Entertainment
Creating Her Own Vision: LisaRaye McCoy
by Mary L. Datcher
Special to the NNPA from The Chicago Defender
If one can say their life was an open book then LisaRaye McCoy would probably agree that hers have been on display ever since she made her feature film debut as “Diamond” in the Ice Cube directed film, “The Player’s Club” nearly 18 years ago. Since then, we’ve witnessed her acting career gradually gain momentum from the large screen playing opposite Omar Epps in “The Wood” and other films-Rhapsody, All About You and Go for Broke. Her most familiar connection to households is her role as Neesee James in the CW sitcom, “All of Us” which had a comfortable run for almost 5 years.
During this time, she never missed a beat as the First Lady of Turks and Caicos Islands, married to Michael Misick- the island’s first-ever Premier. After a very public and messy divorce in 2008, the Chicago native immediately brushed herself off and dived into her work. Through her entrepreneurial spirit- she’s had her own reality show, launched a jean collection and hair line as well as segueing into the romantic comedy series, Singles Ladies on VH1.
Just recently, we can also add ‘director’ to her long laundry list of talent. In February, McCoy made her directorial debut with the independent film release of “Skinned” at the Pan African Film Festival in Los Angeles. Sharing co-director credits with Avery O Williams, a writer-director and professor at Morehouse College, the film was produced by fellow Chicago native, Sharon Tomlinson of Studio 11 Films, Divine Entertainment International and Lot 10 Productions. It also features Van Vicker, Jasmine Burke (Drum Line 2), Brad James (Tyler Perry’s For Better or Worse), Drew Sidora (The Game, Step Up, Crazy Sexy Cool) and newcomer, Cycerli Ash.
Shot in Atlanta, “Skinned” tells the story of Jolie, a young girl that is so uncomfortable in her own skin and the stigma of what society places on dark skin that she uses skin lightening creams to alter her complexion. The film is slated to be released in select theaters nationally.
Never too far from the comfort levels of her hometown, she is in Chicago this weekend to host a special event, Life Rocks Vision Board Workshop where she shares how instrumental creating vision boards are to building personal success. We talked with LisaRaye on her new projects and how her personal and professional milestones have been a catalyst to her success.
Tell us about your experience co-directing and acting in the independent film, “Skinned”.
LR: It was a fantastic opportunity in so many ways. Not just being the boss on the set, but both showcasing both angles of my creativity coming into play. I was able to direct and bring out what was needed from the actors during their performances.
I nurtured them the way that I would like a director to work with me. I received that treatment and nourishment from Ms. Debbie Allen when she was the director on the set of ‘All of Us’. I knew how and what kind of director I wanted to be. The storyline was good, breathing life into the scenes of this movie- creatively was great as well. It’s an independent film so you start out slow and on the low budget side but the kick off of the cast was phenomenal.
Do you find the transition from actress to director is something that you can carry for your own future projects on the production side?
LR: Believe or not, I felt more comfortable behind the scenes than I really do in front of the camera because of my maturity. I’ve been in the business for the last 15 years and now I have a little more fire in me. It’s exciting to me because it’s new.
Just being in that position where I can call the shots for something that I created brings a certain amount of freedom to you. I am ready to pass the torch and do something different while staying in show business. With this role, I didn’t have to stay in the makeup trailer before ‘action’ starts. As a director, I just showed up to be ready to work and bring the creativity to life.
People seem to find a real connection to you. Who do you credit for your ‘down to earth’ attitude?
LR: My father was a ‘people’ person and a paraplegic so he handled his business from the bedside. He would have a lot of meetings from the bedroom. So, I would see him get up with very little sleep from the night before and wake up so ‘happy-go-lucky’. All the time! I never saw him wake up mad or mean with any discomfort. Everyone liked him and he helped everyone so as a kid, you really don’t understand what that gift means. I grew up learning how to keep that together. Coming from a two-part family, my mother was the housewife, but she was also the strength and backbone of the family. From her, I learned how to be a girl, a woman, a nurturer and a cook. She keeps me grounded to this day.
What kind of advice can you offer to younger actors who are seeking a career in the film business?
LR: To stand strong because we do get to that desperate state when we just want to be on television – we feel like, we want to be famous. I understand it, it sparks and stems from something. Once you get into it, you have to realize it really is business behind the ‘business’. The show is the ‘show’ but if you’re lacking the business- you’re going to lose anyway. A great personality and having morals will go a long way.
How do you sustain balance in your life?
LR: Having God, family, a good circle of friends and your conscious is balance for me. You know when you’re doing something that is not good. Our conscious reminds us, if you listen to that inner voice and stop continuing to be complacent-then change may come.
I am on a spiritual journey right now. I was baptized about nine months ago. I think even the bad experiences helps you. When I came out of my divorce, I thought at first,’Oh my God, how did I get here?’. It put me on my knees and God asked me, ‘Are you ready to listen? Are you ready to give me the reigns of your life instead of the reigns that you’ve taken?’ I had a great amount of success but now I’m learning that it is easier to turn it over to Him. Be able to build my strength with the wisdom to be able to tackle the things I know is going to come into my life. Life has its ‘ups and downs’ and ‘valleys and peaks’. When you know that, you don’t have to get ready for what you know is coming. I want to stay ready.
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Oakland Post: Week of December 18 – 24, 2024
The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024
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Arts and Culture
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
Special to the Post
It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks
Marks, who wrote and directed the musical, also owns PM Productions.
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”
Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.
Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.
Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.
“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.
Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.
Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.
Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.
Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.
Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.
“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”
Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.
“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”
The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.
Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”
Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”
Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”
“I’m so proud of my daughter,” said Smith.
Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.
“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.
The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com
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Oakland Post: Week of December 11 – 17, 2024
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