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FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films

CINCINNATI HERALD — The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year.
The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.

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By Sofia Voss | The Cincinnati Herald

It’s safe to say that 2023 was a revolutionary year for film, reflected by the historic Writers Guild of America and Screen Actors Guild-American Federation of Television and Radio Artists strikes. With the two strikes overlapping, Hollywood effectively shut down for roughly half the year, delaying or otherwise impacting dozens of film and television projects. As of November, both strikes have ended, and many of the affected productions are on track to hit theaters in 2024.

Marvel, which originally planned for a record-breaking six new films to come out in 2024, is now expecting only four. Among those 2024 releases are “Madame Web,” the first-ever female-led “Spider-Man” spinoff film, and the third installment of the “Venom” franchise. Renowned production company A24 has a full 2024 slate, including Mia Goth’s return to horror in “MaXXXine,” Ti West’s follow-up to “X” and “Pearl.” New offerings from renowned directors like Luca Guadagnino and George Miller are also forthcoming.

The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year. There are, however, a few prospective big hits in those months, including high-profile films like “Argylle” and “Dune: Part Two.” The “Mean Girls” musical, which premiered in January 2024, lived up to its anticipation—garnering a $28M box office debut and the number one spot after just three days.

Suffice it to say, 2024 is not only an incredibly important year for the future of the film industry but also quite an exciting one in terms of its cinematic offerings. To give audiences more insight into what to expect, Casino Bonus CA looked ahead at movies coming out in 2024 and highlighted the most buzzed-about titles.

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Blitz

– Director: Steve McQueen

“Blitz” takes its name from the World War II German aerial bombing campaign known as the “blitzkrieg,” and follows a group of civilians in London during the years 1940 and 1941. The film is written and directed by Steve McQueen, the British filmmaker best known for his Academy Award-winning drama “12 Years a Slave.” “Blitz” marks McQueen’s first narrative feature film since 2018’s “Widows,” and stars acting talents like Saoirse Ronan, Stephen Graham, and Harris Dickinson.

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Borderlands

– Director: Eli Roth

“Borderlands” is based on the popular video game of the same name, which follows a team of hunters as they travel to the dystopian planet Pandora in search of mysterious alien vaults. The feature film adaptation has horror filmmaker Eli Roth at its helm, and follows up his 2023 slasher “Thanksgiving.” While many plot details are still hidden, Roth has said that the film will loosely adhere to the Borderlands game, but isn’t precious about the specifics.

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Challengers

– Director: Luca Guadagnino

Originally slated to premiere on the opening night of the prestigious Venice Film Festival in 2023, Luca Guadagnino’s “Challengers” is now set for theatrical release on April 26, 2024. “Challengers” is a romantic drama that follows three young tennis stars as they contend with the price of winning and continued relevance. The film stars Zendaya, Mike Faist, and Josh O’Connor in a convoluted love triangle that caused an internet meltdown after the release of the trailer.

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Civil War

– Director: Alex Garland

“Civil War” marks Alex Garland’s third directorial collaboration with A24, following 2022’s “Men” and 2014’s “Ex Machina.” The film depicts a desolate and divided near-future United States, caught in the midst of a civil war after 19 states secede from the Union. Kirsten Dunst stars as a journalist trying to survive alongside her family. “Civil War” also features rising star Cailee Spaeny, whose performance in Sofia Coppola’s 2023 film “Priscilla” won the Volpi Cup for Best Actress at the Venice Film Festival.

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Deadpool & Wolverine

– Director: Shawn Levy

One of the Marvel films impacted by the Hollywood strikes, “Deadpool & Wolverine” will hit theaters on July 26 after getting pushed back from its original May 2024 release. With filming happening as recently as November 2023, Ryan Reynolds will reprise his role as Deadpool. This installment will also include Hugh Jackman as Wolverine, Emma Corrin as the new lead villain, and “Succession” star Matthew Macfadyen in a still-unknown role.

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Dune: Part Two

– Director: Denis Villeneuve

The first installment of Denis Villeneuve’s “Dune” project in 2021 was a massive success, earning over $400 million in the global box office—and if Villeneuve has anything to say about it, “Dune: Part Two” will be even bigger. At a press conference, the director was quoted as saying that the sequel is a “much better” movie than Part One, reaching “an intensity and a quality of emotions” that he hadn’t quite attained in the first film. Like several films on this list, its release date has been shuffled due to the strike but is currently slated for March 1.

