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COMMENTARY: #OscarsBlackAF: Will Packer’s 94th Academy Awards Broadcast Delivers

NNPA NEWSWIRE — The show which has grown from 15 minutes in its first year (1929) to an average of 3 and ½ hours in recent years had some controversy when Will Packer, executive producer of Girls Trip, Think Like a Man and Ride Along, cut some categories from the broadcast in order to shorten the time, which has been blamed for low ratings in previous years. The Florida A&M University (FAMU) graduate stuck to his guns addressing the controversy head on in the opening act and moved through the program effortlessly.
The post COMMENTARY: #OscarsBlackAF: Will Packer’s 94th Academy Awards Broadcast Delivers first appeared on BlackPressUSA.

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By Nsenga K. Burton, Ph.D., NNPA Newswire Culture and Entertainment Editor

Über producer Will Packer was tapped to produce the 94th Academy Awards ceremony and he did not disappoint with grand performances, powerful acceptance speeches and an unscripted slap seen around the world. Hosted by comedians Wanda Sykes, Amy Schumer and renowned actress Regina Hall, the Oscars were infused with African American influence and culture from the presenters to the music of Earth, Wind and Fire, Lupe Fiasco and many more during the transitions and commercial breaks. The show’s musical director was Adam Blackstone and included a super group composed of Blackstone on bass guitar, Robert Glasper on piano, Travis Barker and Sheila E. on drums. The Oscar’s orchestra was led by Baltimore’s Dontae Winslow.

Presenters included Venus and Serena Williams, Halle Bailey, Ruth E. Carter, Rosie Perez, Wesley Snipes, Jason Mamoa, Lupita Nyong’o, Tracee Ellis Ross and Tyler Perry. The ceremony opened with the radiant Williams sisters, who executive produced King Richard, announcing Beyoncé, who performed “Be Alive,” from the King Richard soundtrack, on the tennis courts in Compton, CA where the world champions trained as girls. Reminiscent of the style and look of Tobe Nwigwe’s, “Make It Home” music video, Beyonce sang her heart out surrounded by an all-white clad group of Black performers against a mint green landscape.

The show which has grown from 15 minutes in its first year (1929) to an average of 3 and ½ hours in recent years had some controversy when Packer, executive producer of Girls Trip, Think Like a Man and Ride Along, cut some categories from the broadcast in order to shorten the time, which has been blamed for low ratings in previous years. The Florida A&M University (FAMU) graduate stuck to his guns addressing the controversy head on in the opening act and moved through the program effortlessly.

Ariana DeBose kicked off the ceremony with a Best Supporting Actress win for her performance as Anita in Steven Spielberg’s West Side Story. DeBose thanked Rita Moreno, who originated the role of Anita in 1962’s West Side Story, becoming the first Puerto Rican actress to win a Best Supporting Actress award. DeBose thanked Rita Moreno for opening the doors for other “Anitas like he”r and referred to herself as an openly Queer Afro-Latina, of which she is the first to win an Academy Award. She encouraged young people struggling with their identities to persevere and know that “there is a place for them here.”

Celebrated actor John Leguizamo introduced the song, “We Don’t Talk About Bruno,” from Disney’s Encanto soundtrack. Even though the song has become the highest charted Disney song in the last 28 years, Lin-Manuel Miranda opted to submit “Dos Oruguitas,” for Oscar consideration instead. Miranda, who was scheduled to appear, had to pull out of the broadcast after his wife tested positive for Covid-19. “We Don’t Talk About Bruno,” was performed by the Encanto cast Stephanie Beatriz (Brooklyn Nine-Nine), Diane Guerrero (Doom Patrol), reggaeton singer Adassa, Colombian musicians Carolina Gaitán and Mauro Castillo and Grammy award-winning rapper Megan the Stallion. John Leguizano, who actually voices the character of Bruno Madrigal in the film, did not perform, which he joked about during the introduction.

Amir “Questlove” Thompson won for Best Documentary feature for his film Summer of Soul. Thompson, who was accompanied by his mother, was overwhelmed by the win offering that the film covers the Summer of 1969 in Harlem but is relevant to what is happening today.

Comedian Chris Rock introduced the documentary category and made jokes about Denzel Washington’s performance in The Tragedy of MacBeth, at which the two-time Oscar winner laughed and congratulated Jada Pinkett Smith for her role in G.I. Jane 2. Will Smith, who later won the Best Actor award for his performance as Richard Williams in King Richard, approached Rock and slapped him in the face and returned to his seat. American television muted the sound after Smith shouted to Rock to “keep his wife’s name out of your mouth.” Lupita Nyong’o sat stunned at what many thought was a comedic bit but soon realized was a real slap.

