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Cleopatra Reborn at The Deluxe Theater

HOUSTON FORWARD TIMES — Jones’ re-imagining of the play centers the queen squarely, instead of the wars and machinations of the Roman triumvirate. It portrays Cleopatra as a multifaceted character: a regal queen, a cunning strategist, a devoted partner and mother. It takes place inside the Deluxe Theater, which opened in 1941 on Lyons Avenue, in the heart of Houston’s Fifth Ward. And it stars Jones, a Black actress, in the title role — something that was important to Jones herself. “I wanted to make sure that we connected Cleopatra to a Black woman,” she said, explaining her use of African and Egyptian costumes and set pieces. “I wanted it all to be uniquely Black.”
The post Cleopatra Reborn at The Deluxe Theater first appeared on BlackPressUSA.

Published

2 years ago

September 30, 2023

Forward Times Staff

By Terrance Turner, Forward Times Staff Writer | Houston Forward Times

This weekend, Houston’s Black Theater Week showcased a daring revamp of a Shakespearean classic. Actress and poet Joy Yvonne Jones brought an age-old story to life with her one-woman show at the Deluxe Theater on Sept. 21 and 24. The show, written and produced by Jones, is an adaptation of William Shakespeare’s epic tragedy Antony and Cleopatra.

The original play focuses on the star-crossed love affair between Roman ruler Mark Antony and Egyptian queen Cleopatra. Antony was part of a triumvirate (a government ruled by three men); he ruled the Roman Empire with Octavian (aka Octavius Caesar) and statesman Marcus Lepidus after the assassination of Julius Caesar in 44 BC. Cleopatra, who ruled Egypt for two decades, became involved with Antony (and had twins with him in 40 B.C.) But after the death of his wife, Fulvia — and facing the prospect of an armed rebellion — he returns to Rome. Later, he and Octavian head off the rebellion by forming a military alliance; Antony marries Octavian’s sister, Octavia. Upon learning of the marriage, Cleopatra flies into a jealous rage. But Antony soon returns to Egypt and allies with the queen — with tragic consequences.

Jones’ re-imagining of the play centers the queen squarely instead of the wars and machinations of the Roman triumvirate. It portrays Cleopatra as a multifaceted character: a regal queen, a cunning strategist, a devoted partner and a mother. It occurs inside the Deluxe Theater, which opened in 1941 on Lyons Avenue, in the heart of Houston’s Fifth Ward. And it stars Jones, a Black actress, in the title role — something important to Jones herself. “I wanted to make sure that we connected Cleopatra to a Black woman,” she said, explaining her use of African and Egyptian costumes and set pieces. “I wanted it all to be uniquely Black.”

It was unique in many ways. Joy Jones began her Sept. 21 performance by doing something rarely seen in theater: she addressed the audience directly, handing them lines on printed paper. (Members of the audience would play messengers who deliver important updates to the queen.) She ordered them to turn off their cell phones during the play: “I can see every single one of you. If your cell phone goes off in the middle of the show, I will call you out,” she warned.) And she encouraged them to take part in a Q&A after the show, inviting questions, comments, and even constructive criticisms. But keep it constructive, she asked them: “I’m an artist, and I’m sensitive about my s—t.”

Indeed. Jones, a graduate of Houston’s High School for the Performing and Visual Arts (2010), is a founding member of the San Diego Black Artist Collective and previously played Cleopatra in a production of Antony and Cleopatra for New Artist Collective. But her production felt distinctly different. She opened the show with an interpretive dance that evoked ballet and burlesque. She intercut portions of stage dialogue with brief film clips projected on a screen behind the stage. And perhaps most notably, she combined Shakespeare’s words with her prose.

“The heart of this production lies in combining Shakespeare’s original text with my original poetry, adding spice and relevance to Cleopatra’s story. This adaptation will also include film and projection art to assist in bringing life to the highs and lows of Cleopatra in a modern way. As a Black woman, I am familiar with being villainized for ambition, sexualized because of my body, and manipulated for the success of others. I aim to infuse this adaptation with a deep understanding of the challenges faced by Black women in society. Through this production,” Jones wrote on her website, “we will break barriers and challenge stereotypes, allowing Cleopatra to express herself fully, flaws and all, without shame.”

“No one was going to erase me — especially not a man,” Cleopatra proclaims onstage. “Never mistake me for a damsel. I fought the way I move best and with the tools however sharpest in my hands. What good is beauty if you don’t know how to leverage it? What good is intelligence if you are afraid to wield it?” Cleopatra Jones does both — unapologetically. “I lived by my rules, and I die by my will,” she declares. “Say what you feel about me, but you will never forget me.”

The post Cleopatra Reborn at The Deluxe Theater appeared first on Forward Times.

The post Cleopatra Reborn at The Deluxe Theater first appeared on BlackPressUSA.

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Black Feminist Movement Mobilizes in Response to National Threats

BLACKPRESSUSA NEWSWIRE — More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States.

