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Colour of Music Festival Honors Pioneering Black Female Composer Florence

CHARLESTON CHRONICLE — Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of African descent to share their musical talents.

Published

6 years ago

March 7, 2019

Oakland Post

By The Charleston Chronicle

The Colour of Music Festival announces the seventh annual Colour of Music Festival March 27-30, 2019 at three historic locations in the heart of downtown Charleston showcasing leading black classical artists from France, Britain, Colombia, and the Caribbean and highlighting the musical achievements of lesser known black female composers including Florence B. Price.

Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of

African descent to share their musical talents, knowledge, and inspiration to Charleston. Since March 2018 the Festival has also traveled across the U.S. to leading collegiate venues and performance halls in Washington DC, Atlanta, Houston, Pittsburgh, and Richmond.

Spring 2019 Colour of Music Festival Highlights

A spotlight on black female composers including pioneer Florence B. Price is a fitting theme for National Women’s History Month and an auspicious evolution of the Festival’s commitment to ensure black female classical performers are both elevated and included in the classical music canon and live performances.

“Honoring Florence B. Price among other women of color who have contributed significant works but whose compositions are rarely programmed and heard by major American orchestras is classical music’s last glass ceiling which also includes scant percentages of black female conductors and music directors,” said Lee Pringle, Founder and President of the Colour of Music Festival.

Several of Price’s chamber setting works written in 1944 including her Negro Five Folksongs in Counterpoint and String Quartet in G Major will be performed as part of the Festival’s intimate Chamber Music presentations taking place at the Edmondston-Alston House Museum Salon, 21 East Bay Street, Murry Center Salon, 14 George Street, and Burk High Performance Arts Center, 244 President Street in historic downtown Charleston.

Composer Florence B. Price

Florence Beatrice Smith Price (1887-1953) was the first African-American female composer to have a symphonic composition performed by a major American orchestra and is considered the first black woman in the U.S. to be recognized as a symphonic composer. The Chicago Symphony Orchestra performed her Symphony in E Minor in 1933 under the direction of Frederick Stock.

Florence B. Price

Price struggled to make headway in a culture that defined composers as white, male, and dead. Only in the past couple of decades have Price’s major works begun to receive recordings and performances, and these are still infrequent. Though widely cited as one of the first African-American classical composers to win national attention, she is mentioned more often than heard. Not only did Price fail to enter the canon, a large quantity of her music came perilously close to obliteration until an Illinois couple found her compositions in a run-down house they were about to renovate—a potent symbol of how a country can forget its cultural history.

“The late Margret Bonds, a student of Ms. Price and many living composers including Dominique Le Gendre and Nkeiru N. Okoye, have been presented at the Festival—our spotlight on women as part of National Women’s Month in March makes this year’s festival very special,” said Lee Pringle, President and Artistic Director of the Colour of Music Festival.

More about Black Female Composers in History

Calendar of Events | Colour of Music Festival March 27-30, 2019

Wednesday, March 27

Piano Recital, Karen Walwyn, pianist • 2 p.m.

Chamber Music I

Colour of Music Virtuosi (all-female chamber orchestra) • 7 p.m.

Anyango Yarbo-Davenport, conductor and soloist

Thursday, March 28

Symposium: Florence B Price Legacy • 2 p.m.

Louse Toppin, Ph.D. presenter

Chamber Music II: Florence B. Price Spotlight • 7 p.m.

Negro Five Folksongs in Counterpoint

Friday, March 29

Vocal Recital, Louise Toppin • 2 p.m.

Chamber Music III: Florence B. Price Spotlight • 7 p.m.

String Quartet in G Major

Saturday, March 30

Organ Recital, Eldred Marshall, organist • 12 p.m.

Masterworks: Florence B. Price Showcase • 7 p.m.

Piano Concerto in D Minor in One Movement

Chelsea Tipton II, conductor; Karen Walwyn, piano

Colour of Music Festival Tickets and Information

By phone (866) 811-4111

Online: www.colourofmusic.org

At door: (credit card, cash or check) before each performance

Tickets $15-$45; special K-12 pricing for student groups of 10 or more

This article originally appeared in the Charleston Chronicle.

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

Published

5 days ago

May 23, 2025

Oakland Post

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association