Entertainment

Film Review: American Sniper

Published

11 years ago

January 12, 2015

Reporter II

Luke Grimes and Cory Hardrict as play young G.I. s in the war drama American Sniper.

By Dwight Brown
NNPA Film Critic

This well-produced but flawed bio/war/drama follows the armed forces career and subsequent malaise of ex- Navy Seal Chris Kyle. He was a legendary sniper who did four tours of duty in Iraq. His steely, icy demeanor gave him a steady aim, but didn’t protect him from the fragile aftermath of war, particularly Post Traumatic Stress Disorder (PTSD). The film fluctuates between his achievements in battle and is ordeal back home.

Telling Kyle’s story is the purview of filmmaker Clint Eastwood, who directed Flags of Our Fathers and Letters From Iwo Jima and is well acquainted with the war film genre. As was the case with those aforementioned films, Eastwood’s style is never climactic. He prefers a moderate pace and a straightforward style that doesn’t add anything new to the game. Helicopters buzz over Iraq. Soldiers on both sides of the battle are killed. But nothing stands out and everything appears routine, considering it’s war. The proceedings lack the verve and staccato pacing that made Katherine Bigelow’s Zero Dark Thirty a jaw-dropping experience. His languishing, overly choreographed, and pat approach makes the footage feel flat and undistinguished.

After a grueling training, Chris Kyle (Bradley Cooper) becomes a Navy Seal sniper. A sharp shooter as a kid, his skill peaks in Iraq where, he can protect platoons by accurately shooting a hostile target from as far away as a football field. Deadeye? The man kills 160 insurgents. When fellow soldiers praise him, Kyle is never less then humble. His subdued demeanor is the exact opposite of the anger and rage he incites from enemy forces who put a price on his head. No wonder they call him “Legend.”

Kyle’s Navy Seals, who’ve teamed up with brave Marines, find something to focus on in the helter skelter war. It’s the demonic Al Qaeda terrorist Abu Musab al-Zarqawi and his maniacal partner The Butcher (Mido Hamada); the latter tortures victims and snitches with power drills. As Kyle and his crew hone in on the new enemies, a sharpshooter, whose talents rival Kyle’s, scopes them out. Mustafa (Sammy Sheik), a Syrian sniper, has Kyle and his men in his crosshairs. First one to pull the trigger wins.

The script by Jason Hall, based on the bestselling autobiography by the real Chris Kyle with Scott McEwen and Jim DeFelice, has plenty of slow, forward motion. When things get too tense, the plotline throws in a flashback for relief. Kyle meeting his soon-to-be-wife Taya (Sienna Miller) in a bar, trips back home on leave, the birth of two sons, phone calls from the front lines; these mini scenes flesh out the imperfect human man behind the perfect aim – to varied affect.

You get a vague sense of the soul of this heroic soldier who tries to balance a dangerous existence with an infrequent family life. But it’s hard to feel compassion for him. He’s too strong a man. If the story followed a weaker person, perhaps a less successful marksman trying to prove himself with a save-the-day shot, he’d be a more compelling protagonist. As is, there’s an emotional shield around Kyle that is impenetrable, even as he descends into a living hell: “It’s not the people you saved that you remember. It’s the ones you couldn’t save. Those are the faces and situations that stay with you forever.”

Bradley Cooper’s performances are not known for their range. He lacks the emotional wallop and elasticity of a Christian Bale. He’s O.K. as the goof in the Hangover series. He stumbled across a golden opportunity with Silver Linings Playbook and turned that part, as an ex-mental patient with a bipolar disorder, into the role of a lifetime. However, he does nothing to get you under the skin of Chris Kyle. Nothing. He packed on weight for the role, but that girth isn’t a substitute for an intuitive or gifted character interpretation.

Sienna Miller, in only glimpses as the reluctant girlfriend turned into the concerned wife/mother, shows more depth and proves far more capable of cementing her dutiful and increasingly alarmed spouse persona. She is Kyle’s only beacon out of his darkness. She is believable. Ben Reed as Wayne Kyle, the weaker younger brother, acts the part; never as strong, smart or good as his sibling. Sammy Sheik (Lone Survivor and TV’s 24) as the stealth shooter Mustafa rarely speaks but powerfully commands the screen. Luke Grimes (Taken 2) and Cory Hardrict (Gran Torino) as play young buck soldiers with a very credible G.I. swagger

Tom Stern’s (Changeling) cinematography, Joel Cox (Unforgiven) and Gary Roach’s editing and the production design by Charisse Cardenas and James J. Murakami (Changeling) make the visuals impressionable. If the film has any air of realism, it’s because of their contributions. Clint Eastwood composed “Taya’s Theme,” the main theme music, which enhances the film in the right places. His taste in music is impeccable.

