murmations: Love Looks Like Accountability” (Yes! Magazine, 7/25/22): Sunday, Nov. 10, 2-4 pm PT. Register in advance: MaafaSFBayArea.com, 510-397-9705. Here is the MAAFA 2024 program (https://qr1.be/CPFI).
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