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Furiosa: A Mad Max Saga

– Director: George Miller

Charlize Theron originated the character Furiosa in 2015’s critically acclaimed “Mad Max: Fury Road,” a spinoff film of the classic “Mad Max” series starring Mel Gibson. In “Furiosa,” Anya Taylor-Joy will play the titular role in the “Fury Road” prequel, following a younger version of the character on an odyssey to get back home after being kidnapped by Warlord Dementus (Chris Hemsworth). With George Miller once again at the helm, “Furiosa: A Mad Max Saga” has an expected release of May 24.

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Here

– Director: Robert Zemeckis

Robert Zemeckis is the director behind blockbuster hits including 1985’s “Back to the Future,” 1994’s “Forrest Gump,” 2000’s “Cast Away,” and 2012’s “Flight,” so it is safe to say there’s buzz surrounding his upcoming film “Here.” Starring frequent collaborator Tom Hanks, reuniting with his “Forrest Gump” co-star Robin Wright, “Here” follows the lives of people who occupied the same room at various points over the course of centuries. The film harnesses Metaphysics Live, an AI tool, to de-age actors on set in real time without the need for postproduction digital effects. The film is based on a graphic novel of the same name written by Richard McGuire.

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Horizon: An American Saga

– Director: Kevin Costner

Kevin Costner is no stranger to Westerns—he’s the star of the hit television show “Yellowstone,” as well as 1990’s “Dances with Wolves,” 1994’s “Wyatt Earp,” and the 2003 film “Open Range,” among other films. Now, the actor is writing and directing his own series of Western films titled “Horizon: An American Saga.” This two-part film project is said to explore the topic of Westward expansion, centered around the years before and after the Civil War.

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Inside Out 2

– Director: Kelsey Mann

In 2015, Disney and Pixar’s animated film “Inside Out” was released to great critical and commercial acclaim, snagging the Best Animated Feature Oscar in 2016. Where the first film explores the mind of 11-year-old Riley, the sequel promises to explore her teenage emotions, which includes the addition of Anxiety, voiced by Maya Hawke. While Amy Poehler, Phyllis Smith, and Lewis Black will return as Joy, Sadness, and Anger, respectively, Bill Hader’s Fear and Mindy Kaling’s Disgust have been replaced.

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Joker: Folie à Deux

– Director: Todd Phillips

While Batman adaptations abound, “Joker: Folie à Deux” promises an entirely new look into the world of Gotham. Following the box office success of 2019’s “Joker,” which starred Joaquin Phoenix as the titular character, joined by Zazie Beetz and Robert De Niro, the sequel introduces Lady Gaga as notorious Batman villain Harley Quinn. Gaga’s portrayal will no doubt differ significantly from previous depictions of the character, such as Margot Robbie’s, particularly because “Joker: Folie à Deux” will be a musical.

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Maria

– Director: Pablo Larraín

Pablo Larraín has established himself as director of some of the most high-profile biopics of the last decade, including 2016’s “Neruda” and “Jackie,” as well as 2021’s “Spencer,” which featured Kristen Stewart as Princess Diana. His next film, “Maria,” will follow legendary Greek American opera singer Maria Callas, played by Angelina Jolie, in the last few days of her life. Even though the production signed an interim SAG agreement in order to begin filming during the strike, there is no set release date. “Maria” is reportedly still in postproduction.

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Megalopolis

– Director: Francis Ford Coppola

As the title indicates, “Megalopolis” features an impressive roster of megastars including Adam Driver, Forest Whitaker, Laurence Fishburne, Shia LaBeouf, and Aubrey Plaza, just to name a few. Not much information about the film’s plot and characters is publicly available, but it is rumored to explore a destroyed New York City and an architect determined to rebuild it. “Megalopolis” is apparently a passion project for Coppola—so much so that he self-financed most of the nearly $100 million production—and he’s taking his time to get it right, pushing the film back from its initially expected 2023 release date.

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Mufasa: The Lion King

– Director: Barry Jenkins

Barry Jenkins is best known for his Best Picture Oscar-winning drama “Moonlight” and “If Beale Street Could Talk.” Now he’s lending his talents to Disney for the upcoming film “Mufasa: The Lion King,” which will serve as a prequel to Jon Favreau’s 2019 remake of “The Lion King.” The 2019 movie broke ground with its photorealistic animation style, an aesthetic “Mufasa” will also adopt. In the aftermath of the Hollywood strikes, the release date was pushed from July to Dec. 20.

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Nosferatu

– Director: Robert Eggers

The first-ever “Nosferatu” came out all the way back in 1922 as a silent film directed by F.W. Murnau. The film centers around the evil vampire Count Orlok as he terrorizes an unsuspecting young couple. The new “Nosferatu” is written and directed by Robert Eggers, whose past films—including 2015’s “The Witch” and 2019’s “The Lighthouse”—showcase the director’s aptitude for eerie horror. Starring Bill Skarsgård and Lily-Rose Depp, Eggers’ “Nosferatu” is slated for a Christmastime release.