There will be better films that explore PSTD. They’ll be better if they focus on a sympathetic soldier and not a cold-blooded killer. They’ll be better if a filmmaker with more vigor and innovation directs them. Also, if you see this film and walk out the theater feeling like you just watched 134 minutes of pro-war propaganda, it means the film failed as a character study because it spent too much time on the battlefield.

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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COMMENTARY: If You Don’t Want Your ‘Black Card’ Revoked, Watch What You Bring to Holiday Dinners

From Thanksgiving to Christmas to New Year’s Day, whether it’s the dining room table or the bid whist (Spades? Uno, anyone?) table, your card may be in danger.

Published

1 day ago

December 14, 2025

Oakland Post

The ‘aunties’ playing cards. iStock photo by Andreswd.

By Wanda Ravernell
Post Staff

From the fourth week of November to the first week in January, if you are of African descent, but particularly African American, certain violations of cultural etiquette will get your ‘Black card’ revoked.

From Thanksgiving to Christmas to New Year’s Day, whether it’s the dining room table or the bid whist (Spades? Uno, anyone?) table, your card may be in danger.

It could take until Super Bowl Sunday for reinstatement.

I don’t know much about the card table, but for years I was on probation by the ‘Aunties,’ the givers and takers of Black cards.

How I Got into Trouble

It was 1970-something and I was influenced by the health food movement that emerged from the hippie era. A vegetarian (which was then considered sacrilegious by most Black people I knew) prepared me a simple meal: grated cheese over steamed broccoli, lentils, and brown rice.

I introduced the broccoli dish at the Friday night supper with my aunt and grandfather. She pronounced the bright green broccoli undone, but she ate it. (I did not, of course, try brown rice on them.)

I knew that I would be allowed back in the kitchen when she attempted the dish, but the broccoli had been cooked to death. (Y’all remember when ALL vegetables, not just greens, were cooked to mush?)

My Black card, which had been revoked was then reattained because they ate what I prepared and imitated it.

Over the decades, various transgressions have become normalized. I remember when having a smoked turkey neck instead of a ham hock in collard greens was greeted with mumblings and murmurings at both the dining room and card tables. Then came vegan versions with just olive oil (What? No Crisco? No bacon, at least?) and garlic. And now my husband stir fries his collards in a wok.

But No Matter How Things Have Changed…

At holiday meals, there are assigned tasks. Uncle Jack chopped raw onions when needed. Uncle Buddy made the fruit salad for Easter. My mother brought the greens in winter, macaroni salad in summer. Aunt Deanie did the macaroni and cheese, and the great aunts, my deceased grandmother’s sisters, oversaw the preparation of the roast beef, turkey, and ham. My father, if he were present, did the carving.

These designations/assignments were binding agreements that could stand up in a court of law. Do not violate the law of assignments by bringing some other version of a tried-and-true dish, even if you call it a new ‘cheese and noodle item’ to ‘try out.’ The auntie lawgivers know what you are trying to do. It’s called a menu coup d’état, and they are not having it.

The time for experiments is in your own home: your spouse and kids are the Guinea pigs.

My mother’s variation of a classic that I detested from that Sunday to the present was adding crushed pineapple to mashed sweet potatoes. A relative stops by, tries it, and then it can be introduced as an add-on to the standard holiday menu.

My Aunt Vivian’s concoctions from Good Housekeeping or Ladies’ Home Journal magazine also made it to the Black people’s tables all over the country in the form of a green bean casserole.

What Not to Do and How Did It Cross Your Mind?

People are, of all things holy, preparing mac ‘n’ cheese with so much sugar it tastes like custard with noodles in it.

Also showing up in the wrong places: raisins. Raisins have been reported in the stuffing (makes no sense unless it’s in a ‘sweet meats’ dish), in a pan of corn bread, and – heresy in the Black kitchen – the MAC ‘n’ CHEESE.

These are not mere allegations: There is photographic evidence of these Black card violations, but I don’t want to defame witnesses who remained present at the scene of the crimes.

