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COMMENTARY: First Lady of Writing — Camille Tucker Talks Clark Sisters Biopic

NNPA NEWSWIRE — Tucker has been in and around Hollywood since college (UCLA). A chance meeting at a barbeque produced the opportunity to co-write a script (Golddiggaz) with legendary director, John Singleton. Her screenwriting success continued with the sale of seven screenplays and a TV pilot to several major studios – Sony, Universal, New Line, Fox TV and Disney Studios.

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Camille Tucker, co-writer of The Clark Sisters: First Ladies of Gospel (Photo: Camille Tucker)

By Michele Brown, author of Adventures of Gideon: Kingdom Principles and Life Lessons My Dog Taught Me

What do you get when you mix the daughter of a Baptist pastor, an educator mother with acting aspirations, the 4H Club, a Guatemalan caregiver and the rural-meets-urban multicultural landscape of the Richland Farms neighborhood in Compton, CA? You get the rich, bilingual personal history of screenwriter/director, Camille Tucker.

“People from Compton take great pride in their hometown given all the negative stereotypes associated with it,” says the screenwriter. As a member of one of the first families of Compton, she knows first-hand how negative perceptions can shape a community. Her father was the former mayor of the city. She grew up in a home that hosted Harry Belafonte, Jesse Jackson, Sr. and Sidney Poitier. Camille knows a little bit about being from a high-profile family and the dynamics that accompany it.

Photo: A&E Networks

Photo: A&E Networks

On the eve of the premiere of the Lifetime TV biopic, The Clark Sisters: First Ladies of GospelThe Burton Wire caught up with the co-writer of the film to talk perseverance, music, family and representation. Like the rest of us, Camille is working from home – fielding calls from well-wishers excited about the production of her first script.

The Journey to the Screen

While this may look like an overnight success, it is not. Tucker has been in and around Hollywood since college (UCLA). A chance meeting at a barbeque produced the opportunity to co-write a script (Golddiggaz) with legendary director, John Singleton. Her screenwriting success continued with the sale of seven screenplays and a TV pilot to several major studios – Sony, Universal, New Line, Fox TV and Disney Studios.

All this in preparation for the 15-year journey to the screen of her first produced script. Talent and opportunity were bathed in faith for this ordained Christian minister and Biola University Associate Professor of screenwriting. “In 2005, when we started pitching this (she was working with Moesha Show Runner Sara Finney-Johnson), these kinds of stories were not considered without A-list Black woman star power like Halle Berry or Angela Bassett attached,” said Tucker. Fast forward to 2017. Sara is committed elsewhere, and Camille is on her own. The cultural landscape has radically changed, and Hollywood is finally ready to tell the story of a legendary family of black women whose sound has shaped R&B, Pop, and gospel music for generations.

The film’s original producer, Holly Carter (Preachers of L.A.), partnered with Queen Latifah and Tucker was hired to develop the story. She expertly navigated several decades and the development of an ensemble cast whose nexus was the family matriarch, Dr. Mattie Moss Clark, brilliantly played by Aunjanue Ellis. Tucker successfully developed the script and it was sold to Lifetime TV. They brought on Sylvia L. Jones – the two black women screenwriters share writing credit on the film.

The beauty of this story’s journey has facets. This is a story about Black women – written, directed and produced by Black women. “You’ll see this story through an authentically Black lens. Young Black women will see this and know they can do it too,” says Tucker. The film showcases the most uplifting of music genres, gospel music. The Clark Sisters brought it outside of the four walls of the church into the mainstream. Tucker’s story of persistence and patience showcases the power of an idea in its journey to the screen – much like the story of this family – excellence over easy always.

The film highlights the influence of a matriarch who was a trailblazer in her own right – a five-time gold record recording artist and the International Director of Music for the Church of God in Christ. Each of these achievements almost unheard of for a Black woman at that time. Dr. Mattie Moss Clark did this and so much more. She endured great pain at the hand of the two things she loved the most, her husband and her church. Yet she held fast to her vision and taught her daughters to do the same.

Now the world will get to see the story of a great family that faced the same issues we face and through it all, they managed to use their gift of music to offer hope to the world. The world could use some of that right now.

The Clark Sisters is a love letter to Black women and we graciously receive it. The Clark Sisters:  The First Ladies of Gospel airs on Lifetime and can probably be streamed on your local cable network.

This article was written by Michele Brown, author of Adventures of Gideon: Kingdom Principles and Life Lessons My Dog Taught Me. Check her out at michelespen.com. 

Follow The Burton Wire on Twitter @TheBurtonWire. 

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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