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They Follow

– Director: David Robert Mitchell

David Robert Mitchell’s 2014 film “It Follows” was the low-budget indie horror hit that no one saw coming, garnering over $20 million at the global box office. Nearly a decade later, the sequel, “They Follow,” was announced, with lead actress Maika Monroe committed to return. While there are no plot details available, it’s likely that the sexually transmitted monster capable of shifting its appearance at any time will return as an antagonist.

Additional research by Luke Hicks. Story editing by Eliza Siegel. Copy editing by Tim Bruns.

This story originally appeared on Casino Bonus CA and was produced and distributed in partnership with Stacker Studio.

The post From Borderlands to Megalopolis: A sneak peek at 2024’s biggest films appeared first on The Cincinnati Herald.

The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.

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PRESS ROOM: Application Window Closing Soon for Disney Dreamers Academy at Walt Disney World Resort

BLACKPRESSUSA NEWSWIRE — Selected high school students receive all-expenses-paid trip to Walt Disney World Resort for transformative mentorship program; Applications close October 31.

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Selected high school students receive all-expenses-paid trip to Walt Disney World Resort for transformative mentorship program; Applications close October 31.

(LAKE BUENA VISTA, Fla.) Oct. 27, 2025 – High school students driven by passion and fueled by big dreams have until October 31 to apply for the 2026 Disney Dreamers Academy, a transformative mentorship experience at Walt Disney World Resort in Florida. The program’s application window closes at the end of the month, so students are encouraged to apply now for this magical, career-inspiring multi-day event. Applications are open to U.S. high school students, ages 13 to 19, who will receive an all-expense-paid trip along with one parent or guardian to Walt Disney World. Applications will be evaluated by a distinguished panel of leaders, and the 100 selected participants will be announced in early 2026.

Disney Dreamers Academy, now entering its 19th year, unfolds during several unforgettable days of inspiration and discovery for the program’s participants who come to Walt Disney World for hands-on learning, career exploration and leadership development that encourages them to dream bigger and achieve more. Students from culturally diverse communities nationwide explore career fields from STEM and business to entertainment and the arts, learning directly from educators, executives, celebrities and Disney cast members who share real-world insights and guidance. Along the way, Dreamers gain valuable life tools, leadership skills, effective communication techniques and networking strategies to help turn their dreams into reality.

Anyone interested can apply or nominate a student at http://www.DisneyDreamersAcademy.com

Disney Dreamers Academy is one of the many examples of Walt Disney World’s commitment to supporting diverse communities by inspiring young people to dream boldly, pursue their passions and make a meaningful difference in the world.

For more information, visit DisneyDreamersAcademy.com, or follow on social media at Facebook.com/DisneyDreamersAcademy, X.com/DreamersAcademy and Instagram.com/disneydreamersacademy/.

About Disney Dreamers Academy:

Established at Walt Disney World in 2008, Disney Dreamers Academy’s mission is to inspire teens from culturally diverse communities nationwide to dream beyond imagination by providing access to personalized support for the Disney Dreamer, their caregivers and community through insightful content and uplifting experts, mentors and sponsors. Each year, 100 high school students are awarded a trip to Walt Disney World Resort in Florida to experience this four-day immersive and transformational program.

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Black Americans Cannot Afford the Trump Administration’s Health Care Cost Spike

By Fred Redmond   This Saturday marks one month of the federal government shutdown. Hundreds of thousands of federal workers—nearly 20% of whom are Black and 30% of whom are veterans—are missing their second paycheck. Families across the country will be forced to choose between paying for groceries, rent and medical care. President Trump and […]

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By Fred Redmond

 

This Saturday marks one month of the federal government shutdown. Hundreds of thousands of federal workers—nearly 20% of whom are Black and 30% of whom are veterans—are missing their second paycheck. Families across the country will be forced to choose between paying for groceries, rent and medical care. President Trump and his allies in Congress are inflicting this pain because they would rather shut down the government than deal with the looming health care crisis that will explode costs for more than 170 million Americans.

 

This is a crisis of the administration’s own making and was entirely avoidable. That’s because Trump and Congress are about to let a key funding program for the Affordable Care Act (ACA), the extended tax credits, expire. Without that funding source, out-of-pocket premiums will more than double for 22 million people—and 4.2 million people will be kicked off their coverage entirely. 

