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COMMENTARY: What a Time to Bey

NNPA NEWSWIRE — “It is a magnificent time to be alive in this, the Beyoncé Era. Yes, she breaks records…all the records. Yes, she took command of Vogue hiring the first Black photographer to shoot a cover—ever. Yes, the first Black woman to headline Coachella dedicated her performance to us through an epic celebration of our culture and beloved HBCUs. Yes, when choosing a partner to relaunch Ivy Park her decision is said to have been made based on corporate diversity, representation, and seats at the decision-making table. Yes, she is all of that and a bag of spicy chips, but when I look at Beyoncé, I see so much more.”

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By Chelle Wilson, Texas Metro News Columnist

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I notice that it is only when my mother is working in her flowers that she is radiant, almost to the point of being invisible—except as Creator: hand and eye. She is involved in work her soul must have. Ordering the universe in the image of her personal conception of Beauty.

It is a magnificent time to be alive in this, the Beyoncé Era. Yes, she breaks records…all the records. Yes, she took command of Vogue hiring the first Black photographer to shoot a cover—ever. Yes, the first Black woman to headline Coachella dedicated her performance to us through an epic celebration of our culture and beloved HBCUs. Yes, when choosing a partner to relaunch Ivy Park her decision is said to have been made based on corporate diversity, representation, and seats at the decision-making table. Yes, she is all of that and a bag of spicy chips, but when I look at Beyoncé, I see so much more.

She is the manifestation of generations of Black women’s hopes and dreams, the flower planted centuries ago that is finally free to bloom.

When the trailer for ‘Homecoming,’ her Netflix documentary dropped, the first thing I heard was Dr. Maya Angelou saying: “What I really want to do is be a representative of my race.” As if Queen Bey didn’t already have my heart.

Throughout the documentary, Beyoncé gives us Toni Morrison, W.E.B. DuBois, Audre Lorde, Reginald Lewis and other intellectual, activist, representations of Black excellence, hopefully opening up their bodies of work and inspiring future generations.

Foregoing traditional music festival imagery, Beyoncé said it was more important to bring the culture. Now, she may have foregone the flower crown, but she still led us to the ancestral garden.

In between scenes in Homecoming these words appear on the screen, “Our Mothers And Grandmothers… Moving To Music Not Yet Written…And they waited.” These lines are from Alice Walker’s 1972 essay, “In Search of Our Mothers’ Gardens.” The essay describes the pain of Black women who for generations had to bury their creativity within the depths of their very souls.

The joy and freedom that arise from song, dance, poetry and other forms of artistic expression were shackled by the institution of slavery that thrived on a zombified type of human, void of spirit and soul.

In her essay, Walker describes many of our foremothers as artists “driven to a numb and bleeding madness by the springs of creativity in them for which there was no release…the strain of enduring their unused and unwanted talent drove them insane.”

So, when we see Beyoncé in the documentary trying to garner the same level of passion and excitement for the performance of her encouraging her team to perform as if they are “thankful for [their] freedom,” she was speaking through and for those Black women who existed in a time when “the freedom to paint, to sculpt, to expand the mind with action did not exist.”

Beyoncé had the freedom and luxury to take the time to nurture her body, pre and post pregnancy, but not one to idle, she began researching her ancestry. According to her Vogue interview, she discovered her roots include a slave owner that “fell in love with” and “married” an enslaved woman.

“I questioned what it meant and tried to put it into perspective,” she wrote. How did her foremother define love? Was it forced? Passion? Perhaps, it was simply a means to survive because deep down in her spirit she knew she had to live.

I envision Beyoncé’s ancestor to be a woman in waiting who, as Walker wrote, “moved to music not yet written.”

She moved to a silent melody that would increase in volume as her spirit flowed deep and fast like a river through generational bloodlines. Beyoncé’s vision was clear, “I was so specific because I’d seen it. I’d heard it, and it was already written inside of me.”

I believe; however, the true Coachella choreographers were the ancestral women who waited, sitting patiently for centuries until finally, it was their time to Bey.