Published

4 days ago

May 30, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States. The event, led by the organization Black Feminist Future, is headlined by activist and scholar Angela Y. Davis. Paris Hatcher, executive director of Black Feminist Future, joined Black Press USA’s Let It Be Known to outline the mission and urgency behind the gathering, titled “Get Free.” “This is not just a conference to dress up and have a good time,” Hatcher said. “We’re building power to address the conditions that are putting our lives at risk—whether that’s policing, reproductive injustice, or economic inequality.” Hatcher pointed to issues such as rising evictions among Black families, the rollback of bodily autonomy laws, and the high cost of living as key drivers of the event’s agenda. “Our communities are facing premature death,” she said.

Workshops and plenaries will focus on direct action, policy advocacy, and practical organizing skills. Attendees will participate in training sessions that include how to resist evictions, organize around immigration enforcement, and disrupt systemic policies contributing to poverty and incarceration. “This is about fighting back,” Hatcher said. “We’re not conceding anything.” Hatcher addressed the persistent misconceptions about Black feminism, including the idea that it is a movement against men or families. “Black feminism is not a rejection of men,” she said. “It’s a rejection of patriarchy. Black men must be part of this struggle because patriarchy harms them too.” She also responded to claims that organizing around Black women’s issues weakens broader coalitions. “We don’t live single-issue lives,” Hatcher said. “Our blueprint is one that lifts all Black people.”

The conference will not be streamed virtually, but recaps and updates will be posted daily on Black Feminist Future’s YouTube channel and Instagram account. The event includes performances by Tank and the Bangas and honors longtime activists including Billy Avery, Erica Huggins, and Alexis Pauline Gumbs. When asked how Black feminism helps families, Hatcher said the real threat to family stability is systemic oppression. “If we want to talk about strong Black families, we have to talk about mass incarceration, the income gap, and the systems that tear our families apart,” Hatcher said. “Black feminism gives us the tools to build and sustain healthy families—not just survive but thrive.”

Stacy M. Brown

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Hoover’s Commutation Divides Chicago as State Sentence Remains

BLACKPRESSUSA NEWSWIRE — Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial.

Published

5 days ago

May 29, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

The federal sentence for Gangster Disciples founder Larry Hoover has been commuted, but he remains incarcerated under a 200-year state sentence in Illinois. The decision by Donald Trump to reduce Hoover’s federal time has reignited longstanding debates over his legacy and whether rehabilitation or continued punishment is warranted. The commutation drew immediate public attention after music executive Jay Prince and artist Chance the Rapper publicly praised Trump’s decision. “I’m glad that Larry Hoover is home,” said Chance the Rapper. “He was a political prisoner set up by the federal government. He created Chicago Votes, mobilized our people, and was targeted for that.”

But Hoover, the founder of the Gangster Disciples, is not home—not yet. Now in federal custody at the Florence Supermax in Colorado, Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial. “There is a divide in the Black community here,” said Chicago journalist Jason Palmer during an appearance on the Let It Be Known morning program. “Some view Hoover as someone who brought structure and leadership. Others remember the violence that came with his organization.” Palmer explained that while Hoover’s gang originally formed for protection, it grew into a criminal network responsible for extensive harm in Chicago. He also noted that Hoover continued to run his organization from state prison using coded messages passed through visitors, prompting his transfer to federal custody.

Illinois Gov. J.B. Pritzker, who is widely considered a potential 2028 presidential contender, has not issued a statement. Palmer suggested that silence is strategic. “Releasing Hoover would create enormous political consequences,” Palmer said. “The governor’s in a difficult spot—he either resists pressure from supporters or risks national backlash if he acts.” According to Palmer, Hoover’s federal commutation does not make him a free man. “The federal sentence may be commuted, but he still has a 200-year state sentence,” he said. “And Illinois officials have already made it clear they don’t want to house him in state facilities again. They prefer he remains in federal custody, just somewhere outside of Colorado.”

Palmer also raised concerns about what Hoover’s case could signal for others. “When R. Kelly was convicted federally, state prosecutors in Illinois and Minnesota dropped their charges. If a president can commute federal sentences based on public pressure or celebrity support, others like R. Kelly or Sean Combs could be next,” Palmer said. “Meanwhile, there are thousands of incarcerated people without fame or access to public platforms who will never get that consideration.” “There are people who are not here today because of the violence connected to these organizations,” Palmer said. “That has to be part of this conversation.”

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WATCH: Five Years After George Floyd: Full Panel Discussion | Tracey’s Keepin’ It Real | Live Podcast Event

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

Published

6 days ago

May 28, 2025

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https://youtube.com/watch?v=OsNLWTz6jU0&feature=oembed

May 25, 2020. The world stopped and watched as a life was taken.

But what has happened since?

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

She shares reflections, insights, and the story of a community forever changed. What has a year truly meant, and where do we go from here?

This is more than just a date; it’s a moment in history. See what one leader in the Black press has to say about it.

Recorded live at UROC in Minneapolis, this powerful discussion features:

Panelists: