News
Colour of Music Festival Honors Pioneering Black Female Composer Florence
CHARLESTON CHRONICLE — Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of African descent to share their musical talents.
By The Charleston Chronicle
The Colour of Music Festival announces the seventh annual Colour of Music Festival March 27-30, 2019 at three historic locations in the heart of downtown Charleston showcasing leading black classical artists from France, Britain, Colombia, and the Caribbean and highlighting the musical achievements of lesser known black female composers including Florence B. Price.
Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of
African descent to share their musical talents, knowledge, and inspiration to Charleston. Since March 2018 the Festival has also traveled across the U.S. to leading collegiate venues and performance halls in Washington DC, Atlanta, Houston, Pittsburgh, and Richmond.
Spring 2019 Colour of Music Festival Highlights
A spotlight on black female composers including pioneer Florence B. Price is a fitting theme for National Women’s History Month and an auspicious evolution of the Festival’s commitment to ensure black female classical performers are both elevated and included in the classical music canon and live performances.
“Honoring Florence B. Price among other women of color who have contributed significant works but whose compositions are rarely programmed and heard by major American orchestras is classical music’s last glass ceiling which also includes scant percentages of black female conductors and music directors,” said Lee Pringle, Founder and President of the Colour of Music Festival.
Several of Price’s chamber setting works written in 1944 including her Negro Five Folksongs in Counterpoint and String Quartet in G Major will be performed as part of the Festival’s intimate Chamber Music presentations taking place at the Edmondston-Alston House Museum Salon, 21 East Bay Street, Murry Center Salon, 14 George Street, and Burk High Performance Arts Center, 244 President Street in historic downtown Charleston.
Florence Beatrice Smith Price (1887-1953) was the first African-American female composer to have a symphonic composition performed by a major American orchestra and is considered the first black woman in the U.S. to be recognized as a symphonic composer. The Chicago Symphony Orchestra performed her Symphony in E Minor in 1933 under the direction of Frederick Stock.
Price struggled to make headway in a culture that defined composers as white, male, and dead. Only in the past couple of decades have Price’s major works begun to receive recordings and performances, and these are still infrequent. Though widely cited as one of the first African-American classical composers to win national attention, she is mentioned more often than heard. Not only did Price fail to enter the canon, a large quantity of her music came perilously close to obliteration until an Illinois couple found her compositions in a run-down house they were about to renovate—a potent symbol of how a country can forget its cultural history.
“The late Margret Bonds, a student of Ms. Price and many living composers including Dominique Le Gendre and Nkeiru N. Okoye, have been presented at the Festival—our spotlight on women as part of National Women’s Month in March makes this year’s festival very special,” said Lee Pringle, President and Artistic Director of the Colour of Music Festival.
More about Black Female Composers in History
Calendar of Events | Colour of Music Festival March 27-30, 2019
Wednesday, March 27
Piano Recital, Karen Walwyn, pianist • 2 p.m.
Chamber Music I
Colour of Music Virtuosi (all-female chamber orchestra) • 7 p.m.
Anyango Yarbo-Davenport, conductor and soloist
Thursday, March 28
Symposium: Florence B Price Legacy • 2 p.m.
Louse Toppin, Ph.D. presenter
Chamber Music II: Florence B. Price Spotlight • 7 p.m.
Negro Five Folksongs in Counterpoint
Friday, March 29
Vocal Recital, Louise Toppin • 2 p.m.
Chamber Music III: Florence B. Price Spotlight • 7 p.m.
String Quartet in G Major
Saturday, March 30
Organ Recital, Eldred Marshall, organist • 12 p.m.
Masterworks: Florence B. Price Showcase • 7 p.m.
Piano Concerto in D Minor in One Movement
Chelsea Tipton II, conductor; Karen Walwyn, piano
Colour of Music Festival Tickets and Information
By phone (866) 811-4111
Online: www.colourofmusic.org
At door: (credit card, cash or check) before each performance
Tickets $15-$45; special K-12 pricing for student groups of 10 or more
This article originally appeared in the Charleston Chronicle.
Activism
Oakland Post: Week of December 25 – 31, 2024
The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Bay Area
Glydways Breaking Ground on 14-Acre Demonstration Facility at Hilltop Mall
Glydways has been testing its technology at CCTA’s GoMentum Station in Concord for several years. The company plans to install an ambitious 28-mile Autonomous Transit Network in East Contra Costa County. The new Richmond facility will be strategically positioned near that project, according to Glydways.
The Richmond Standard
Glydways, developer of microtransit systems using autonomous, small-scale vehicles, is breaking ground on a 14-acre Development and Demonstration Facility at the former Hilltop Mall property in Richmond, the Contra Costa Transportation Authority (CCTA) reported on social media.
Glydways, which released a statement announcing the project Monday, is using the site while the mall property undergoes a larger redevelopment.
“In the interim, Glydways will use a portion of the property to showcase its technology and conduct safety and reliability testing,” the company said.
Glydways has been testing its technology at CCTA’s GoMentum Station in Concord for several years. The company plans to install an ambitious 28-mile Autonomous Transit Network in East Contra Costa County. The new Richmond facility will be strategically positioned near that project, according to Glydways.