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Michael: The King of Pop’s Story Returns to the Big Screen

BLACKPRESSUSA NEWSWIRE — The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The curtain has finally lifted on one of Hollywood’s most anticipated films. Lionsgate has unveiled the official trailer and release date for “Michael,” the sweeping biopic about Michael Jackson that has been years in the making. Directed by Antoine Fuqua, the film will arrive in theaters on April 24, 2026, with the singer’s nephew, Jaafar Jackson, stepping into the spotlight to portray his legendary uncle.

The trailer wastes no time rekindling the aura of Jackson’s genius. Opening with a studio scene between Jackson and his longtime producer Quincy Jones, played by Kendrick Sampson, the clip builds from a quiet, familiar rhythm to the electrifying pulse of “Wanna Be Startin’ Somethin’.” Viewers catch glimpses of the singer’s childhood, flashes of “Thriller,” and the silhouette that redefined pop culture. Each frame reminds fans of why Jackson remains unmatched in artistry and influence. The cast surrounding the late pop king’s nephew, Jaafar Jackson, reads like a who’s who of Black entertainment and music history. Colman Domingo plays Joe Jackson, Nia Long portrays Katherine Jackson, and Larenz Tate takes on the role of Motown founder Berry Gordy. Laura Harrier portrays music executive Suzanne de Passe, while Kat Graham embodies Diana Ross. Miles Teller plays attorney John Branca, a towering entertainment lawyer and longtime Jackson confidant who later became co-executor of his estate. The film’s journey to release has been as complicated as the icon it portrays. Production wrapped in 2024, but legal hurdles over depictions of past controversies forced extensive reshoots and editing delays. Even so, Fuqua’s film now appears ready to reclaim the narrative, focusing on Jackson’s creative ambition and humanity beyond tabloid noise. IndieWire reported that the film had faced “a massive legal snafu” over a disputed storyline but was retooled to center the music and legacy that defined generations.

Maven. Photo Credit: Glen Wilson

“Michael” promises more than a chronological retelling. It aims to explore how a child star from Gary, Indiana, became the world’s most influential entertainer. The script, written by Oscar-nominated John Logan, traces Jackson’s early years with the Jackson 5 through the triumphs and isolation of global superstardom. With Fuqua’s cinematic eye and producer Graham King—who brought “Bohemian Rhapsody” to life—joining forces with estate executors Branca and John McClain, the film is positioned as both a tribute and a restoration of Jackson’s cultural truth. Branca’s work behind the scenes has long shaped Jackson’s posthumous success. After the singer died in 2009, Branca and McClain took control of the estate burdened by debt and turned it into a global powerhouse worth billions. Under their stewardship, Jackson’s projects have generated more than $3 billion in worldwide ticket sales and landmark deals, including a $600 million joint venture with Sony earlier this year. At its heart, though, “Michael” is a story about artistry that transcends scandal. It offers a reminder that, despite the noise surrounding his life, Jackson’s music still bridges continents and generations. The trailer’s closing moments capture that spirit. As the beat of “Billie Jean” swells and Jaafar Jackson moonwalks into a spotlight, audiences are left with a familiar feeling—the awe of witnessing something timeless return home.

“Michael” opens worldwide in theaters April 24, 2026. See the official trailer here.

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Donald Trump Is the Biggest Loser

BLACKPRESSUSA NEWSWIRE — The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.

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By April Ryan

The Trump Brand took a significant hit as it was swept up in the Democratic blue wave of the election last night.

Chris Jones, Democratic candidate for U.S. House of Representatives (AR-02), says, “Last night was electric, and it was unquestionably a wave.” Democrats won big in what is widely considered a repudiation of Trump’s 9 months at the White House in his second term.

