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Chris Tucker Rocked Heinz Hall

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Chris Tucker

By Mercedes J. Howze
Special to the NNPA via The New Pittsburgh Courier

 
PITTSBURGH (NNPA) — Chris Tucker defied two really big Pittsburgh untruths on May 1 for his show in the Cultural District. First, the “Friday” star was on time. The comedian was not drowned out with four opening acts. He hit the stage at approximately 8:20 p.m.—that’s 20 minutes after the start time. That has to be a record.

Secondly, Tucker put on a respectable show without incident at one of the classiest venues in Pittsburgh, Heinz Hall. I’ll never understand why performers use Soldiers and Sailors Memorial Hall when Heinz Hall is a beautiful, lovely location.

And get this—he was on stage for 90 minutes! Ninety minutes! He did not have a drink, a cigarette, water bottle or any other accessory that comedians normally bring to the stage.

I have never seen that much energy on the stage from a headlining comedian. Tucker is undeniably funny. From his troubles with the IRS to serenading the crowd with his unique voice, Tucker resembled his early days on “Def Comedy Jam.”

The turnout wasn’t bad either. Between a Marvin Sapp concert at Mt. Ararat Baptist Church and hundreds of boxing fans flocking to Vegas for fight night, people came out to support the “Rush Hour” star.

As for the age of old question: Will Chris Tucker star in “Last Friday” or “Rush Hour 4?’ I don’t know if there’s any real hope for Tucker to complete the fourth installments of either movie. But, I’m confident that he’s ready for both, if presented with the opportunity

In previous interviews, the 39-year-old was adamant about not participating in anymore “Fridays.” But, during his show, it seemed as if he was wrestling with the idea. Although the storyline for “Last Friday” would be difficult seeing as how Mike Epps is the new funny face for that film series. Is there enough room for both Smokey and Day-Day on one screen? I doubt it.

“Friday” Director F. Gary Gray reunited with the original cast for the 20th anniversary. The movie was re-released in select theatres on April 20. The movie’s soundtrack, which eventually went double platinum, was also re-released to commemorate the milestone. Tucker posted a picture on his Instagram of the reunion:

In other Ice Cube news, “Barbershop 3” will be released February 2016 and it is starring Ice Cube, Cedric The Entertainer and Nicki Minaj. Sidenote: Why did Eve get the boot? You know Ice Cube is good for replacing somebody.

As for “Rush Hour 4,” Tucker says he calls Warner Brothers everyday asking them to make another “Rush Hour.” “Rush Hour” will always be my favorite comedic movie series.

Tucker has a few things coming up. In July, Netflix is set to release the actor’s first stand-up comedy special, “Chris Tucker Live.” On a personal note, Tucker is engaged to Atlanta news anchor and longtime girlfriend, Cynne Simpson. He joked briefly about his upcoming nuptials, a pre-nup and the difficulties of dating prior to Miss Simpson.

Tucker gave Pittsburgh a clean, versatile show.

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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