#NNPA BlackPress

Cleopatra Reborn at The Deluxe Theater

HOUSTON FORWARD TIMES — Jones’ re-imagining of the play centers the queen squarely, instead of the wars and machinations of the Roman triumvirate. It portrays Cleopatra as a multifaceted character: a regal queen, a cunning strategist, a devoted partner and mother. It takes place inside the Deluxe Theater, which opened in 1941 on Lyons Avenue, in the heart of Houston’s Fifth Ward. And it stars Jones, a Black actress, in the title role — something that was important to Jones herself. “I wanted to make sure that we connected Cleopatra to a Black woman,” she said, explaining her use of African and Egyptian costumes and set pieces. “I wanted it all to be uniquely Black.”
The post Cleopatra Reborn at The Deluxe Theater first appeared on BlackPressUSA.

Published

1 year ago

September 30, 2023

Forward Times Staff

By Terrance Turner, Forward Times Staff Writer | Houston Forward Times

This weekend, Houston’s Black Theater Week showcased a daring revamp of a Shakespearean classic. Actress and poet Joy Yvonne Jones brought an age-old story to life with her one-woman show at the Deluxe Theater on Sept. 21 and 24. The show, written and produced by Jones, is an adaptation of William Shakespeare’s epic tragedy Antony and Cleopatra.

The original play focuses on the star-crossed love affair between Roman ruler Mark Antony and Egyptian queen Cleopatra. Antony was part of a triumvirate (a government ruled by three men); he ruled the Roman Empire with Octavian (aka Octavius Caesar) and statesman Marcus Lepidus after the assassination of Julius Caesar in 44 BC. Cleopatra, who ruled Egypt for two decades, became involved with Antony (and had twins with him in 40 B.C.) But after the death of his wife, Fulvia — and facing the prospect of an armed rebellion — he returns to Rome. Later, he and Octavian head off the rebellion by forming a military alliance; Antony marries Octavian’s sister, Octavia. Upon learning of the marriage, Cleopatra flies into a jealous rage. But Antony soon returns to Egypt and allies with the queen — with tragic consequences.

Jones’ re-imagining of the play centers the queen squarely instead of the wars and machinations of the Roman triumvirate. It portrays Cleopatra as a multifaceted character: a regal queen, a cunning strategist, a devoted partner and a mother. It occurs inside the Deluxe Theater, which opened in 1941 on Lyons Avenue, in the heart of Houston’s Fifth Ward. And it stars Jones, a Black actress, in the title role — something important to Jones herself. “I wanted to make sure that we connected Cleopatra to a Black woman,” she said, explaining her use of African and Egyptian costumes and set pieces. “I wanted it all to be uniquely Black.”

It was unique in many ways. Joy Jones began her Sept. 21 performance by doing something rarely seen in theater: she addressed the audience directly, handing them lines on printed paper. (Members of the audience would play messengers who deliver important updates to the queen.) She ordered them to turn off their cell phones during the play: “I can see every single one of you. If your cell phone goes off in the middle of the show, I will call you out,” she warned.) And she encouraged them to take part in a Q&A after the show, inviting questions, comments, and even constructive criticisms. But keep it constructive, she asked them: “I’m an artist, and I’m sensitive about my s—t.”

Indeed. Jones, a graduate of Houston’s High School for the Performing and Visual Arts (2010), is a founding member of the San Diego Black Artist Collective and previously played Cleopatra in a production of Antony and Cleopatra for New Artist Collective. But her production felt distinctly different. She opened the show with an interpretive dance that evoked ballet and burlesque. She intercut portions of stage dialogue with brief film clips projected on a screen behind the stage. And perhaps most notably, she combined Shakespeare’s words with her prose.

“The heart of this production lies in combining Shakespeare’s original text with my original poetry, adding spice and relevance to Cleopatra’s story. This adaptation will also include film and projection art to assist in bringing life to the highs and lows of Cleopatra in a modern way. As a Black woman, I am familiar with being villainized for ambition, sexualized because of my body, and manipulated for the success of others. I aim to infuse this adaptation with a deep understanding of the challenges faced by Black women in society. Through this production,” Jones wrote on her website, “we will break barriers and challenge stereotypes, allowing Cleopatra to express herself fully, flaws and all, without shame.”

“No one was going to erase me — especially not a man,” Cleopatra proclaims onstage. “Never mistake me for a damsel. I fought the way I move best and with the tools however sharpest in my hands. What good is beauty if you don’t know how to leverage it? What good is intelligence if you are afraid to wield it?” Cleopatra Jones does both — unapologetically. “I lived by my rules, and I die by my will,” she declares. “Say what you feel about me, but you will never forget me.”

The post Cleopatra Reborn at The Deluxe Theater appeared first on Forward Times.

The post Cleopatra Reborn at The Deluxe Theater first appeared on BlackPressUSA.

