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FILM REVIEW: Alita: Battle Angel

NNPA NEWSWIRE — As a self-contained film, this sci-fi/anime/action/thriller is fascinating but not perfect. Viewed as a set-up for a future franchise, it makes more sense. Studied as the next advancement in 3D anime, it’s groundbreaking. And, a teenage Latina lead is unique and could bring a host of young movie goers into the theater to see what’s up.

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By Dwight Brown, NNPA Newswire Film Critic

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Rosa Salazar stars as Alita in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

Rosa Salazar stars as Alita in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

As a self-contained film, this sci-fi/anime/action/thriller is fascinating but not perfect. Viewed as a set-up for a future franchise, it makes more sense. Studied as the next advancement in 3D anime, it’s groundbreaking. And, a teenage Latina lead is unique and could bring a host of young movie goers into the theater to see what’s up.

Even if you didn’t know who the filmmakers were, you’d get a hint based on what you see: The main cyborg creation, Alita (Rosa Salazar), is reminiscent of James Cameron’s Avatar characters. The manic pacing of the film and its rough-around-the-edges, aggressive style and perceptive look at youth plays like a combination of Robert Rodriguez projects (From Dusk Till Dawn, Spy Kids, Sin City). If Cameron and Rodriguez had a lovechild, their offspring would be this teen-friendly movie.

Far into the future, in 2563, after the great apocalypse called “the Fall,” only remnants of civilization remain. One of the surviving homesteads on Earth is Iron City, a gutted metropolis. There’s nothing but ruins, killer robots and those—people and cybernetically-enhanced-humans—who have found ways to survive by repurposing tech. Lurking above the horizon is the ominous looking Sky city Zalem. The unwritten rule is “nobody ever goes up to Zalem,” so transport between the landbound town and the one up high is nearly non-existent. That separation has made Iron City residents covet a trip above.

Co-writers Cameron, Rodriguez and Laeta Kalogridis based their script on the book Gunnm, part of a graphic novel series by Yukito Kishiro. The exterior sets often look like helter-skelter way stations from a Star Wars movie or the darkened streets of New Orleans, with curious looking people filling crowd scenes, hoverboards whizzing by, an incessant din and people running to and fro.

The visuals are intriguing: Caylah Eddleblute and Steve Joyner production design; Jeff B. Adams Jr. art direction; and David Hack set decoration. The digital-FX is progressive. Two high-definition cameras recorded Salazar’s face, giving her eyes more definition than the entire Gollum character from Lord of the Rings. Ninety-nine percent of the footage was shot with state-of-the art 3D-cameras (cinematographer, Bill Pope, The Matrix), when other films are shot and then converted to 3D. So, the cyborgs look vivid, the cityscapes are striking and there’s plenty of eye candy for everyone—especially sci-fi freaks.

People fend for themselves, so it is no surprise when Ido (Christoph Waltz), a cyberphysician, is rummaging through a scrap heap and discovers the torso and head of a young angelic looking cyborg. Back in the lab, after a body is attached to her, she is revived. Ido’s creation, Alita, can’t remember who she was or how she got to the junkyard. Slowly she adapts to life, exhibiting latent fighting skills and killer instincts.

Hanging out with street kids, like Hugo (Keean Johnson) and his crew, she learns more and more about her capabilities. Her actions are noticeable in her community, and not by the right people. Alita is under the gaze of Vector (Mahershala Ali), an evil dude who runs the corrupt forces in the city, and he is controlled by a much higher power—someone on Zalem.

As the story evolves and Alita slowly learns of her past and masters her warrior powers, the audience is taken on an intriguing journey of self-discovery. Fortunately, this ride-along counteracts the film’s imperfections: The post-Armageddon municipality is not the most original setting in the world. The mysterious city hovering overhead will remind audiences of the film District 9, when a stealth spaceship floats over Johannesburg, South Africa. Also, Alita doesn’t exhibit any superpowers viewers haven’t seen before.

The introduction of the ultra-competitive and deadly sports event Motorball—a combination of roller blading, basketball, skate boarding and rugby—as a central focus is a tough sell. The game plays out like chariot racing in Rome’s Colosseum or a frenzied NASCAR event. This sports shtick is consequential to Alita, Hugo and other participants because the winner is promised a trip to Zalem, which is about the only way anyone will ever get there. Initial skepticism regarding this plot strategy will subside and make more sense as the film ends.

