Arts and Culture
Diamano Coura Africa Rising Celebrates 25th Anniversary

Dancers of the Diamano Coura West African Dance Company. Photo Courtesy of Diamano Coura.
The beat of drums and high-energy dancers of men and women in colorful decor took the stage at the Malonga Casquelourd Theater in Oakland. The dance drama, Sama Diabar (My Wife), presented by Diamano Coura Africa Rising celebrated the West African Dance organization’s 25th anniversary.
Performances featured the dance and choreography of Danielle Delane, Nikka Maynard, Latashia Bell. Through six dance scenes the performance included digital media, theater and comedy.
Under the direction of Dr. Zak Diouf and Artistic Director Naomi Washington, the organization has operated as a culture keeper implementing workshops, performances and youth programs. The dance company also features touring engagements, lecture demonstrations, community outreach, and creative partnership programs with renowned artists and performing companies.
“Diamano Coura, in the Senegalese Wolof language, means “those who bring the message” and we strive to portray West African music and dance beyond entertainment or exhibition, but also as a way to educate, communicate, organize and preserve our ancestral roots,” said Washington.
While the directors are from Liberia and Senegal, Diamano Coura embodies a variety of dancers, actors, singers, acrobats, musicians, stilt walkers, and visual artists from Mali, Senegal, Guinea, the Ivory Coast, Liberia, Gambia and the United States. Through their junior company, Diamano Coura has 15 members and does outreach to over 500 youth within the San Francisco Bay Area as part of Diamano Coura’s Youth and Arts-In-Education Program. The company has also continued its reach with the Los Angeles School District Young Audience Project and the San Diego School District Artist-In-Residence Project.
Diamano Coura performs extensively in major theater houses and universities in the US Canada, Europe and West Africa. In 1993 Director Zak Diouf and Artistic Director Naomi Washington created “Lambarena”, a collaboration of West African dance and European style ballet to the music of Johan Bach and traditional music of Gabon for the San Francisco Ballet’s Val Carniporili.
With the success of the creative collaborative project, Washington and Diouf were invited to consult and choreograph for the Singapore Ballet in 1998 and in South Africa in 1999. Diamano Coura also produced the independent film, Follow Me Home, and regularly present at Epcot Disney World in Florida, the Black Dance Experience, the Ethnic Dance Festival in San Francisco, the Bay Area Dance Series, the Houston Arts Festival, the Atlanta Black Dance Festival, the Olympic Cultural Festival and Collage de la Cutures Africaines in Oakland.
“Through Collage de la Cutures Africaines, we host a collaborative effort that brings together artists, performing companies, and businesses from the San Francisco Bay Area and around the world to celebrate music, dance, history, artwork, and cultures from countries of the African Diaspora,” said Washington.
For more information, visit www.DiamanoCoura.org
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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