Entertainment

Cuba Gooding Sr. Continues to Enjoy a Thriving Entertainment Career

Published

10 years ago

March 10, 2015

Oakland Post

Cuba Gooding, Sr. (Courtesy Photo)

by Timothy Cox

Special to the NNPA from the Afro-American Newspaper

BALTIMORE — Mention the song “Everybody Plays the Fool,” and an older generation of music lovers will immediately recall that The Main Ingredient, featuring lead singer Cuba Gooding, before he added the “senior” tag to his name, recorded the once-popular tune.

A younger generation will immediately connect Gooding’s surname with his son, the actor, Cuba Gooding Jr. – famous for starring in several top films such as Boyz ‘N The Hood, Jerry Maguire, Fighting Temptations, American Gangster, Radio and now the recently released Selma.

In an interview from his home near St. Augustine, Fla., the elder Gooding reflected on his successful music career and raising two successful actor sons, including his “baby boy,” Omar Gooding.

At 70, Cuba Gooding Sr. has no problem divulging details about the past and the development of his formidable musical career from his Harlem, N.Y. origins. He notes that his father,Dudley MacDonald Gooding, was a Barbados native with an affinity for the Marcus Garvey “Black Nationalist” movement in the early 1900s. “He told my mother that he would name his first born son Cuba – that’s because he once lived in Cuba and had positive feelings about the country,” said Gooding Sr.

He also revealed that his mother (Addie Alston) wanted him to become a solo singer in the mold of Nat King Cole or Brook Benton. “She always wanted me to separate myself from that whole group thing.” In fact, The Main Ingredient had already formed in Gooding’s midst, as some of his boyhood friends started rehearsing in his neighborhood, but Gooding was unaware of their existence.

The original group was called The Poets and later, The Insiders. Before Gooding joined, The Main Ingredient had already recorded a marginal hit, “Spinning Around” in 1970 and scored heavily on the The Impressions’/Curtis Mayfield composition, “I’m So Proud,” in ’71.

The original group included Tony “Panama” Sylvester, Luther Simmons and Donald McPherson (vocal lead of “Spinning Around” and “Black Seeds Keep on Growing”). McPherson died in 1970, Gooding recalls. “We were not the typical black soul group from the early 1970s. We recorded on the prestigious RCA-Victor label (now SONY) with the likes of Harry Belafonte and Charley Pride, said Gooding. But remember, we were young and still wanted to be cool and soulful like our counterparts, The O’Jays and The Delfonics and people like that,” he said.

“I could never compete with the ones who sang in church, like Eddie Levert and the guys from The O’Jays. I don’t even know any spiritual songs, I grew up singing and wanting to be like Johnny Mathis and Frank Sinatra. I had to teach myself to become a group performer instead of a standup, solo artist,” said Gooding. “I vividly remember standing in Times Square in New York City – never asking for money, but just singing and working on developing my craft.”

He reflects on a career highlights after being recruited to join The Main Ingredient. “Heck, I was working in credit collections at Sax Fifth Avenue, and had no interest in singing on that level. The guys needed me (after McPherson’s illness and eventual death) so they promised me I could make more money than I did on my two-week salary at the department store. So, the rest is history.”

With Gooding’s magical lead vocals, the group scored heavily on the 1972 single “Everybody Plays the Fool” and two hits from 1974, “Just Don’t Want to Be Lonely” and “Happiness Is Just Around The Bend.”

Comparing today’s music business with the 1970s, Gooding says he will never forget recording album projects live, on sound stages, accompanied by a 40-piece orchestra. “It doesn’t get any better than that. Today, talent and stardom is all dependent on whether American TV viewers call and vote for you, ala ‘American Idol.’”

The golden years also had its share of bad times, he said. “We found ourselves $250,000 in the hole, after paying for all those recording sessions, for all the musicians, the payola – all that was in RCA’s budget. We never got the lion’s share. That’s why Stevie (Wonder) created Black Bull Music, so he could get his (publishing) share from Berry Gordy and Motown.

“This is a business, but sadly, the ones who make all the money are the ones who have no musical talent at all. The lawyers, the agents, the managers, road managers, accountants – they get the money. And, you pray that the government doesn’t come and hit you before all of them get paid.”

During the interview Gooding discussed the deaths of “two of his good friends from the industry,” namely Edward “Sonny” Bivins and Winfred “Blue” Lovett, both of The Manhattans. “I knew those guys from early in our careers, because we were all from the New Jersey/New York area,” he said. “I’ll really miss them.”

On a more upbeat note, Gooding recounted his input in helping to rear two successful acting sons, Cuba Jr. and Omar. Another son, Thomas, is a bass player and works as musical director of Cuba Sr.’s touring band. There is also a daughter named April.

On helping Cuba Jr. and Omar become actors, the older Gooding says, “I learned from my mom and dad that it was more important to be a parent. That means that I did what was necessary for them to be successful. I took that approach as if they were in a formal schooling environment. I taught them that it was important to be successful, and I taught them by example. I also taught them martial arts.”

Mr. Gooding said he wanted to make it clear that he was not his sons’ sole positive influence. “Their mother played a major role in their development,” he said. “Their mother (Shirley Sullivan) taught them how to pronounce their words – to speak the King’s English properly so the people would respect you regardless of your education. My answer is plain and simple – understand the responsibility of being a parent above and beyond being a biological father. I am truly blessed. It was like my father was telling me what to say to them,” he said.

Gooding notes that after a long period of marriage, he eventually left the family for nearly 17 years, but regrouped and remarried his mate in the 1980s.

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Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

Published

2 days ago

December 26, 2024

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Black History

Ashleigh Johnson: Pioneering the Way in Water Polo

Ashleigh Johnson attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

Published

5 days ago

December 24, 2024

Oakland Post

Ashleigh Johnson Photo: collegiatewaterpolo.org

By Tamara Shiloh

Ashleigh Johnson has become a household name in the world of water polo, not only for her incredible athleticism and skill but also for breaking barriers as the first Black woman to represent the United States in the sport at the Olympic level. Her journey begins as a determined young athlete to a record-breaking goalkeeper.

Born on September 12, 1994, in Miami, Florida, Ashleigh grew up in a family that valued sports and academics. She attended Ransom Everglades School, where she was introduced to water polo. Despite water polo being a niche sport in her community, she quickly stood out for her remarkable agility, intelligence, and reflexes. Her unique skill set made her a natural fit for the demanding role of a goalkeeper.

Ashleigh attended Princeton University, where she played for the Tigers and dominated collegiate water polo. During her time at Princeton, she became the program’s all-time leader in saves and was recognized for her extraordinary ability to anticipate plays and block shots. She was a three-time All-American and was pivotal in leading her team to multiple victories. Balancing rigorous academics and athletics, she graduated with a degree in Psychology, showcasing her determination both in and out of the pool.

In 2016, Ashleigh made history as the first Black woman to be selected for the U.S. Olympic Water Polo Team. Representing her country at the Rio Olympics, she played a crucial role in helping Team USA secure the gold medal. Her stellar performances earned her the distinction of being named the tournament’s top goalkeeper, further cementing her status as one of the best players in the sport’s history.

Ashleigh didn’t just stop at one Olympic appearance. She continued her dominance in water polo, playing a key role in Team USA’s gold medal win at the 2020 Tokyo Olympics. Her ability to remain composed under pressure and deliver outstanding saves in crucial moments made her an irreplaceable member of the team.

At the age of 29, Johnson appeared in her third Olympiad in Paris at the 2024 Summer Olympics. Their first match was against Greece and the US team won easily and Johnson only gave up 4 points. U.S. Olympic head coach Adam Krikorian shared, “She’s an incredible athlete. She’s got great hand-eye coordination, great reflexes and reactions. And then she’s fiercely competitive – fiercely. And you would never know it by her demeanor or by the huge smile on her face. But to us, on the inside, we know how driven she is to be one of the best ever to do it.”

Team USA Women’s Water Polo ended their Olympic season in fourth place after a 10 – 11 loss to the Netherlands. Johnson only allowed 37 percent of the shots from the Netherlands.

Beyond her achievements in the pool, Ashleigh has used her platform to advocate for diversity in water polo and sports in general. As a trailblazer, she recognizes the importance of representation and works to encourage young athletes, particularly those from underrepresented backgrounds, to pursue their dreams.

Ashleigh has spoken about the challenges she faced as a Black woman in a predominantly white sport and how she turned those obstacles into opportunities for growth.

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Arts and Culture

In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map

Published

6 days ago

December 22, 2024

Oakland Post

Author Chris Aluka. Photo courtesy of Chris Aluka.

By Terri Schlichenmeyer
The Bookworm Sez

An average oak tree is bigger around than two people together can reach.

That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.

And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.

Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.

In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.

According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.

As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?

She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.

“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”

In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.

The people he interviewed recalled family tales and community stories of support, hardship, and home.

Says coauthor Navies, “These images shout without making a sound.”

If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.

With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.

For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.

Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.

This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.

“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam

c.2024, University of Kentucky Press, $50.00.