This very ambitious production could lose some weight. The constant barrage of minuscule plot points, names, rivalries and heavy exposition can be confusing. Adults may have trouble sorting out all the details. Young people may not care or be intimidated by the minutia. The pacing of the action scenes could keep their attention (2hr 2min runtime), the peculiar mechanics of the cyborgs may enthrall them—and there’s always Alita.

Rosa Salazar (Alita) and Keean Johnson (Hugo) star in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

The heart of the film is this vulnerable young hybrid amnesiac woman. She falls in love, is haunted by her past and fights the bad guys. It’s a lot on her shoulders, and with Rodriguez’s sensitive feel for kids, the film allows her to embody the challenges and insecurities tweens/teens encounter—especially girls and young women. Alita questions Hugo: “Does it bother you that I’m not completely human?” Hugo: “You’re the most human I’ve ever met.”

Rosa Salazar (Bird Box, Maze Runner: The Death Cure and a voice in the video game Batman: Arkham Origins) uses her voice, facial expressions and movement to make an alluring mark on the character. Her acting magically brings Alita to life. Mahershala Ali as the venomous antagonist underplays his role, making Vector seem all the more deadly. The rest of the supporting cast with Jennifer Connelly as Ido’s ex-wife, Jorge Lendeborg, Jr (Bumblebee) as Hugo’s pal, Idara Victor as Nurse Gerhad along with the aforementioned Waltz and Johnson keep emotions piqued.

Granted, there’s room to improve and grow. Still, Alita: Battle Angel is a solid start to what could be a welcomed series of films. It takes FX to another level and teens and sci-fi fans could gladly jump on a bandwagon that features a new and iconic Latina heroine.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Oakland Post: Week of December 18 – 24, 2024

The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024

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City of Oakland Celebrates Reopening of Main Library

“Libraries are such critical facilities for all Oaklanders, whether it’s children coming to story-time, adults reading the newspapers or borrowing the latest novels, and people engaging with a range of services and programs that the library hosts,” said Council President and District 2 Councilmember Nikki Fortunato Bas. “Such library services and programs are only possible when the facility’s electricity, heating, roof, and lighting are fixed and running efficiently. I’m proud to join this re-opening of our Main Public Library.” 

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Left to Right- Jamie Turbak, Director of Library Services, LaTonda Simmons, Assistant City Administrator, Nikki Bas, President Oakland City Council, Shen Thao, Mayor of Oakland, Carroll Fife, Oakland City Councilmember District 3, Harold Duffey, Assistant City Administrator, Sean Maher, Projects Coordinator. Photo by Kevin Hicks.
Left to Right- Jamie Turbak, Director of Library Services, LaTonda Simmons, Assistant City Administrator, Nikki Bas, President Oakland City Council, Shen Thao, Mayor of Oakland, Carroll Fife, Oakland City Councilmember District 3, Harold Duffey, Assistant City Administrator, Sean Maher, Projects Coordinator. Photo by Kevin Hicks.

The branch had been closed since May for critical infrastructure upgrades

Special to the Post

The City of Oakland leadership and community partners gathered to celebrate the reopening of the Main Library after completion of critical infrastructure upgrades to enhance the library’s facilities and provide a better experience for patrons.

Renovations include new roof installation, skylight repair, critical electrical system upgrades, new boiler control system installation, auditorium heating and cooling system installation, and improvements to lighting, flooring and ceilings throughout the building.

“This is truly something to celebrate, the reopening of our wonderful Main Library! I congratulate the staff and our partners for this important project to make the Main Library a more comfortable place for everyone for years to come, said Oakland Mayor Sheng Thao. “Thank you to Oakland voters and the California State Library for making these crucial improvements possible.”

“Libraries are such critical facilities for all Oaklanders, whether it’s children coming to story-time, adults reading the newspapers or borrowing the latest novels, and people engaging with a range of services and programs that the library hosts,” said Council President and District 2 Councilmember Nikki Fortunato Bas. “Such library services and programs are only possible when the facility’s electricity, heating, roof, and lighting are fixed and running efficiently. I’m proud to join this re-opening of our Main Public Library.”