 

Everyone will pay more for health care if the ACA tax credits disappear. As millions lose their coverage, hospitals and clinics will be forced to absorb billions in unpaid care costs, driving up premiums for all of us, whether you are covered through work or the ACA. 

 

Combined with the Medicaid cuts that Republicans passed earlier this year, 179 million people with employer-based insurance could see their health care costs rise as much as $485 a year per person—or nearly $2,000 more a year for a family of four. Parents will be forced to put off checkups for their kids and people with chronic illnesses will face impossible decisions: refill their insulin or pay rent, start chemotherapy or pay the electric bill. One unexpected accident will leave a family unable to pay the mortgage or buy groceries. 

 

For our community, a spike in health care costs isn’t just smoke—it’s a five-alarm fire. Since the implementation of the ACA, the number of Black folks without health insurance has been cut in half. In 2023, it reached an all-time low. That’s in large part thanks to the increased funding for the ACA passed in 2021, including the tax credits we’re fighting for today. But if they aren’t extended, we could see those gains almost completely reversed. Without the tax credits, Black Americans will see the largest increases in uninsurance rates—a 30% percent jump in those without coverage. One study estimates as many as 1.1 million Black Americans will lose coverage.

 

Even those who are able to hang on to their insurance will be forced to pay more if the tax credits aren’t extended. That funding passed in 2021 meant millions of working- and middle-class Black families with ACA coverage saw their premiums lowered or eliminated entirely. 76% of uninsured Black Americans were able to find a plan for less than $50 a month and 66% could find one entirely for free. But without the tax credits, those premiums could more than double. And those same families could be forced to pay hundreds—if not thousands—more every month.

 

Black working people are already struggling to pay our bills. Wages for Black workers are falling and our budgets are being squeezed by higher prices on everything from food and housing to electricity and gas. The Trump administration is offering no relief. The last thing we need is D.C. politicians hiking our health care costs. 

 

The labor movement’s message to the president and his allies in Congress is simple: fix the health care crisis, fund the government and put working people first. 

Fred Redmond, the highest-ranking African American labor official in history, is the secretary-treasurer of the AFL-CIO, the nation’s largest labor federation, representing 63 unions and nearly 15 million workers.

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Four Minute Offense: The Jets Circle the Wagons

This is the second installment of the Four Minute Offense. It’s the moment during the fourth quarter of a game when the team possessing the ball must run the ball, call high-percentage pass plays, and the war daddies (also known as the offensive linemen), can get off the ball and turn up. Four talking points […]

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This is the second installment of the Four Minute Offense. It’s the moment during the fourth quarter of a game when the team possessing the ball must run the ball, call high-percentage pass plays, and the war daddies (also known as the offensive linemen), can get off the ball and turn up. Four talking points will be served up ahead of next week’s action. 

The Jets get their first win of 2025

New York Jets owner Woody Johnson publicly criticized and mocked Justin Fields, adding to what was already a difficult week for the team. The Jets’ offense had been struggling, ranking near the bottom across nearly every major statistical category. To make matters even worse, the franchise announced the tragic passing of Nick Mangold, the legendary offensive lineman, at just 41 years old.

On Sunday, the New York Jets took on the Cincinnati Bengals in what many expected to be a lopsided matchup. Joe Flacco, coming off a phenomenal performance against the Pittsburgh Steelers just ten days earlier — with 342 passing yards and three touchdowns — looked to keep the momentum going. Meanwhile, Ja’Marr Chase continued his dominance for Cincinnati, setting a single-game franchise record with 16 receptions, 161 yards, and a touchdown.

But that’s why they play the game!

The Jets beat the Bengals 39-38. Running back Breece Hall, an object of trade rumors, threw the game-winning touchdown to rookie tight-end Mason Taylor with 2 minutes remaining in the 4th quarter. Hall was the first running back since Curtis Martin in 2000 to throw a go-ahead TD in the final two minutes of a game. Ironically, Martin’s touchdown pass was a game-winning TD. 

In Sunday’s game, the Jets had 502 yards of total offense, the first time they accomplished this feat since 2001. Head Coach Aaron Glenn was hyped in the locker room:

“Our f— brand! 254 rushing yards! Man, I love this group. And man, from here on out. Grit. F–– grit. Because I told you during the offseason, man. We have to create an advantage, we f–– did. But you showed all the grit in the world to win this game,” Glenn bellowed to applause from the team. “Now, let’s have a good flight home, have a great week. I love this group, man.”

Also, Justin Fields admitted to reporters he relied on his faith to get him through a turbulent week.

