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COMMENTARY: Black Representation and Appearance in Japanese Pop Culture

NNPA NEWSWIRE — We as Black nerds are entitled to characters that we can identify with and can show to children for them to take pride in. Growing up I loved Goku, Cloud, and Sora. But it would have been nice to have a stalwart and cool character that I was a kid could look up to that I could identify with that looked like me.

Published

6 years ago

October 14, 2019

Oakland Post

This issue extends outside of classic cartoon anime. Japanese video games are also guilty of unequal and stereotypical representation. There are many different types of representation and all of these entertainment companies are missing the mark on all of them. (Photo: iStockphoto / NNPA)

THE BLERD BINDER

By Noah Washington, NNPA Newswire Pop Culture Contributor

With the release of Netflix’s “Cannon Busters,” we go back to the age-old conversation of representation of African Americans in anime. The most well-known characters in Japanese pop culture have often been represented with European features and fairer skin tones such as Naruto, Ichigo, Luffy, or Spike Spiegel. Even in live-action adaptations, some of these characters have been played by Caucasian actors.

Even when there is a Black character written into a storyline, their features are often exaggerated or they are made into a stereotype, most infamously with Mr. Popo of “Dragon Ball” fame; his dark as night skin and big red lips reminiscent of Blackface.

The closest thing we have gotten to a fair and entertaining anime representation is in Aaron Mcgruder’s “The Boondocks.” Yes, I know that The Boondocks is not considered an anime, but it has anime influences, and development by Madhouse Studios made it the closest thing we have gotten to an enjoyable anime with a predominantly Black-filled cast.

Unfortunately though, as much as I enjoyed “The Boondocks” and how it cleverly portrays stereotypes, they are stereotypes nonetheless.

“Cannon Busters,” which is a part of Netflix’s anime initiative to bring about more original content was recently released, and I have to say the quality of it and the writing are outstanding.

“Cannon Busters,” has all the qualities of a traditional anime, giant mecha’s, over the top protagonists, and a dramatic impossible plot, but I am disappointed with “Cannon Busters” in one aspect. In Episode two of the series, we are introduced to the Gearbolt Empire. “Cannon Buster’s” has Black Warriors, a Black Prince, a Black King and most importantly a Black hero named Odin. I see Odin as a double-edged sword.

This presented a chance to show off powerful deities with African origins. There are plenty of gods to choose from in the Yoruba and Egyptian pantheon such as Ogun, Sango, or Horus. On the other side of this problem is the fact that a Black man is depicted as a powerful larger than life figure named Odin who has traditionally looked like a grizzled caucasian male with an eye patch.

Video games also have their own role in this dilemma. Kingdom Hearts and Final Fantasy are two of the most popular video game series and have cemented themselves in American pop culture.

Kingdom Hearts is a joint venture with Disney Interactive and Square Enix. Kingdom Hearts combines the worlds of Final Fantasy and Disney films. The third entry in the Kingdom Hearts series was released early in 2019 and the game overall is good, but yet again another missed opportunity.

Several Disney worlds were featured in the game, but the easy slam dunk world that is missing is “The Princess and the Frog.” For some fans of the series, this was a disappointment.

Kingdom Hearts is overflowing with the themes of dark vs light, love conquers all, magic (good and bad), and whimsically simple-minded villains such as Dr. Facilier. Even the Bayou would have made a great location for the main characters of Sora, Donald Duck, and Goofy to play around in, you could have even turned them into frogs like the design mechanic that was done when the characters went to see Simba from the Lion King in Kingdom Hearts II which visualized them as Lions.

Final Fantasy faces a different issue. More than thirteen plus games make up the Final Fantasy series and there has barely been a handful of memorable characters. Barret Wallace and Sazh Katzroy are practically the same characters. They both use guns as their main style of fighting and have operated as comic relief at various points in the main story.

Sazh is a mild-mannered character who represents a big problem. Sazh himself isn’t a bad character, but it’s what he is carrying around with him constantly: A Chocobo.

Chocobo’s are like horses in the Final Fantasy series and to any uninformed viewer, kind of cute, but to the informed it carries the stereotype that Black people love chicken which is an insulting character choice. Barret Wallace, on the other hand, is made to look like a stereotype, a muscled up Black man with a gun (as I previously stated).

I hope they treat Barrett a cut above his old self in the Final Fantasy VII remake set to release March 3, 2020. I just want a Black Final Fantasy character that has a slim muscular build who carries around an awe-inspiring sword that one day my kids would want to dress up as for Halloween.

Is this an issue of the Japanese studios not interacting enough with people of African heritage or is it a matter of malevolence?

We notice the trend of African American stereotypes even outside of Japanese anime and video game culture. In Jordan Peele’s critically acclaimed movie “Get Out.” There is a scene where the main character Chris, played by Daniel Kaluuya is attending a “get together’’ for his girlfriend’s family which is filled with nothing but Caucasian Americans with the exception of a man played by the Japanese actor, Yasuhiko Oyama.

On IMDB the character is listed as Hiroki Tanaka, a Japanese name. Is this a commentary on how Asian Americans are allowed opportunities that African Americans are not? Is this a way for Jordan Peele to say that the Japanese see African people the same way Caucasians do? Or is this a way of saying that the Japanese identify with Caucasian Americans more than the other marginalized and oppressed groups due to their colonization by the English?

We as Black nerds are entitled to characters that we can identify with and can show to children for them to take pride in. Growing up I loved Goku, Cloud, and Sora. But it would have been nice to have a stalwart and cool character that I was a kid could look up to that I could identify with that looked like me.

The good news is that the release of Marvel’s “Black Panther” brings in a new era of representation that does not have the word “stereotype” anywhere around it. The bad news is that there is not a character of color that stands out in the world of anime like Goku or Naruto.

Noah Washington was born in Richmond, VA. Noah has been a black nerd since birth. He is a Media Entrepreneur major at Georgia State University. He loves everything in from “Ant-man” to “Z-Gundam” He has written for the SCADCONNECTOR writing exposés and TV interviews such as NBC’s “New Amsterdam. Follow him on Instagram under Riotboyatl and on Facebook.

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Remembering George Floyd

Published

2 days ago

May 25, 2025

Oakland Post

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

Published

4 days ago

May 23, 2025

Oakland Post

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

Published

4 days ago

May 23, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.