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FILM REVIEW: Arctic

NNPA NEWSWIRE — Penna and co-writer Ryan Morrison have given this bone-chilling adventure a very simple premise: Man against nature, man against himself.

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By Dwight Brown NNPA News Wire Film Critic

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English singer/writer David Gray released a very evocative song in 2014 called “Birds of the High Arctic.” The verse is about a lost lover and the poignant refrain says: They’re calling. Like the birds of the high Arctic. “This darling. For the light in your eyes sparked it. Two sheets to the wind.” In just a few words and with a pleading voice Gray conjures visions of the cold barren Arctic that are indelible and haunting.

Mads Mikkelsen stars as Overgård in ARCTIC, a Bleecker Street release.
Credit: Helen Sloan SMPSP / Bleecker Street

First-time filmmaker Joe Penna is a musician who created the internationally popular YouTube  channel, MysteryGuitarMan. The channel became a viral sensation and he amassed two million followers. He’s shot commercials (Coca Cola and McDonald’s) and short films (Turning Point). Arctic pulls his skills into the feature-film format where he demonstrates the basic mechanics of filmmaking but not the artistry. Nothing sticks with you, nothing is visually stunning or memorable.

Overgård (Mads Mikkelsen, The Hunt, Casino Royale) is stranded in the Arctic. His only shelter is what’s left of his plane, which crashed into the icy, barren wilderness. To add a grain of sanity to his endless days and nights, he keeps a routine. According to periodic alarms on his watch, he gets up, fishes, works on a rescue sign and looks for a radio signal. He confronts the freezing elements and the occasional stare of a polar bear. It’s a lonely, melancholic existence that won’t change unless there is a new stimulus. That spark comes after a rescue helicopter crashes, leaving another survivor (Maria Thelma Smáradóttir, Prisoners). Now Overgård is fighting the elements and making life-saving choices for two.

Penna and co-writer Ryan Morrison have given this bone-chilling adventure a very simple premise: Man against nature, man against himself. You don’t see the plane crash. There is no backstory. You don’t know how the central character got himself into such a bleak situation, or why he has superior survival skills and can fix electronics. The writers and director don’t let viewers put the protagonist’s dilemma into perspective, and that’s a gutsy or foolhardy choice, depending. Still, the set-up and location is so unique that many will go along on this improbable excursion, regardless.

Mads Mikkelsen stars as Overgård in ARCTIC, a Bleecker Street release.
Credit: Helen Sloan SMPSP / Bleecker Street

Penna’s direction is adequate. No major mistakes. No fits of genius. Cinematographer Tómas Örn Tómasson (Pacific Rim: Uprising) has missed an opportunity to make the wintry scenes look gorgeous or ghostly. Instead, it’s as if he shot the unexciting footage on a smartphone. Ryan Morrison’s editing manages a solid tempo for 97 minutes. Joseph Trapanese (Straight Outta Compton) creates a musical score that stays in the background and never intrudes. The tech aspects are neither a credit or a hindrance.

With a cast of just two actors and virtually no dialogue, the weight of the film rests on veteran Danish actor Mads Mikkelsen. Most of the time he has no one to talk to. It’s just him, pulling the story forward and making his emotions (fear, anger, courage, indecision, regret) the central focus. Facial expressions, his walk and other non-verbal communications give his character depth. There are many instances that require Overgård to make monumental choices and live with the consequences. You can see the gravity of those decisions in Mikkelsen’s eyes.

The film doesn’t display a brutal, raw realism that blows your mind. The finale is fitting, not a shocker that will make your heart race (The Vanishing, 1988). The climax is not an escape from a deadly situation, although there are a few of those. Instead, the most dramatic, stomach-turning scene is when the protagonist must come to terms with the karma he faces for putting his needs first. This is the “aha” moment when the thin screenplay finds another dimension and Penna proves he’s more than just a trendy YouTube video entrepreneur.

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Arctic has a very similar feel to the James Franco film 127 Hours, where a hiker gets himself stuck in-between two boulders and resorts to cutting off part of his arm to escape. The hubris in that character made it a challenge to empathize with his dilemma. Overgård is humble and likable throughout.

There isn’t anything gross or repugnant about what’s on view, like in the disaster movie Alive, when a Uruguayan rugby team ate each other to stay live. Audiences looking for a basic survival film will likely be satiated. Penna’s simple storytelling and perfunctory direction is tolerable and Mikkelsen’s stirring performance brings what’s on view up a notch.

Arctic doesn’t have a long-lasting impact. Without artistry and an indelible atmospheric impression, it’s just another film you’ll vaguely remember. What’s missing is the kind of haunting feeling sensitive artists like David Gray can conjure.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Activism

Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

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Activism

Living His Legacy: The Late Oscar Wright’s “Village” Vows to Inherit Activist’s Commitment to Education

Kingmakers of Oakland (KOO), a nonprofit organization that works to improve educational and life outcomes for Black boys and men, stated that “Oscar Wright is one of the most prolific, consistent, and committed advocates of equity for Black students and Black Families here in Oakland for the past six decades.” 

