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COMMENTARY: Lady Day and The Lights!

TEXAS METRO NEWS — That need to entertain herself while entertaining others made Billie Holiday worth the price of admission at any cost. She was a legend. Sadly, though, her addiction to the drugs that eventually quieted her voice was too much for her. In fact, by the time she had had enough, the effects had silenced one of the most extraordinary vocal talents in our history. “Southern trees bear a strange fruit,” Billie Holiday sang.
The post COMMENTARY: Lady Day and The Lights! first appeared on BlackPressUSA.

Published

1 year ago

March 26, 2024

Oakland Post

Quit Playin’

By Vincent L. Hall | Texas Metro News

Pastoral scene of the gallant South
The bulging eyes and the twisted mouth
Scent of magnolia, sweet and fresh
Then the sudden smell of burning flesh
– Strange Fruit – as recorded by Billie Holiday

Lights Up!

It’s Women’s History Month and there are more heroines that get left out than featured. “Lady Day” brought some sunlight to one of the darkest eras of modern American history. You know that American history they keep trying to erase. Eleanora Fagan Gough, aka Billie Holiday, aka Lady Day, made a statement that bears rehearsal and rethinking. She once said, “we never know what is enough until we know what is more than enough.”

Her statement is more relevant today than most of us realize. Billie Holiday was a talented singer who broke through the color barrier with considerable force. She sang the Blues in a classy, connective, and convincing fashion. When she hit the stage, and the spotlight fell upon her, you never knew what to expect. In conversations with the “Lady,” she admitted that she was bored of singing the same song the same way night after night.

That need to entertain herself while entertaining others made her worth the price of admission at any cost. She was a legend. Sadly, though, her addiction to the drugs that eventually quieted her voice was too much for her. In fact, by the time she had had enough, the effects had silenced one of the most extraordinary vocal talents in our history. “Southern trees bear a strange fruit,” Billie Holiday sang.

It was the same fruit Ida B. Wells chronicled in her 1892 report, Southern Horrors, and the same fruit W.E.B. Du Bois alludes to in “Of the Coming of John”— “And the world whistled in his ears.” Holiday, a Black Catholic, continues her sorrowful song: “Strange fruit hanging from the poplar trees.” According to Biography Online: “In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th’s Cafe Society in New York City to sing her final song of the night.

Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face. And then she sang, softly in her raw and emotional voice: “Southern trees bear a strange fruit, Blood on the leaves and blood at the root, Black body swinging in the Southern breeze, Strange fruit hanging from the poplar trees…”

When Holiday heard the lyrics, she was deeply moved by them — not only because she was a Black American but also because the song reminded her of her father, who died at 39 from a fatal lung disorder, after being turned away from a hospital because he was a Black man. Because of the painful memories it conjured, Holiday didn’t enjoy performing “Strange Fruit” but knew she had to.

“It reminds me of how Pop died,” she said of the song in her autobiography. “But I have to keep singing it, not only because people ask for it, but because 20 years after Pop died, the things that killed him are still happening in the South.” Strange fruit emanated from a peculiar place.

Although Wells, DuBois, and other Negro leaders laid the foundation for the song, its penman was the son of Russian immigrants. Lewis Allan, published under the pseudonym Abel Meeropol, wrote an article called “Bitter Fruit” for publication in a magazine for unionized teachers. Parenthetically, Meeropol was the DeWitt Clinton high school classmate of Countee Cullen.

Cullen was a brilliant poet, playwright, and novelist in his own right. The Moral: Integration and diversity matter! In its infancy, “Strange Fruit” originated as a protest poem against the lynchings that set the South ablaze in terror. In the poem, Meeropol expressed his horror at the lynchings of African Americans, inspired by Lawrence Beitler’s photograph of the 1930 lynching of Thomas Shipp and Abram Smith in Marion, IN.

The problem of lynchings and hangings, both public and covert, was magnified in America because of Lawrence Beitler’s photography. Billie Holiday’s vocal version gave the injustice of the killings more context and conviction.

“When Holiday finished, the spotlight turned off. When the lights came back on, the stage was empty. She was gone. And per her request, there was no encore. This was how Holiday performed “Strange Fruit,” which she would determinedly sing for the next 20 years until her untimely death at the age of 44. Lights down! Quit Playin’!

Vincent L. Hall is an author, activist, award-winning columnist and a lifelong Drapetomaniac!

The post COMMENTARY: Lady Day and The Lights! first appeared on BlackPressUSA.

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Black Feminist Movement Mobilizes in Response to National Threats

BLACKPRESSUSA NEWSWIRE — More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States.