Sean “Diddy” Combs tried to calm the situation down following the smack. Upon winning the Best Actor award, Smith wept as he spoke of protecting his family of actors and producers as well as his wife. He spoke about being bullied and forced to take poor treatment due to his celebrity. He apologized to the Academy and his fellow nominees but not to Rock. With his win, Smith becomes the fifth Black man to win the Best Actor Oscar in the history of the Academy Awards.

Additional awards were given out earlier. Late last week (March 25), the Academy of Motion Pictures Arts and Sciences awarded legendary actor Samuel L. Jackson, 73, an honorary Oscar for lifetime achievement in film and humanitarian efforts. Jackson, a prolific actor who has 197 acting credits, has delivered powerful performances in a host of films including Jungle Fever, Django, A Time to Kill, Eve’s Bayou, The Red Violin and the Star Wars and Marvel Universe franchises. One of Jackson’s most memorable performances was as Jules Winfield in Quentin Tarantino’s classic film Pulp Fiction, for which he was nominated for Best Supporting Actor at the 1995 Academy Awards. In his acceptance speech for the honorary Oscar, Jackson said, “I’m really, really proud to receive this statuette,” and “this thing is going to be cherished.” The Morehouse graduate also thanked “every person who has ever bought a ticket to any movie I was in.”

At the same event, Iconic actor Danny Glover, 74, received the Jean Hersholt Humanitarian Award for his human rights activism that has spanned the globe during the course of his career. Glover who is best known for his starring roles in The Color Purple, the Lethal Weapon franchise and critically acclaimed performances in The Color Purple, To Sleep With Anger, Places in the Heart, Freedom Song and The Last Black Man in San Francisco has been engaged in civic activism and used his platform to shed light on many causes including ending Apartheid in South Africa. Glover’s activism began in the Haight Asbury neighborhood of his hometown San Francisco, where he was a part of the Black Panther’s Breakfast program and a student activist at San Francisco State University.

In 1988, Glover was appointed Goodwill ambassador to the UN Development Program and an ambassador for the UNICEF division in 2004, respectively. In those capacities, Glover worked with countries in Haiti, Mali, Namibia, Senegal, Jamaica and Columbia on causes including social justice, climate change and HIV/AIDS awareness. In 2005, he combined his love for acting and filmmaking with activism and co-founded Louverture Films in New York City. The production company is dedicated to producing independent films of historical relevance, social purpose, commercial value and artistic integrity. Since its inception, the company has produced nearly 30 films on topics such as Hurricane Katrina, post-conflict resolution in Nepal, and a film about Afghanistan.

The film Coda was the big winner of the night, winning three top categories: Best Adapted Screenplay, Best Picture and Troy Kotsur for Best Supporting Actor.

For a complete list of 2022 Oscar winners, click here.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Instagram or Twitter @Ntellectual or @TheBurtonWire.

The post COMMENTARY: #OscarsBlackAF: Will Packer’s 94th Academy Awards Broadcast Delivers first appeared on BlackPressUSA.

Nsenga K. Burton Ph.D.

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COMMENTARY: Women of Color Shape Our Past and Future

MINNESOTA SPOKESMAN RECORDER — Every March, Women’s History Month invites us to pause and honor the women whose courage, intellect, and leadership have shaped our world. This year, that invitation feels especially urgent. We are living in a time when history is being rewritten, when DEI is being recast as a threat, and when the stories we choose to uplift matter more than ever. The stories of women of color must be centered, celebrated, and carried forward with intention.

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Women of Color Leadership Shapes the Legacy of Women’s History Month

By Dr. Sharon M. Holder | Minnesota Spokesman Recorder

Women’s History Month offers an opportunity to recognize the enduring impact of women of color leadership across history and in the present day. From Harriet Tubman and Shirley Chisholm to today’s leaders in science, politics and culture, women of color continue to shape movements, institutions and communities through courage, collaboration and vision.

Every March, Women’s History Month invites us to pause and honor the women whose courage, intellect, and leadership have shaped our world. This year, that invitation feels especially urgent. We are living in a time when history is being rewritten, when DEI is being recast as a threat, and when the stories we choose to uplift matter more than ever. The stories of women of color must be centered, celebrated, and carried forward with intention.

