Entertainment
Chiwetel Ejiofor to star in 2 highly anticipated Disney films
ROLLINGOUT.COM — The 41-year-old actor admits it feels “amazing” to be part of the Lion King reboot.
By Rollingout.com
Chiwetel Ejiofor is set to star in two highly anticipated Disney films.
The 41-year-old actor admits it feels “amazing” to be part of the Lion King reboot and is “quietly confident” that it is going to be “special.”
He voices villainous lion Scar in the upcoming Disney remake, which features an all-star cast that includes Donald Glover as Simba, Beyoncé voicing Nala, Billy Eichner and Seth Rogen as Timon and Pumbaa and John Oliver as Zazu.
Ejiofor is aware of just how much people love the original 1994 animation but is sure film fans will also love this new version, which is being directed by Jon Favreau.
Speaking on UK TV show “Lorraine,” he said: “It’s amazing to be part of The Lion King. So exciting. It was an incredible part of my childhood and for my generation still is a big deal and will be for a whole new generation, it’s a new way of telling these stories. I’m quietly confident it’s going to be special.”
The 12 Years a Slave actor has also been cast in another Disney film, Maleficent II, in which he will reunite with his Salt co-star Angelina Jolie, who is reprising her role as the titular dark fairy from the 2014 Sleeping Beauty re-imagination.
The sequel will pick up several years after Maleficent and audiences will learn of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora.
Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, and Lesley Manville will all reprise their roles in the upcoming sequel, while Michelle Pfeiffer, Ed Skrein and Harris Dickinson are set to join the cast alongside the Doctor Strange actor.
Speaking of the film, Ejiofor said: “It was great to work with Angelina then, and I was really thrilled to join Maleficent. The re-imagining of fairy tales and how they impact us and what they mean for us is really strong and I think this sort of expands this whole universe.”
This article originally appeared in Rollingout.com.
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Oakland Post: Week of December 18 – 24, 2024
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Arts and Culture
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
Special to the Post
It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks
Marks, who wrote and directed the musical, also owns PM Productions.
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”
Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.
Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.
Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.
“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.
Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.
Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.
Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.
Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.
Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.
“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”
Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.
“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”
The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.
Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”
Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”
Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”
“I’m so proud of my daughter,” said Smith.
Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.
“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.
The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com
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