Published

4 days ago

May 30, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States. The event, led by the organization Black Feminist Future, is headlined by activist and scholar Angela Y. Davis. Paris Hatcher, executive director of Black Feminist Future, joined Black Press USA’s Let It Be Known to outline the mission and urgency behind the gathering, titled “Get Free.” “This is not just a conference to dress up and have a good time,” Hatcher said. “We’re building power to address the conditions that are putting our lives at risk—whether that’s policing, reproductive injustice, or economic inequality.” Hatcher pointed to issues such as rising evictions among Black families, the rollback of bodily autonomy laws, and the high cost of living as key drivers of the event’s agenda. “Our communities are facing premature death,” she said.

Workshops and plenaries will focus on direct action, policy advocacy, and practical organizing skills. Attendees will participate in training sessions that include how to resist evictions, organize around immigration enforcement, and disrupt systemic policies contributing to poverty and incarceration. “This is about fighting back,” Hatcher said. “We’re not conceding anything.” Hatcher addressed the persistent misconceptions about Black feminism, including the idea that it is a movement against men or families. “Black feminism is not a rejection of men,” she said. “It’s a rejection of patriarchy. Black men must be part of this struggle because patriarchy harms them too.” She also responded to claims that organizing around Black women’s issues weakens broader coalitions. “We don’t live single-issue lives,” Hatcher said. “Our blueprint is one that lifts all Black people.”

The conference will not be streamed virtually, but recaps and updates will be posted daily on Black Feminist Future’s YouTube channel and Instagram account. The event includes performances by Tank and the Bangas and honors longtime activists including Billy Avery, Erica Huggins, and Alexis Pauline Gumbs. When asked how Black feminism helps families, Hatcher said the real threat to family stability is systemic oppression. “If we want to talk about strong Black families, we have to talk about mass incarceration, the income gap, and the systems that tear our families apart,” Hatcher said. “Black feminism gives us the tools to build and sustain healthy families—not just survive but thrive.”

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Hoover’s Commutation Divides Chicago as State Sentence Remains

BLACKPRESSUSA NEWSWIRE — Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial.

Published

5 days ago

May 29, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

The federal sentence for Gangster Disciples founder Larry Hoover has been commuted, but he remains incarcerated under a 200-year state sentence in Illinois. The decision by Donald Trump to reduce Hoover’s federal time has reignited longstanding debates over his legacy and whether rehabilitation or continued punishment is warranted. The commutation drew immediate public attention after music executive Jay Prince and artist Chance the Rapper publicly praised Trump’s decision. “I’m glad that Larry Hoover is home,” said Chance the Rapper. “He was a political prisoner set up by the federal government. He created Chicago Votes, mobilized our people, and was targeted for that.”

But Hoover, the founder of the Gangster Disciples, is not home—not yet. Now in federal custody at the Florence Supermax in Colorado, Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial. “There is a divide in the Black community here,” said Chicago journalist Jason Palmer during an appearance on the Let It Be Known morning program. “Some view Hoover as someone who brought structure and leadership. Others remember the violence that came with his organization.” Palmer explained that while Hoover’s gang originally formed for protection, it grew into a criminal network responsible for extensive harm in Chicago. He also noted that Hoover continued to run his organization from state prison using coded messages passed through visitors, prompting his transfer to federal custody.

Illinois Gov. J.B. Pritzker, who is widely considered a potential 2028 presidential contender, has not issued a statement. Palmer suggested that silence is strategic. “Releasing Hoover would create enormous political consequences,” Palmer said. “The governor’s in a difficult spot—he either resists pressure from supporters or risks national backlash if he acts.” According to Palmer, Hoover’s federal commutation does not make him a free man. “The federal sentence may be commuted, but he still has a 200-year state sentence,” he said. “And Illinois officials have already made it clear they don’t want to house him in state facilities again. They prefer he remains in federal custody, just somewhere outside of Colorado.”

Palmer also raised concerns about what Hoover’s case could signal for others. “When R. Kelly was convicted federally, state prosecutors in Illinois and Minnesota dropped their charges. If a president can commute federal sentences based on public pressure or celebrity support, others like R. Kelly or Sean Combs could be next,” Palmer said. “Meanwhile, there are thousands of incarcerated people without fame or access to public platforms who will never get that consideration.” “There are people who are not here today because of the violence connected to these organizations,” Palmer said. “That has to be part of this conversation.”

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WATCH: Five Years After George Floyd: Full Panel Discussion | Tracey’s Keepin’ It Real | Live Podcast Event

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

Published

6 days ago

May 28, 2025

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https://youtube.com/watch?v=OsNLWTz6jU0&feature=oembed

May 25, 2020. The world stopped and watched as a life was taken.

But what has happened since?

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

She shares reflections, insights, and the story of a community forever changed. What has a year truly meant, and where do we go from here?

This is more than just a date; it’s a moment in history. See what one leader in the Black press has to say about it.

Recorded live at UROC in Minneapolis, this powerful discussion features:

Panelists: