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‘Daughters’ Wins 2024 Sundance Film Festival Audience Award and Festival Favorite Award

NNPA NEWSWIRE — First-time doc director Angela Patton, CEO of Girls for Change, teamed with video music director Natalie Rae (Leon Bridges: Bad Bad News) and they documented the journey of four young girls looking forward to attending a prom in a Washington, D.C. prison. Aubrey, Santana, Raziah, and Ja’Ana are anxious as they prepare for the event. Their dads, Keith, Mark, Alonzo and Frank, are twice as nervous.
The post ‘Daughters’ Wins 2024 Sundance Film Festival Audience Award and Festival Favorite Award first appeared on BlackPressUSA.

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By Dwight Brown, Film Critic for DwightBrownInk.com and NNPA Newswire

(****)

When you start with a humanizing premise, there’s nowhere to go but up.

Documentaries that present solutions, not just observations, should be lauded and rewarded. That’s why praise has been bestowed on this heartwarming film and its mission to reunite daughters and their incarcerated dads. Bring a tissue when you see it. Maybe a whole box.

“My dad can’t come to the father/daughter dance because he’s in jail,” said one disappointed young girl at the Girls for Change Leadership Academy in Virginia. But she had a suggestion, “What if we had the dance in the jail.” And so, it began. A sheriff was asked to let a daughter/dad dance take place in his prison. He approved, it happened and that auspicious event in 2013 blossomed into the “Date with Dad” prison rehabilitation program.

First-time doc director Angela Patton, CEO of Girls for Change, teamed with video music director Natalie Rae (Leon Bridges: Bad Bad News) and they documented the journey of four young girls looking forward to attending a prom in a Washington, D.C. prison. Aubrey, Santana, Raziah, and Ja’Ana are anxious as they prepare for the event. Their dads, Keith, Mark, Alonzo and Frank, are twice as nervous.

The men attend educational and consciousness-raising therapy sessions for 10 weeks to prepare for the big reunion. They confess their apprehensions, hopes and ambitions as they study fatherhood and look back on their own lives. One laments that he isn’t present in his tween daughter’s life. As a 16-year-old, he’d impregnated her 14-year-old mother whose own dad was not around. He thinks if her father had been home policing her potential boyfriends, they might not have become teen parents. The dangers that lurk when fathers are absent are real to him. Another wishes he could witness his daughter’s growth: “Everything I wanted to do she’s doing. Everything I wanted to be she is.” Another confesses, he doesn’t know how to dance.

The girls express, anger, fear, envy and sadness as they yearn for their dads’ presence. Despair pushes one youngster into wanting to jump off a roof. The parents and children all need understanding, forgiveness and healing. Fortunately, they have a guardian angel, an auntie. The shaman-like Angela Patton encourages the children, counsels the weary mothers and assures the men that they’re needed: “Our daddies are our mirrors that we reflect back on when we decide about what type of man we deserve.”

Cinematographer Michael “Cambio” Fernandez’s invisible camerawork puts you in the center of the men’s discussion groups, on the collect calls from prison and in homes where kids reveal their deepest secrets. A group shot of the fathers in orange jumpsuits is sobering. A group shot of them in suits and ties, like they’re at an HBC fraternity reunion, is humanizing. You’re watching their rehabilitation in real time. These precious moments are judiciously assembled and clipped together by the filmmakers and editor Troy Josiah Lewis. Their only questionable creative decision is not cutting more of the post event footage.

During sensitive moments, sweet cello music (composer Kelsey Lu) plays. During reflective scenes, songs like “Happen,” by British singer/songwriter Sampha, fill the air with their deeply felt lyrics. In a haunting tenor voice, he croons: “You’re too scared to show me love. ‘Cause you’re too fresh with the scars… I can’t let this happen again. I found my love and I don’t wanna lose it again.”

Audiences will love all the girls, especially the extremely bright Aubrey who was around five years old during the filming. All the dads become leading men in their own movies and their metamorphoses are on view. That big day, when the daughters and fathers meet, hug, dance and exchange feelings is when viewers who’d previously dabbed their eyes with a few tissues will grab a bunch.

“Daughters” puts a face on those affected by incarceration. Children, parents and families all trying to find their way back to the center of life. People learning lessons and gaining wisdom. When one father says, “The streets don’t love us. Our kids love us,” you know that they’re all headed in the right direction.

For more information about the Sundance Film Festival go to: https://festival.sundance.org

Visit Film Critic Dwight Brown at DwightBrownInk.com.

The post ‘Daughters’ Wins 2024 Sundance Film Festival Audience Award and Festival Favorite Award first appeared on BlackPressUSA.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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