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Chris Brown challenges Offset to a fight following 21 Savage joke

ROLLINGOUT.COM — Chris Brown and Offset of the Migos got into a social media spat on Feb. 6.

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By A.R. Shaw

Chris Brown and Offset of the Migos got into a social media spat on Feb. 6. The two exchanged words after Brown posted a video poking fun at 21 Savage allegedly being born in the United Kingdom.

A.R. Shaw

A.R. Shaw

The video featured footage of 21 Savage rapping as a voice over a rapper from the U.K. played in the background. Upset by the joke, Offset responded with caption, “Memes ain’t funny lame.”

Brown responded to Offset by challenging him to a fight.

“F– you lil boy,” Brown wrote. “Better worry about what u got going and focus on ‘you.’ All this cap on IG is what’s lame. Yo energy wont [sic] that when I came to Drake show in LA. If you don’t get yo a hip a hop a hibbet a hibbet to the hip hip hop and ya don’t stop the rockin face a– out of my comments. Sensitive a– n—. Call me personally. U want some clout when all u gotta do is pull up […] If you a real man fight me. Oh and another thing, suck my d–!”

Offset responded by posting on his Instagram story, “Coke head don’t want smoke.”

21 Savage, born Shayaa Bin Abraham-Joseph, was arrested by U.S. Immigration and Customs Enforcement on Feb. 3 for allegedly overstaying his Visa. He remains in custody at press time.

Below are social media reactions from Brown’s feud with Offset.

A.R. Shaw is an author and journalist who documents culture, politics, and entertainment. He has covered The Obama White House, the summer Olympics in London, and currently serves as Lifestyle Editor for Rolling Out magazine. Follow his journey on Twitter @arshaw and Instagram @arshaw23.

This article originally appeared in Rollingout.com
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Art

At Oakland Symphony’s 2024-25 Season Opening, Music Director Kedrick Armstrong Will Make History

Music Director Kedrick Armstrong will make history with his debut performance at the Oakland Symphony’s 2024-25 Season Opening Concert on Oct. 18, at 8 p.m. at the Paramount Theatre in Oakland. Armstrong, who is from Georgetown, South Carolina, is the ninth music director in the organization’s almost 100-year-history. His appointment follows in the footsteps of the late Oakland Symphony Music Director and Conductor Michael Morgan.

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Music Director Kedrick Armstrong. Photo by Scott Chernis.
Music Director Kedrick Armstrong. Photo by Scott Chernis.

By Oakland Post Staff

Music Director Kedrick Armstrong will make history with his debut performance at the Oakland Symphony’s 2024-25 Season Opening Concert on Oct. 18, at 8 p.m. at the Paramount Theatre in Oakland.

Armstrong, who is from Georgetown, South Carolina, is the ninth music director in the organization’s almost 100-year-history. His appointment follows in the footsteps of the late Oakland Symphony Music Director and Conductor Michael Morgan.

Armstrong, 30, is not a new face to Oakland as he has been an active partner with the Oakland Symphony over the last few years both on and off-the-stage.

From 2022-24, Armstrong led three Oakland Symphony programs and guest-conducted the orchestra, showcasing his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.

On his Oakland Symphony subscription debut on Feb. 16, Kedrick led the World Premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.

On April 16, 2023, Armstrong conducted the Oakland Symphony’s Family Hype concert, presented in partnership with Ronald McDonald House Charities of the Bay Area. Armstrong first led the orchestra for a free “Summerstage at City Hall” concert at Oakland City Hall on Aug. 4, 2022.

The music program “Kedrick Armstrong Inaugural Inextinguishable Oakland!” will include commissioned works from master drummer Allison Miller and Bay Area artists – Ethiopian artist Meklit and Latin percussionist John Santos – in celebration of Living Jazz’s 40th anniversary.

Oct. 18 musical program:

Julia Perry: A Short Piece for Orchestra

Celebrate the 40-Year Anniversary of Living Jazz with three jazz-rooted compositions.

“Valley of the Giants” (for Eddie Marshall); Allison Miller, composer; arranged and orchestrated by Todd Sickafoose. Featured artist: Allison Miller, Drum Set; guest artist: Dayna Stephens, Saxophone.

Medley: “Ethio Blue, My Gold, Stars in a Wide Field” 

Songs and Lyrics by Meklit; arrangement and orchestration by Sam Bevan. Featured artist: Meklit, Vocals; guest artists: Sam Bevan, Bass, Colin Douglas, Drumkit, Marco Peris Coppola, Tupan/Percussion.

Un Levantamiento (An Uprising)”

Composer, percussion: John Santos; arrangers: Saul Sierra and John Santos. Featured artist: John Santos, güícharo, bongo; guest artists: Pedro Pastrana, Puerto Rican cuatro; Maria Cora, spoken word.