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Oscar Carl Wright, 101, who passed away on Nov. 18, was still involved in Oakland’s educational affairs until his death.
Oscar Carl Wright, 101, who passed away on Nov. 18, was still involved in Oakland’s educational affairs until his death.

By Antonio‌ ‌Ray‌ ‌Harvey‌, California‌ ‌Black‌ ‌Media‌

Activists mourning Oscar Carl Wright’s death, have pledged to continue his lifelong mission of advocating for Black students and families in Northern California.

Wright, 101, who passed away on Nov. 18, was involved in Oakland’s educational affairs until his death.

Now, friends and admirers acknowledge that carrying on his legacy means doubling down on the unfinished work that Wright dedicated his life, time, and resources to, according to Y’Anad Burrell, a family friend and founder of San Francisco-based Glass House Communications (GHC).

“Mr. Wright did a lot of work around equity, specifically, for Black students based on their needs — whether it was tutoring, passing classes, or graduating,” Burrell said.

Wright became a champion for his children’s education, recognizing the disparities between their school experiences and his own upbringing in the Mississippi Delta.

Burrell told California Black Media (CBM) that the crisis of unequal access to resources and a quality education continues to affect the Oakland Unified School District (OUSD).

According to Oakland Reach, in the city of Oakland, only 3 in 10 Black and Brown students are reading at or above grade level. In addition, only 1 in 10 are doing math at or above grade level.

Oakland REACH is a parent-run, parent-led organization. It aims to empowers families from the most underserved communities to demand high-quality schools for their children.

Wright’s work as an activist had impact across the state but he was primarily known in the Bay Area. Alongside the Black United Front for Educational Reform (BUFER), he filed a complaint against OUSD for violating the Civil Rights Act of 1964.

In 2000, the OUSD school board proposed an action plan to address educational inequity, but it was never implemented.

Wright later founded the African American Honor Roll Celebration at Acts Full Gospel Church, an award that recognizes Black students with a grade point average of 3.0 or better.  Each year, more than 1,000 students are honored at this ceremony.

Kingmakers of Oakland (KOO), a nonprofit organization that works to improve educational and life outcomes for Black boys and men, stated that “Oscar Wright is one of the most prolific, consistent, and committed advocates of equity for Black students and Black Families here in Oakland for the past six decades.”

Burrell said that one of the main reasons Wright’s work was so essential for families and children in Oakland that is the direct relationship between acquiring a quality education and affording quality housing, maintaining food security, achieving mental wellness, and securing stable employment.

Wright was the child of sharecroppers from Coahoma County, Mississippi. He attended Alcorn State University, a Historically Black College and University (HBCU).

In the late 1950s, Wright and his family relocated to the Bay Area where he worked as a contractor and civil engineer. He later became an active member of the National Association for the Advancement of Colored People (NAACP).

Burrell said the people who will carry on Wright’s work are part of a “village” that includes KOO’s CEO Chris Chatmon.  Wright was a mentor to Chatmon.

“It will not be one entity, one person, or one organization that picks up the baton because it was a village effort that worked alongside Mr. Wright for all these years,” Burrell said.

Burell says that legacy will live on.

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Activism

Protesters Gather in Oakland, Other City Halls, to Halt Encampment Sweeps

The coordinated protests on Tuesday in San Francisco, Oakland, Vallejo, Fresno, Los Angeles and Seattle, were hosted by Poor Magazine and Wood Street Commons, calling on cities to halt the sweeps and focus instead on building more housing.

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The California Poor People’s Campaign’s Victoria King erected encampments for unhoused Oaklanders. Victoria King and her committee erected these emergency tents to symbolize the needs of unhoused Oaklanders. Photos by Post Staff.
The California Poor People’s Campaign’s Victoria King erected encampments for unhoused Oaklanders. Victoria King and her committee erected these emergency tents to symbolize the needs of unhoused Oaklanders. Photos by Post Staff.

By Post Staff

Houseless rights advocates gathered in Oakland, San Francisco, Los Angeles, and other city halls across California and Washington state this week protesting increased sweeps that followed a U.S. Supreme Court decision over the summer.

The coordinated protests on Tuesday in San Francisco, Oakland, Vallejo, Fresno, Los Angeles and Seattle, were hosted by Poor Magazine and Wood Street Commons, calling on cities to halt the sweeps and focus instead on building more housing.

“What we’re dealing with right now is a way to criminalize people who are dealing with poverty, who are not able to afford rent,” said rights advocate Junebug Kealoh, outside San Francisco City Hall.

“When someone is constantly swept, they are just shuffled and things get taken — it’s hard to stay on top of anything,” said Kealoh.

Local houseless advocates include Victoria King, who is a member of the coordinating committee of the California Poor People’s Campaign. She and Dr. Monica Cross co-chair the Laney Poor People’s Campaign.

The demonstrations came after a June Supreme Court ruling expanded local governments’ authority to fine and jail people for sleeping outside, even if no shelter is available. Gov. Gavin Newsom in California followed up with an order directing state agencies to crack down on encampments and urging local governments to do the same.

FresnoBerkeley and a host of other cities implemented new rules, making it easier for local governments to clear sidewalk camps. In other cities, such as San Francisco, officials more aggressively enforced anti-camping laws already on the books.

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