“Public libraries are a wonderful resource for our residents, offering a safe space for learning and being,” said District 3 Councilmember Carroll Fife. “It is critical to improve and modernize our libraries so more members of our community can utilize and enjoy them. I’m excited that the necessary renovations to the Main Library have been completed successfully and thank everyone involved, particularly the City team, who helped secured the necessary grant funds for this work.”

“I am proud of the City staff and project partners who kept this important project on schedule and under budget,” said Assistant City Administrator G. Harold Duffey. “The library is an incredibly important resource for our community members, and this project is an investment into the library’s future.”

“December 2nd was a momentous occasion for Oakland Public Library as we proudly reopened the doors of the Main Library following extensive infrastructure repairs,” said Director of Library Services Jamie Turbak. “Closing the Main Library for six months was no easy decision, as it serves as the central hub for our library system and is truly the heart of Oakland. Yet, this renovation was essential, representing more than just physical upgrades—it reflects our ongoing commitment to creating a safe, welcoming space for everyone.”

The City Administrator Jestin Johnson also attended the press conference and signalled his support for the completion of the record-setting completion of the renovations. Gay Plair Cobb, a newly appointed Library Commissioner said the Library represents the soul and brains of our community.

The Oakland Public Library secured funding for these crititcal repairs through a variety of sources. The California State Library’s Building Forward Library Facilities Improvement Program awarded the Main Branch $4.2 million. To comply with the grant terms, the City of Oakland provided matching funds through Measures KK, as approved by the Oakland City Council in October 2023.

The Main Library will host an Open House to celebrate the reopening on February 22, 2025, 10 a.m. – 5:00 p.m.

About the Oakland Public Library

The Oakland Public Library is a part of the City of Oakland in California and has been in existence since 1878. Locations include 16 neighborhood branches, a Main Library, a Second Start Adult Literacy Program, the Oakland Tool Lending Library, and the African American Museum and Library at Oakland (AAMLO). The Oakland Public Library empowers all people to explore, connect, and grow. Oaklandlibrary.org

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Biden’s Legacy Secured with Record-Setting Black Judicial Appointments

His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations. The White House said Biden’s efforts show a broader commitment to racial equity and justice.

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By Stacy M. Brown
WI Senior Writer

President Joe Biden’s commitment to diversifying the federal judiciary has culminated in a historic achievement: appointing 40 Black women to lifetime judgeships, the most of any president in U.S. history.

Biden has appointed 62 Black judges, cementing his presidency as one focused on promoting equity and representation on the federal bench.

His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations.

The White House said Biden’s efforts show a broader commitment to racial equity and justice.

Meanwhile, Trump has vowed to dismantle key civil rights protections, including the Justice Department’s Civil Rights Division.

“Having the Black woman’s experience on the federal bench is extremely important because there is a different kind of voice that can come from the Black female from the bench,” Delores Jones-Brown, professor emeritus at John Jay College of Criminal Justice, told reporters.

Lena Zwarensteyn of the Leadership Conference on Civil and Human Rights told reporters that these district court judges are often the first and sometimes the final arbiters in cases affecting healthcare access, education equity, fair hiring practices, and voting rights.

“Those decisions are often the very final decisions because very few cases actually get heard by the U.S. Supreme Court,” Zwarensteyn explained.

Biden’s nomination of Justice Ketanji Brown Jackson to the Supreme Court further reflects his commitment to judicial diversity. Jackson became the first Black woman to serve on the nation’s highest court.

Patrick McNeil, spokesperson for the Leadership Conference, pointed out that over half of Biden’s Black female judicial appointees have backgrounds as civil rights attorneys and public defenders, experience advocates consider essential for a balanced judiciary.

Meanwhile, Congress remains divided over the expansion of federal judgeships. Legislation to add 66 new judgeships—approved unanimously by the Senate in August—stalled in the GOP-controlled House until after the election. House Republicans proposed distributing the new judgeships over the next decade, giving three administrations a say in appointments. President Biden, however, signaled he would veto the bill if it reached his desk.

Rep. Jerry Nadler, D-N.Y., argued the delay was a strategic move to benefit Trump’s potential return to office. “Donald Trump has made clear that he intends to expand the power of the presidency and giving him 25 new judges to appoint gives him one more tool at his disposal,” Nadler said.

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