For centuries, women of color have been architects of progress, even when history tried to confine them to the margins. They have led movements, built institutions, transformed culture, and expanded the boundaries of justice, leadership, and community. Their contributions are not postscripts; they are landmarks. Yet too often, their brilliance has been acknowledged only in hindsight. Women’s History Month offers a chance to correct that imbalance, not only by remembering the past, but by recognizing their leadership unfolding before us.

This legacy lives in Harriet Tubman, whose courage and strategic brilliance transformed the Underground Railroad into one of the boldest freedom operations in American history. In Barbara Jordan, whose moral clarity reshaped the nation’s understanding of justice and constitutional responsibility. In Madam C. J. Walker, expanding both the beauty industry and the economic horizons of Black women. It dances in Josephine Baker, who challenged racism and resisted fascism. In Ida B. Wells and Dolores Huerta, who wielded truth and determination in pursuit of justice. In Chien-Shiung Wu, whose experiments altered science, and Shirley Chisholm, whose political courage expanded the very definition of leadership. These women did more than break barriers; they built new worlds.

A powerful throughline in the leadership of women of color is how they lead: collaboratively, creatively, relationally, and with deep responsibility to community. Their leadership is grounded not in hierarchy but in connection, in the belief that progress is something we build together.

We see this in Kamala Harris, whose presence expands the boundaries of possibility; in Ketanji Brown Jackson; in Oprah Winfrey; and in Toni Morrison, who insisted that the interior lives of Black women are essential to the human story. It resonates in Simone Biles and Serena Williams, redefining strength through excellence and self-belief.

Today, women of color continue to drive breakthroughs in medicine, technology, the arts, politics, and environmental justice. Their leadership appears not only in boardrooms or public office, but in mentorship, advocacy, and the daily navigation of systems never designed for them. The spirit shines in Mae Jemison and Ellen Ochoa; in Michelle Obama; and in the brilliance of Katherine Johnson, Dorothy Vaughan, Mary Jackson, and Christine Darden, whose work helped launch a nation into space.

Celebration is important, but it is not enough. Honoring women of color requires intentional action rooted in equity. It means creating environments where their voices are valued, challenging the biases that shape who is recognized, and ensuring progress is shared.

As we celebrate Women’s History Month, let us honor women of color not as symbols, but as leaders whose work continues to guide us. When we uplift women of color, we honor history and shape the future.

Dr. Sharon M. Holder lives in South Carolina. She holds a PhD/MPhil in Gerontology from the Center for Research on Aging at the University of Southampton, UK; a Master of Science in Gerontology from the Institute of Gerontology at King’s College London, UK; and a Master of Social Work from the Graduate College of Social Work at the University of Houston, Texas.

Dr. Holder discovered her love of poetry at the University of Houston–Downtown, where she published in The Bayou Review and the Anthology of Poetry. Today, she writes poetry as a practice of gratitude alongside her academic research.

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Woman’s Search for Family’s Roots Leads to Ancestor John T. Ward – A Successful Entrepreneur and Conductor on the Underground Railroad

THE AFRO — For years, she wanted to know more about her ancestor John T. Ward, she said, and her curiosity eventually became an obsession, leading her to become the genealogist for her family. And so, for more than a decade, she set out to trace her family’s roots and discovered a story that would change her life and the way she viewed American history. 

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By D. Kevin McNeir | Special to The AFRO 

Shanna Ward, the owner of a publishing company and insurance agency located in Columbus, Ohio, said the elders in her family often say she inherited her entrepreneurial spirit from one of their ancestors – a formerly enslaved child from Virginia whose freedom came through manumission in 1827.

For years, she wanted to know more about her ancestor John T. Ward, she said, and her curiosity eventually became an obsession, leading her to become the genealogist for her family. And so, for more than a decade, she set out to trace her family’s roots and discovered a story that would change her life and the way she viewed American history.

John T. Ward would help others secure their freedom and justice in his roles as a conductor on the Underground Railroad, an abolitionist, and political activist. But realizing that economic freedom was essential to his and his family’s survival, he and his son founded the Ward Transfer Line in 1881 (now E.E. Ward Moving) – one of America’s oldest Black-owned businesses. While it has transferred ownership, the business remains in operation today.

Shanna Ward recently published a book about her ancestor, “The Bequest of John T. Ward,” which she hopes can be added to other unheralded tales of Black resistance that occurred during America’s antebellum period.