The new Richmond development hub will include “over a mile of dedicated test track, enabling Glydways to refine its solutions in a controlled environment while simulating real-world conditions,” the company said.
Visitors to the facility will be able to experience on-demand travel, explore the control center and visit a showroom featuring virtual reality demonstrations of Glydways projects worldwide.
The hub will also house a 13,000-square-foot maintenance and storage facility to service the growing fleet of Glydcars.
“With this new facility [at the former Hilltop Mall property], we’re giving the public a glimpse of the future, where people can experience ultra-quiet, on-demand transit—just like hailing a rideshare, but with the reliability and affordability of public transit,” said Tim Haile, executive director of CCTA.
Janet Galvez, vice president and investment officer at Prologis, owner of the Hilltop Mall property, said her company is “thrilled” to provide space for Glydways and is continuing to work with the city on future redevelopment plans for the broader mall property.
Richmond City Manager Shasa Curl added that Glydways’ presence “will not only help test new transit solutions but also activate the former Mall site while preparation and finalization of the Hilltop Horizon Specific Plan is underway.
Alameda County
Last City Council Meeting of the Year Ends on Sour Note with Big Budget Cuts
In a five to one vote, with Councilmembers Carroll Fife and Janani Ramachandran excused, the council passed a plan aimed at balancing the $130 million deficit the city is facing. Noel Gallo voted against the plan, previously citing concerns over public safety cuts, while Nikki Fortunato-Bas, Treva Reid, Rebecca Kaplan, Kevin Jenkins, and Dan Kalb voted in agreement with the plan.
By Magaly Muñoz
In the last lengthy Tuesday meeting of the Oakland City Council for 2024, residents expressed strong opposition to the much needed budget cuts before a change in leadership was finalized with the certification of election results.
In a five to one vote, with Councilmembers Carroll Fife and Janani Ramachandran excused, the council passed a plan aimed at balancing the $130 million deficit the city is facing. Noel Gallo voted against the plan, previously citing concerns over public safety cuts, while Nikki Fortunato-Bas, Treva Reid, Rebecca Kaplan, Kevin Jenkins, and Dan Kalb voted in agreement with the plan.
Oakland police and fire departments, the ambassador program, and city arts and culture will all see significant cuts over the course of two phases.
Phase 1 will eliminate two police academies, brown out two fire stations, eliminate the ambassador program, and reduce police overtime by nearly $25 million. These, with several other cuts across departments, aim to save the city $60 million. In addition, the council simultaneously approved to transfer restricted funds into its general purpose fund, amounting to over $40 million.
Phase 2 includes additional fire station brownouts and the elimination of 91 jobs, aiming to recover almost $16 million in order to balance the rest of the budget.
Several organizations and residents spoke out at the meeting in hopes of swaying the council to not make cuts to their programs.
East Oakland Senior Center volunteers and members, and homeless advocates, filled the plaza just outside of City Hall with rallies to show their disapproval of the new budget plan. Senior residents told the council to “remember that you’ll get old too” and that disturbing their resources will only bring problems for an already struggling community.
While city staff announced that there would not be complete cuts to senior center facilities, there would be significant reductions to staff and possibly inter-program services down the line.
Exiting council member and interim mayor Bas told the public that she is still hopeful that the one-time $125 million Coliseum sale deal will proceed in the near future so that the city would not have to continue with drastic cuts. The deal was intended to save the city for fiscal year 2024-25, but a hold up at the county level has paused any progress and therefore millions of dollars in funds Oakland desperately needs.
The Coliseum sale has been a contentious one. Residents and city leaders were originally against using the deal as a way to balance the budget, citing doubts about the sellers, the African American Sports and Entertainment Group’s (AASEG), ability to complete the deal. Council members Reid, Ramachandran, and Gallo have called several emergency meetings to understand where the first installments of the sale are, with little to no answers.
Bas added that as the new Alameda County Supervisor for D5, a position she starts in a few weeks, she will do everything in her power to push the Coliseum sale along.
The city is also considering a sales tax measure to put on the special election ballot on April 15, 2025, which will also serve as an election to fill the now vacant D2 and mayor positions. The tax increase would raise approximately $29 million annually for Oakland, allowing the city to gain much-needed revenue for the next two-year budget.
The council will discuss the possible sales tax measure on January 9.
-
Activism4 weeks ago
Oakland Post: Week of November 27 – December 3, 2024
-
Activism2 weeks ago
Butler, Lee Celebrate Passage of Bill to Honor Congresswoman Shirley Chisholm with Congressional Gold Medal
-
Activism2 weeks ago
Post News Group to Host Second Town Hall on Racism, Hate Crimes
-
Activism2 weeks ago
Delta Sigma Theta Alumnae Chapters Host World AIDS Day Event
-
Business2 weeks ago
Landlords Are Using AI to Raise Rents — And California Cities Are Leading the Pushback
-
Activism3 weeks ago
Oakland Post: Week of December 4 – 10, 2024
-
Arts and Culture1 week ago
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
-
Activism2 weeks ago
Oakland Post: Week of December 11 – 17, 2024