Forward Times Staff

Posts by Forward Times Staff

Up Next

Beyoncé Appears at Houston Celebration for Upcoming Knowles-Rowland House for Homeless

Don't Miss

Maryland’s Adult-Use Cannabis Sales Rake in Millions in First Weekend of Legal Recreational Use

Forward Times Staff

Click to comment

#NNPA BlackPress

OP-ED: The Illusion of Allyship. White Women, Your Yard Signs Mean Nothing to Me

NNPA NEWSWIRE – “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.

Published

2 weeks ago

November 9, 2024

Oakland Post

Political yard signs can symbolize intentions and allegiance. But this year, they’ve also symbolized betrayal. During this general election, Black women were led to believe that more White women would stand with us. Exit polls, however, told a different story. Despite overwhelming displays of support, more White women still chose to vote for the convicted felon, reality TV star, and rapist. White women answered the call but left us hanging at the polls.

A Familiar Disappointment

I live in DeKalb County, Georgia, and the abundance of Harris-Walz yard signs could’ve fooled me. But I’ve seen this before, back when Stacey Abrams ran for governor. White women showed up, put up signs, attended rallies, knocked on doors, and phone-banked. Yet, when it came time to vote, they let us down—not once but twice. I’ve been here for over 15 years, and if there’s one thing I know, it’s that political signs are symbols without weight.

In every election, I’ve talked with White women. Most aren’t the primary earners in their families and vote along party lines, aligning with the preferences of their fathers and husbands. These conversations reveal a reluctance to break from tradition, even when their votes affect women and certainly when their votes impact the lives of people who look like me.

The Illusion of Solidarity—Symbols Are Not Enough

On social media, I’m seeing White women posting pictures of blue bracelets to “prove” they didn’t vote for Trump. “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.

I’ve seen Black Lives Matter signs and black squares posted on Instagram to “prove” support for Black people, but we now know that was a lie, too. Will those same people who claimed Black lives mattered now take down their Harris-Walz signs and show their true selves?

Navigating these truths is a daily struggle for me—professionally and socially. White women often misuse their privilege, supporting us only when it’s convenient. Seeing overqualified Black women sabotaged or abandoned by White women at critical moments is a constant emotional challenge. It’s exhausting to live with this reality, especially when solidarity seems like something they pick up and discard at will.

One clever campaign ad from Harris-Walz that spoke directly to White women. “Your Vote, Your Choice” emphasized that their vote was private—independent of their household situation. Another was from Olivia Howell Dreizen, the “Vote Without Fear” campaign, which empowered women to consider the greater impact of their choices. But it seems many still couldn’t choose the roadmap to freedom—even when it was handed to them.

A Call for Action Beyond Words

White women, I want to believe you care, but actions speak louder than yard signs, bracelets, or Instagram posts. Show up in our communities, advocate in your workplaces, and stand up to dismantle the structures that uphold white supremacy. Only through real action will we know where you stand.

If you choose not to act, we see you—and we know exactly where you stand. Good luck these next four years.

Disclaimer: The views and opinions expressed in this article do not necessarily reflect the official policy or position of BlackPressUSA.com or the National Newspaper Publishers Association.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Supernova Parenting Conference Empowers Over 100 Parents with Resources for Neurodivergence and Mental Health

The inaugural Supernova Parenting Conference was co-hosted by Natasha Nelson, known as Supernova Momma, and Yolanda Walker, founder of Parenting Decolonized. It brought together over 100 parents, caregivers, and educators dedicated to fostering understanding and support for neurodivergent children and mental health challenges. The conference provided invaluable resources, expert insights, and a collaborative space for […]

Published

2 weeks ago

November 7, 2024

BlackPressUSA.com

The event featured a variety of workshops, panel discussions, and keynote speeches from leading experts in neurodiversity and mental health. Attendees left with practical tools and strategies to enhance their parenting journeys, emphasizing the importance of understanding and supporting the unique needs of neurodivergent children.

“While the conference was a tremendous success, we believe that our work doesn’t end here,” said Natasha Nelson. “It’s crucial to continue providing ongoing support and resources for parents as they navigate this important journey. We want to ensure families can access the tools they need long after the conference.”

To extend the momentum generated at the conference, Natasha and Yolanda are excited to announce the launch of the Supernova Parenting Community. This membership-based initiative aims to offer a safe and supportive environment for parents and caregivers to continue their growth as conscious parents.

Membership is available for as little as $5 a month via Patreon, making it accessible for all families seeking support.

“We know that parenting can be a challenging journey, especially when navigating neurodivergence and mental health issues,” Yolanda Walker added. “Our goal is to build a community where parents feel seen, heard, and supported. We hope you’ll join us in this vital work.”

For more information about the Supernova Parenting Community and to sign up for membership, please visit supernovaparenting.org