Carl Nielsen: Symphony No. 4, “The Inextinguishable”

 Pre-concert talk by John Kendall Bailey begins at 7:05pm.

For tickets, go to: https://oaklandsymphony.my.salesforce-sites.com/ticket/#/events/a0SUu0000001rYXMAY

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Arts and Culture

San Jose Jazz Fest ‘24: Fun, Food and an Unforgettable Frankie Beverly Farewell

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11. Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock. Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts

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Frankie Beverly performing at the San Jose Jazz Summer Fest 2024. Photo Courtesy of Frankie Beverly.
Frankie Beverly performing at the San Jose Jazz Summer Fest 2024. Photo Courtesy of Frankie Beverly.

By Carla Thomas 

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11.

Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock.

Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts.

Oakland entrepreneur Ava Carrie and several friends said it was great to get out, enjoy the sun and hear great music. “This is a wonderful festival and just a great time with friends,” said Carrie.

Festival goer Cin-Dee said she flew in from Virginia to celebrate her birthday in the Bay Area. She was saddened that she missed Frankie Beverly’s farewell tour that kicked off in March when he performed in her area on the east coast, capping a 50-year career. When Cin-Dee noticed Maze would feature Beverly in the line up at the San Jose Jazz Festival, in a tribute to him, she made sure to cut short her touring of Santa Cruz to not miss the performance on Sunday evening.  “I am so happy to be here and have this opportunity to see Frankie with Maze,” she said, dancing to the music. “This is really special and it’s great to see Frankie on stage and hear my favorite songs.”

Maze performed favorites in tribute to Beverly while introducing their new lead singer, Tony Lindsay. During the last stretch of the concert, Beverly performed, “Happy Feelings,” and “I Wanna Thank You.” The performance was emotional for Beverly as the audience stood up and danced during the entire performance, capturing the historic moment on their cell phones.

Maze was founded by Beverly in 1970 in Philadelphia and was recognized by Marvin Gaye when they relocated to the Bay Area in 1971. The group went on to earn nine gold albums between 1977 and 1993 with mega hits such as “Happy Feelin’s” and “Before I Let Go.” Beverly, known for his soulful baritone voice, wrote hit after hit during his five-decade career. Beverly said he was initially inspired by the pacesetting R&B doo-wop group Frankie Lymon and the Teenagers.

Performances at the San Jose Jazz Summer Fest also included the John Santos Sextet, the San Jose Jazz High School All Stars, Faye Carol, Delfaeyo Marsalis and the Uptown Jazz Orchestra, David Benoit Quartet, Andre Thierry Accordion Soul, Ayo Brame, The Family Stone, and the Spanish Harlem Orchestra.

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Arts and Culture

World Arts West Dance Festival Puts Culture and Joy Center Stage

The 45th World Arts West Dance Festival performance at Presidio Tunnel Tops opens with a joyous and colorful procession on Sept. 8. Kiazi Malonga from the Oakland-based group Fua Dia Kongo will lead over 100 cultural performers to the stage with Congolese dance and drum rhythms, setting the mood for an afternoon trip around the world through music and dance.

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Fua Dia Kongo. Photo by D. Kelly Images
Fua Dia Kongo. Photo by D. Kelly Images

By Lisa Petrie    

The 45th World Arts West Dance Festival performance at Presidio Tunnel Tops opens with a joyous and colorful procession on Sept. 8.

Kiazi Malonga from the Oakland-based group Fua Dia Kongo will lead over 100 cultural performers to the stage with Congolese dance and drum rhythms, setting the mood for an afternoon trip around the world through music and dance.

Now, in its third year with support from the Presidio as a partner, the 2024 theme Dance as Activism underscores the power of cultural dance to challenge societal norms, preserve heritage, and inspire social change. The broad range of performances will reflect both traditional and contemporary styles – reflecting the rich and diverse aesthetics of the Bay Area’s cultural dance community.

From Chinyakare Ensemble’s presentation of traditional dance from Zimbabwe and Southern Africa to Destiny Arts Youth Performance Company’s original modern show combining hip hop, theater and rap, dance as an art form can keep cultural narratives or see them evolve through a new generation. Thirteen groups will present performances from South Asia, the Middle East, Mexico, the Caribbean, China and the Philippines, with music from Eastern Europe and Eurasia by the women’s vocal ensemble Kitka.

Festival director Dr. Anne Huang is committed to giving these artists a platform to express their identities. She says: “Each performance is a coded blueprint for survival, resilience, and evolution. The festival is a testament to the power of social change through dance — more persuasive than shackles and guns, fear and violence.”

The World Arts West Dance Festival will be held Sunday, Sept. 8, 1pm – 4pm at The Presidio Tunnel Tops. Admission; FREE. Visit this page for more information and see the complete artist lineup. Watch a performance video here.

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