“I’m going to get pretty vulnerable right here. This week I found myself in my closet crying on the ground, laying down. Not because of the hardships, not because of the troubles,” Fields admitted. “I felt like I was built to handle that. I was put in place to handle this situation. But in that moment, I was talking to my best friend. How hard it was. Not wavering faith-wise. I was praying over and over again, just one win. All that to say is, God is real. God is good. Everything that we go through in this life is for a purpose.”

Where do the Jets go from here? Nobody knows. But for one week, Gang Green can celebrate! 

Tua and the Dolphins frustrate the floundering Falcons 

Tua Tagovailoa helped the Miami Dolphins snap their three game losing streak, beating the listless Atlanta Falcons 34-10. Complicating matters for both teams, Tua threw for 205 yards and 4 touchdowns after waking up with a swollen left eye. 

“Probably one of the worst experiences I’ve had in terms of waking up and having that on a game day,” he told reporters after the game, adding that Dolphins trainers gave him antibiotics to help with the issue and that he wore a visor on the field.

“It was different,” Tagovailoa said. “I can’t remember the last time I played with a visor outside of high school.”

Tua Tagovailoa struggled mightily last week in a shocking 31–6 defeat to the Cleveland Browns, ultimately being benched for poor performance. Despite the setback, this marks the third instance in his career where Tagovailoa has thrown at least four touchdown passes with no interceptions — a feat surpassed only by the legendary Dan Marino in franchise history.

Meanwhile, the Atlanta Falcons faced their own challenges. Star safety Jessie Bates III exited early in the fourth quarter with an ankle injury and was ruled out for the remainder of the game. Bates, who leads the team with 39 tackles this season, was sorely missed as Atlanta’s offense faltered. The Falcons managed just 11 first downs, 49 rushing yards, and converted only 2 of 11 third-down attempts — a disheartening showing for the Dirty Birds.

It’s worth noting that Atlanta played without several key starters, including quarterback Michael Penix Jr., wide receiver Drake London, and defenders Divine Deablo, Jalon Walker, Zach Harrison, and Billy Bowman Jr. Even so, their upcoming matchups against the resurgent New England Patriots and the Indianapolis Colts will be critical — not only for their playoff hopes but also for determining the future of head coach Raheem Morris.

“It all started right from the beginning, with not being able to run the football and control the game,” Falcons head coach Raheem Morris said after the game. “That’s our lifeline, and when that’s not working, it’s gonna look bad on us, whether it be defense, offense, or special teams. That’s our lifeline, being able to run the football offense.” 

Jalen Hurts continues to shine

Philadelphia Eagles quarterback Jalen Hurts threw four touchdown passes as he led his team past the New York Giants 38-20 at Lincoln Financial Stadium. He finished the day 15-of-20 for 179 yards. Hurts is just the third Eagles QB ever to have back-to-back games with a passer rating of 140+, joining Nick Foles and Randall Cunningham. 

Hurts – who has 15 touchdown passes, five rushing touchdowns and one interception this season – is the first quarterback in NFL history with at least 15 touchdown passes, five rushing touchdowns and one-or-fewer interceptions in his team’s first eight games of a season.

Also, in the last two games, Hurts has nine incompletions and seven touchdowns. The narrative is shifting in Philadelphia. As the offensive coordinators change, Hurts must continue to prepare and play at a high level, consistently.

“I look at how we are helping him,” Hurts said. “Are we playing penalty free? Are we mastering, mastering the things that take no talent? Are we getting in and out of the huddle? You know, the little things that can help all of us and help the play call to find the rhythm and what he does. And so we’re very critical of that. I’m very critical of that. That’s always something that I’m talking about, but we just want to continue to build.”

Saquon Barkley ran for 150 yards and scored one touchdown on a 65-yard house call.

Cam Ward shows progress, despite loss at Colts

Despite the Tennessee Titans’ 38-14 loss to the Indianapolis Colts, quarterback Cam Ward demonstrated noticeable progress in his development. Ward completed 22 of 38 passes for 259 yards, throwing one touchdown and one interception. The interception came on a fourth-and-goal attempt late in the game when the outcome was already sealed. Throughout the game, Ward showcased solid accuracy, absorbed multiple hits, and effectively extended plays by moving within the pocket.

“We just got to finish drives with points,” Ward said postgame. “Yeah, we had some positive moments, but it wasn’t enough to win a game. I had to do more. I had to be more accurate with the football. We had to consistently, consistently move the ball up and down the field and end with points. I think the last couple weeks, we’ve been better just moving the ball, but we have to end it with points. If we don’t score points, if we don’t score points, we’re not going to be in a lot of games.”

The Titans will be back home at Nissan Stadium to face the 5-3 Chargers.

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