“Originally, I just wanted to write a 100-page story when I first began digging and was encouraged after I found a copy of a will dated 1827 which included him and was a rare example of a mass manumission,” Shanna Ward said. “Three of the slaves, including John’s grandfather, were given about 294 acres of land in the will, but all the former slaves were supposed to remain on the plantation until their 21st birthday. Some refused to remain. That’s how our family got to Ohio.”

Ward said she learned that newly freed Blacks, including her ancestors in Ohio, had to fend for themselves and often did so with amazing results given the obstacles they faced.

“In those days there were no civil rights organizations, and in local communities, Blacks formed and supported Black-owned businesses, took their own census recordings, and became involved in local politics – all without White involvement,” she said.

BOOK COVER: The cover of the book “The Bequest of John T. Ward,” written by Shanna Ward about her ancestor who, as a child, was granted his freedom in 1827 and went on to become a successful business owner in Ohio, a political activist, and a conductor on the historic Underground Railroad.

BOOK COVER: The cover of the book “The Bequest of John T. Ward,” written by Shanna Ward about her ancestor who, as a child, was granted his freedom in 1827 and went on to become a successful business owner in Ohio, a political activist, and a conductor on the historic Underground Railroad.

“There is part of Ohio where, during the days of slavery, if you successfully crossed the river you were free,” she said. “That was where Black life began – across the river in freedom. When we understand ourselves as more than property and uncover tales of survival which are the foundation of our legacy, then we can better understand who we are and what our ancestors endured. We are stronger than we are often led to believe.”

Efforts among African Americans to learn their family roots have increased over the past several decades, particularly given the success of the PBS documentary, “Finding Your Roots,” hosted and narrated by Harvard University professor Dr. Henry Louis Gates Jr.

On the show’s website, Gates said he developed the show in 2012 in efforts to continue his quest to “get into the DNA of American culture.”

In each episode, celebrities view ancestral histories and share their emotional experience with viewers. Gates attributes the success of the show to a significant surge in interest among Black Americans in tracing their family roots and a desire to reconnect with ancestral history that was severed by slavery.

JOHN T. WARD: John T. Ward, the historic patriarch in a family whose roots can be traced to the days of slavery in Virginia, is the subject of a new book written by a member of his proud family, Shanna Ward, called “The Bequest of John T. Ward.”

JOHN T. WARD: John T. Ward, the historic patriarch in a family whose roots can be traced to the days of slavery in Virginia, is the subject of a new book written by a member of his proud family, Shanna Ward, called “The Bequest of John T. Ward.”

“Advancements in DNA testing have increased accessibility of records and led to a cultural push to reclaim identity beyond the ‘brick wall’ of 1870,” said Gates who noted that the 1870 U.S. Census represents the first time former slaves were listed by name and, unfortunately, serves as the point where records of their lives often stop and cannot be traced any earlier.

In a recent paper published in the journal “American Anthropologist,” University of Illinois Urbana-Champaign anthropology professor LaKisha David posits that by using genetic genealogy, African Americans now have the real possibility of restoring family narratives that were disrupted, severed and destroyed by institutional slavery.

“For African Americans who have grown up with a sense of ancestral loss and disconnection, this reclamation of family history is deeply humanizing and healing,” she writes. “It replaces the genealogical unknown with tangible knowledge of ancestral histories and kinship ties.

“Identifying African ancestors and living relatives is an act of restorative justice. It is ultimately about (re)claiming the humanity, dignity, and agency of enslaved Africans and their descendants, which is an essential component of repairing the harms of slavery.”

Ward said by uncovering her family’s truth, she has established a platform for education and empowerment for herself, her children, and today’s youth.

“I realized how important it is to pass down our own stories to the next generation,” Ward said. “There’s so much our children need to know about the Underground Railroad, the quilt codes created by Black women, and other examples of unrecorded heroics and bravery exhibited by Black men and women. Their collective efforts led to the end of Jim Crow laws and the securing of equal rights in the U.S. Constitution for African Americans. If you look hard enough, I believe everyone has someone like Harriet Tubman or Frederick Douglass in their family.”

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Advocates Raise Alarm Over ICE Operation, MOU and Detention Risks in Baltimore County

THE AFRO — “This is highly problematic given many of the charges that land people in county correctional facilities to begin with are for misdemeanors of which they may not even ultimately be proven guilty and convicted,” said Cathryn Ann Paul Jackson, public policy director for We Are CASA. “It results in a subversion of the local criminal justice system as a means to further racial profiling and do ICE’s dirty work.”