In the state of Virginia, which produced the first big election night win and saw the election of the first woman governor, Democrat Abigail Spanberger, 56% of Virginia’s residents disapprove of President Trump. In New Jersey, 55% of state residents disapprove of the president; in New York, 69% disapprove; and in California, 63% disapprove of the president. The Trump brand or his support for any candidates did nothing to benefit those he endorsed in this election. They actually lost in each race he publicly put his name behind.  Trump endorsed former New York Democratic Governor Andrew Cuomo, who lost the New York mayor’s race in his run as an independent. And New Jersey Republican Jack Ciattarelli, who ran for governor with the presidential endorsement, also lost his prospective race.

The next question is, will the democratic momentum be sustainable? Jones further explained, “This can become a 2026 tsunami, but turning a wave into a tsunami takes energy. A lot of energy. It doesn’t just happen. The conditions are there. Now we have to work!”

Some Democrats would argue that the work is already underway. The pushback against Trump’s national redistricting efforts received a thumb in the eye from California voters. Prop 50, California Governor Gavin Newsom’s counterbalance to President Trump’s redistricting efforts, passed in California last night. Although Trump’s name was not on the ballot last night, his Republican policies were. The United States has now entered the longest government shutdown in its history. Forty-two million Americans are not getting SNAP benefits. Economists are acknowledging that the government shutdown is contributing to the rise in delinquent debt in the student loan, automotive, and credit card industries. These items are among the negatives Americans are protesting against.

Compounding Trump’s political problems is a tariff battle that’s directly impacting pocketbooks. The day after the elections, the Trump administration was arguing before the US Supreme Court in favor of the president’s tariff powers. Meanwhile, President Trump‘s poll numbers are underwater, standing at a 37% national disapproval rate

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Historic Beatdown: Democrats Sweep Virginia as Speaker Don Scott and Jay Jones Make History

BLACKPRESSUSA NEWSWIRE — In a clear rejection of the policies of President Donald Trump, history repeated itself in Virginia.

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By Lauren Burke

In a clear rejection of the policies of President Donald Trump, history repeated itself in Virginia. Democrats once again swept all three statewide offices as they did in 2017 during Trump’s first term. Abigail Spanberger easily won the office of Governor, and State Senator Ghazala Hashmi won her race over John Reid to be the next Lieutenant Governor. The victories occurred against the backdrop of a historic win in Virginia by Spanberger that will give Virginia its first woman Governor.

Spanberger’s widely predicted win over Republican gubernatorial nominee Winsome Earle-Sears was called 17 minutes after the polls closed in Virginia at 7 pm. Former Delegate Jay Jones won his race against incumbent Attorney General Jason Miyares. His victory means Jones will be the first Black Attorney General in Virginia’s history. Jones’ win was particularly noteworthy since the last month of his campaign was consumed by the issue of private text messages from 2022 to Republican Delegate Carrie Coyner. Republicans ran a non-stop barrage of negative ads against Jones for a month.

Del. Coyner lost her bid for re-election to Delegate-elect Lindsey Dougherty. The Dougherty race was the number one target for House Speaker Don Scott and his campaign lieutenant, Delegate Dan Helmer. Coyner’s defeat was one of at least 13 victories for Democrats who have now added to their ranks in the Virginia House to historic margins. When the Virginia General Assembly returns to session in January, there will be at least 64 Democrats in the chamber. The widespread Republican defeat is a testament to a combination of historic fundraising, Democrats running in all 100 seats, dislike of President Trump’s policies, and an ineffective top of the ticket featuring Lt. Gov. Earle Sears.

+13: Speaker Scott and Del. Helmer Hit Historic Numbers in Fundraising and Power

As the evening ended, a glaring historic fact became clearer: The Virginia House of Delegates will expand to a historic number. The change means the largest Democratic House chamber in the modern era. There were several notable wins by Democrats running for the Virginia House. They include Virgil Thornton, Lilly Franklin, and Kim Pope Adams. Speaker Don Scott and his campaign chair, Dan Helmer, undertook a record fundraising effort never before seen in Virginia’s history. The moment of success for Virginia Democrats will be viewed as a positive signal for Democrats moving into the 2026 elections.

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