Activism
COMMENTARY: The AAPI Heritage Month Connection
The 2020 Census reports 19.9 million people (6% of all respondents) identified as Asian alone in 2020, up from 14.7 million people (4.8%) in 2010. A big increase was in the Asian “in combination” figure. Approximately 4.1 million respondents identified as Asian in combination with another race group. Do you think there’s another H.E.R. amongst them? Or an Anderson .Paak? More than one?
By Emil Guillermo
It’s Asian American/Pacific Islander Heritage month.
Go hug your brothers and sisters. There’s a lot of them.
The singer H.E.R. from Vallejo. The Congressman Bobby Scott (D.-Va.). The other half of Silk Sonic, Anderson .Paak, actress Denyce Lawton (“House of Payne”). And let’s not forget The Rock, the East Bay’s own Dwayne Johnson, and of course, Tiger Woods.
They are no doubt celebrating May as Asian American Pacific Islander Heritage Month, because they’re all part Asian. It’s in their blood.
Understand that when people talk about Asian American, the group is a whole lot more diverse and inclusive than you think.
H.E.R. a/k/a Gabriella Sarmiento Wilson, half-Black and half-Filipino, is a powerful reminder of our common humanity.
She won a Grammy in 2021 for Song of the Year for the George Floyd-inspired protest song, “I Can’t Breathe.”
When singers like H.E.R. sing passionately about their lives and ours, they embody an ideal vision of what can happen when we take a love interest in one another. It’s all in the heart and soul.
Of course, not all stories sound like fairy tales.
Rapper Anderson .Paak (and yes the .Paak is correct) knows the blues. He was born in Oxnard, Calif. to a bi-racial Korean woman born during the Korean American War. Anderson never met his father. He was abandoned at age 7 and raised in an orphanage until he was adopted by a Black family in Los Angeles.
He grew his musical chops as a teen, gained the attention of Dr. Dre, and made a breakthrough hit in 2018. But it wasn’t until 2021 that he reached true superstar status when he connected with Bruno Mars, another biracial Asian (Filipino, Jewish, Puerto Rican) artist to form the duo Silk Sonic. Their single, “Leave the Door Open,” won Song of the Year and Record of the Year at the 64th Grammy Awards.
Those are the Asian/Black success stories right under our noses. Pop culture examples. It’s more of a thing than you think. Just know that when you cheer Hayward-born Dwayne Johnson or Tiger Woods, Asian Americans are seeing Johnson’s Samoan mom. Or Tiger’s Thai mother, Tida. Asian Americans are cheering alongside you.
Expect it to happen more and more compared to previous generations.
The 2020 Census reports 19.9 million people (6% of all respondents) identified as Asian alone in 2020, up from 14.7 million people (4.8%) in 2010.
A big increase was in the Asian “in combination” figure. Approximately 4.1 million respondents identified as Asian in combination with another race group. Do you think there’s another H.E.R. amongst them? Or an Anderson .Paak? More than one?
The growth today is reflective of an openness in our youth-oriented culture.
But the generation before were race mixers too.
They just had to overcome racist laws like Virginia’s Racial Integrity Act of 1924 that made it illegal to intermarry. In the 1920s and 1930s, the anti-mixed-marriage, or anti-miscegenation laws, spread throughout the country. Even in California.
And it didn’t just ban Blacks from intermarrying. It was for Asians, too. Chinese, Japanese, Filipinos were all forbidden from marrying whites and expected to marry “their own kind.”
Only in 1967 did the Supreme Court decide that the anti-intermarriage laws violated he Equal Protection Clause of the U.S. Constitution. The Loving case (involving the incarceration of the Black/white couple, Mildred and Richard Loving) was later used in the legal justification for same-sex marriage.
Hard to imagine we’d ever take away our rights to marry. But given the current climate with the religious right hellbent on reversing settled law like on abortion rights, we must stay vigilant.
A good way to start is by celebrating our diversity and remembering Asian American Pacific Islander Heritage Month.
NOTE: I’ll talk about this on “Emil Amok’s Takeout,” my micro-talk show. Live @2p Pacific. Livestream on Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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