The cook – bless his/her heart – was probably well-meaning, if ignorant. Maybe they got the idea from a social media influencer, much like Aunt Viv got recipes from magazines.

Thankfully, a long-winded blessing of the food at the table can give the wary attendee time to locate the oddity’s place on the table and plan accordingly.

But who knows? Innovation always prevails, for, as the old folks say, ‘waste makes want.’ What if the leftovers were cut up, dipped in breadcrumbs and deep fried? The next day, that dish might make it to the TV tray by the card table.

An older cousin – on her way to being an Auntie – in her bonnet, leggings, T-shirt, and bunny slippers and too tired to object, might try it and like it….

And if she ‘rubs your head’ after eating it, the new dish might be a winner and (Whew!) everybody, thanks God, keeps their Black cards.

Until the next time.

Oakland Post

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Arts and Culture

Fayeth Gardens Holds 3rd Annual Kwanzaa Celebration at Hayward City Hall on Dec. 28

Kwanzaa celebrates seven principles – Nguzu Saba – that support an ideal of community, beginning from Dec. 26 to Jan. 1. Those principles, in Swahili, are: Umoja (Unity), Kujichagulia (Self-Determination), Ujima (Collective Work & Responsibility), Ujamaa (Collective Economics), Nia (Purpose), Kuumba (Creativity) and Imani (Faith).

Published

1 day ago

December 14, 2025

Oakland Post

The Pride and Joy Band performed at the first annual Kwanzaa celebration sponsored by Fayeth Gardens. Courtesy photo.

Entertainment, vendors, and special honors for Sankofa Lifetime Achievement awardees

Special to The Post

Celebrating Ujima, the principle of ‘Collective Work and Responsibility,’ Fayeth Gardens’ 3^rd Annual Kwanzaa Celebration will be held on Dec. 28, from 12 noon to 5 p.m.

Kwanzaa celebrates seven principles – Nguzu Saba – that support an ideal of community, beginning from Dec. 26 to Jan. 1.

Those principles, in Swahili, are: Umoja (Unity), Kujichagulia (Self-Determination), Ujima (Collective Work & Responsibility), Ujamaa (Collective Economics), Nia (Purpose), Kuumba (Creativity) and Imani (Faith).

The free event at Hayward City Hall at 777 B St. will feature live entertainment, a guest speaker, awards for community activists whose work reflects the principle of Ujima, vendors and an honoring of the ancestors by Awon Ohun Omnira (Voices of Freedom).

On stage will be the Touch of Class Band, a New Orleans Second-Line Band, and the California Griot Storytellers. Bring the children to have fun in the Kids Korner.

Velda Goe, who has been celebrating Kwanzaa since it started in the 1960s, noticed there was no public celebration of the holiday in Hayward when she moved to the city in 2008.

“I started it a couple of years ago,” she said, “and hopefully it will continue just like the cultural events by other nationalities (in Hayward). The Afro-descendent people of Hayward deserve cultural recognition as well.”

Goe also believes it’s important that Kwanzaa gets its due because “there are so many misconceptions,” particularly by people of other nationalities, who are under the impression “that Kwanzaa is a cult, a religion, or replaces Christmas.”

The celebration, which is open to all, can have the effect of helping guests see that Kwanzaa’a principles and purpose are common to all

This year’s Sankofa Lifetime Awardees are:

Mrs. Freddye M. Davis: President of the South Hayward NAACP
•Baba Arnold X.C. Perkins: Co-founder of the Brotherhood of Elders
•Frederick Jordan,: Legendary founder of F.E. Jordan & Associates and the Design Engineer for the Charles P. Howard Container Terminal at the Port of Oakland + 1,000 Projects

Come dressed up in your best African wear to enter a raffle for a prize for best-dressed Afrocentric King and Queen.A free, healthy soul food lunch is available with an Eventbrite ticket, which can be found at for free lunch is available from for 11:30 to 12 p.m.

In its third year, the event is the brainchild of Velda Goe, founder of Fayeth Gardens, a community planting site to educate and provide a means for urban dwellers to grow healthy food for their families and develop life-sustaining eating habits.

Interested in being a vendor, volunteer, or sponsor? Reach out to FayethGardens@gmail.com

For tickets, go to: https://www.eventbrite.com/e/fayeth-gardens-3rd-annual-kwanzaa-celebration-at-hayward-city-hall-tickets-1974966953322