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By Megan Sayles | AFRO Staff Writer
msayles@afro.com

As U.S. Immigration Customs and Enforcement (ICE) operations intensify nationwide, community organizations have become the eyes and ears of their neighborhoods—monitoring the agency’s presence and alerting residents to protect themselves and their neighbors.

In Baltimore County, nonprofits like We Are CASA have observed a spectrum of enforcement actions.

“We have seen a range of activity, including traffic stops and ICE showing up in neighborhoods or in seeming response to tips,” said Cathryn Ann Paul Jackson, public policy director for We Are CASA. “Beyond actual ICE activity in Baltimore County, we have seen many detentions of Baltimore County residents across the DMV, as community members tend to travel across counties and cities for work.”

We Are CASA, a national nonprofit headquartered in Maryland, is dedicated to empowering and improving the quality of life for working-class Black, Latino, Afro-descendent, Indigenous and immigrant communities. Jackson’s personal connection to this mission led her to the organization. A daughter of immigrants from Guyana and Trinidad, she said she grew up witnessing firsthand how immigration policy can define families’ safety, opportunity and sense of belonging.

She said the locations and times of ICE operations in Baltimore County have varied over time.

“We have consistently seen ICE arrest people at their check-in appointments, which were ironically created as an alternative to detention and are now being abused to trap people into custody,” said Jackson. “For a period of time, we were witnessing a significant amount of arrests along the Baltimore-Washington Parkway by U.S. Park Police, who were using a previously rarely enforced law against driving commercial vehicles on this road as a pretext to profile immigrant drivers, detain them and hand them over to ICE.”

Last fall, Baltimore County entered into a Memorandum of Understanding (MOU) with ICE, removing the locality from the Department of Justice’s (DOJ) sanctuary jurisdictions list and formalizing a policy for notifying ICE before the release of inmates with federal immigration detainers or judge-signed warrants.

The agreement codified an existing practice within the Baltimore County Department of Corrections. The MOU is not a 287(g) agreement, which is a partnership between local law enforcement and ICE to delegate immigration enforcement authority to police officers. Those agreements were banned by the state of Maryland on Feb. 17.

However, Jackson criticized the policy memorialized in the MOU, saying that although it is carefully drafted to avoid legal violations, it effectively allows detention centers to hold people past their court-ordered release so that ICE can take them into custody.

“This is highly problematic given many of the charges that land people in county correctional facilities to begin with are for misdemeanors of which they may not even ultimately be proven guilty and convicted,” said Jackson. “It results in a subversion of the local criminal justice system as a means to further racial profiling and do ICE’s dirty work.”

Baltimore County has said it entered into the MOU in an effort to preserve its access to federal funding. The locality explained its reasoning on a FAQ page about its removal from the DOJ’s sanctuary jurisdictions list.

“Inclusion on DOJ’s list could risk significant federal funding, on which the county and constituents depend,” the entry read. “Signing the MOU ensures that the county avoids risks to federal funding that is used to provide needed services.”

Baltimore County’s removal is not unique, as neither Maryland nor any of its counties appear on the DOJ’s list. Still, community members worry that the county’s MOU with ICE could lead to wrongful detentions and the misidentification of residents.

Immigration detainers are not always confirmation of a person’s immigration status—or lack thereof. They are requests by ICE that can be issued without a judicial determination and do not, on their own, establish a person’s legal status.

“We’re very concerned about errors occurring here in the county because of the amped up nature of this mass deportation push,” said Patterson. “This is a replacement theory-driven immigration policy. That means that at the same time we are importing White South African Afrikaaners—who at one time essentially colonized South Africa and oppressed Black South Africans—we are fast deporting people of color. All of us who are the minority can be mistaken for ‘unlawful immigrants.’”

The recent escalation in Minneapolis has heightened Patterson’s concern. He said the city has effectively been made a battleground.

Patterson said the Baltimore County NAACP wants the public to recognize that ICE operates as a militarized organization, unlike local police. He urged people to consider avoiding areas where ICE is active whenever possible and to exercise caution if they encounter agents. If approached, Patterson stressed that people verify warrants are properly signed and directed at them, assert their right to remain silent and contact an attorney before answering questions or consenting to searches.

He also encouraged residents to notify the Baltimore County NAACP of any encounters with ICE.

“We don’t want to wait for Minnesota in Maryland before speaking out about this,” said Patterson. “We want to equip our people to protect themselves behaviorally, consciously and conscientiously because these things are coming to pass. The imprint is among us and we need, therefore, to be aware.”

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