Commentary

COMMENTARY: On the Queen’s Passing, and the Obama’s Portraits of Democracy

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth. It made her a bit of a contradiction. A hood ornament but not the engine of the old British Empire. She was a living museum piece, a reminder of a repulsive imperial past. A colonizer’s deodorizer.

Published

3 years ago

September 17, 2022

Oakland Post

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth.

By Emil Guillermo

The same week Queen Elizabeth died at age 96, back in the news for the unveiling of their White House portraits were Barack Obama and Michelle Obama.

BOMO are reminders: Don’t go overboard on the Queen.

In other words, if I say Queen and you say Latifah, or even Beyonce, you’re keeping it real.

Have compassion for Queen Elizabeth II as a human being, sure. But remain repulsed by all that the monarchy stands for.

Tradition? You mean like the hundreds of thousands of Kenyan Kikuyu people imprisoned in the 1950s in what Harvard professor Caroline called the “British Gulag.”

It was so bad that finally in 2013, survivors of the Gulag sued and forced the British to quietly settle with 5,228 survivors. Reparations payments of 3,800 pounds each were for “torture and ill-treatment at the hands of the colonial administration,” according to a Parliament spokesman.

It all happened during the Queen’s watch.

Kenya was just a fraction of the British Empire’s violent past. All of it together, from the Middle East, to Asia, to Africa, subjugated at one time more than 700 million people. It makes the Queen the nostalgic mascot of white supremacy, in a tradition where “I’m royal and you’re not,” means much.

In 1983, I recall covering the Queen when she visited San Francisco. I was not her loyal subject, neither were the 700 Irish protestors outside the St. Francis Hotel. Then as now, I am gratefully reminded how America has no monarchy.

But it can have a president and first lady like Barack Obama and Michelle Obama.

The day the Obamas were back in the White House a Washington Post investigation exposed how a former disgraced president, the one after Obama, had documents containing the top-secret nuclear capabilities of a foreign government, at his Mar-a-Lago civilian home.

On a day like that, we all realized how much we missed “No Drama Obama.”

Barack Obama kept things light so we could remember happier times.

“Thanks for letting us invite a few friends to the White House,” Barack Obama said to Biden at the start. “We will try not to tear up the place.” A burst of laughter put people at ease. But maybe because we all know he couldn’t tear up the place any worse than President 45.

We all know what Obama meant through just a few of his associated acronyms. Health care through ACA (The Affordable Care Act). A life in America for the young, innocent, and undocumented through DACA (Deferred Action on Childhood Arrivals). A home no longer “underwater” due to the bad loans banks made during the recession thanks to HAMP (Home Affordable Modification Program).

But this was a time for art, not policy. Barack Obama’s portrait, a masterful bit of photorealism by Robert McCurdy, captured the first biracial African American from Hawaii ever to be president, as a standout amid a background of white space.

And there was Michelle Obama, in a Sharon Sprung portrait, full of life and color, a first lady like never before.

Both Obamas individually portrayed, artfully, and more truthfully than any literal photo, leaving viewers with plenty of room for imagination, appreciation, and inspiration.

A braided Michelle Obama was humbled to see her canvas. “This big, beautiful painting staring back at me,” she said. “I never could have imagined that any of this would-be part of my story.”

But this is the story of America.

“Too often in this country, people feel like they have to look a certain way or act a certain way to fit in,” Michelle Obama said. “That they have to make a lot of money or come from a certain group, or class or faith in order to matter. But what we’re looking at today, a portrait of a biracial kid with an unusual name, and the daughter of a water pump operator and a stay-at-home mom, what we are seeing is a reminder that there’s a place for everyone in this country.”

That’s the takeaway.

The British can have their impotent figureheads, their kings and queens bloodied by history.

In America, we have the power of democracy.

Emil Guillermo is a journalist and commentator. See him on www.amok.com

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

1 week ago

January 9, 2026

Oakland Post

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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2 weeks ago

January 2, 2026

Oakland Post

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Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

Published

3 weeks ago

December 29, 2025

Oakland Post

From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.