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FILM REVIEW: Bad Boys for Life
NNPA NEWSWIRE — Twenty-five years later, their bromance is as fresh as the day they met. Smith, as the mercurial, perpetual bachelor exhibits his best swagger in years. His Mike is like an old club goer who hasn’t realized the crowd around him is young enough to be his children. Lawrence’s curmudgeon and sensitive character plays perfectly against Smith’s brash attitude. He’s hysterical in ways only true comedians can be. The characters’ bond is easy to like and has been cherished by filmgoers who will likely follow them into old age even as these bad boys start to solve crimes in nursing homes.
By Dwight Brown, NNPA Newswire Film Critic
They first teamed up for Bad Boys in 1995, to great box office success. There was an encore in 2003, Bad Boys II, which was distinguished by incredible stunts. Now, Will Smith and Martin Lawrence go back to the same well one more time. Is there any water left?
Michael Bay (Transformers, Armageddon) directed the first two films, with an over-the-top, over-produced style that seems dated by today’s standards. The smartest choice franchise producer Jerry Bruckheimer made was to hire two new young directors to guide the series into the 2020s. Moroccan-born Belgian filmmakers Adil El Arbi and Bilall Fallah (Black, Gangsta) put their own spin on the footage aided by cinematographer Robrecht Heyvaert (Black, Gangsta). What’s on view looks like an ultra-hip extended music video that captures your eyeballs and takes them hostage.

Mike (WILL SMITH), Marcus (MARTIN LAWRENCE) on the streets of Miami in Columbia Pictures’ BAD BOYS FOR LIFE.
A sporty looking, deep blue 992-Generation Porsche speeds through the streets of sunny Miami. If a reckless twentysomething was behind the wheel, you’d call the car a chick magnet. Instead it’s 51-year-old Detective Mike Lowrey (Smith) steering the vehicle with his lead foot on the accelerator. In his hands the sports car is more a middle-ager’s last grasp at youth. Lowrey’s 54-year-old partner Detective Marcus Burnett (Lawrence) sits petrified in the passenger seat, holding on for dear life and nauseated by the hyper-dangerous ride.
Burnett: “I’m about to throw up.” Lowrey: “You better not. That’s hand-stitched Italian leather. You better drink that s—t!” And so, it begins. Edge of your seat action scenes, perfectly shot. Thrills and chills. Two old friends: One, a swinger, clearly still in the game. The other, a family man a whisper away from retirement with an accountant’s nervous stomach and no love left for a cop’s perilous life.

DirectorsADIL EL ARBI and BILALL FALLAH on the set of Columbia Pictures’ BAD BOYS FOR LIFE.
According to the blueprint drawn by screenwriters Chris Bremner, Peter Craig (The Town) and Joe Carnahan (Narc, TV’s The Blacklist), this is how the film will play out: A plot involving revenge from a former Mexican assailant Isabel Aretas (Kate del Castillo, All About Nina) and her minion (Jacob Scipio, Hunter Killer) evolves. Assassinations of lawyers and judges rain down on Miami like a summer storm.
A new police unit named AMMO takes charge of the investigation, headed by a tough captain named Rita (Paola Nuñez, TV’s The Purge) and her elite group: tech wizard Dorn (Alexander Ludwig, The Hunger Games), weapons expert Kelly (Vanessa Hudgens, Spring Breakers) and the very sarcastic Rafe (Charles Melton, TV’s Riverdale). Can they do the job? Will Mike and Marcus hurt or help them?

Will Smith and Martin Lawrence star in Columbia Pictures’ BAD BOYS FOR LIFE.
Subtly and brazenly, in humor and family drama, the script rips into the ages of the two protagonists like someone pouring salt on an open wound. The “boys” have lost a few steps and added gray hairs industrial strength Grecian Formula can’t fix. The contrasts between the veterans and the new justice league gets played for laughs persistently, especially between Smith and Melton.
Though the script is solid in most aspects, its dialogue, its rapid-fire banter is its strongest asset. When Smith and Lawrence exchange verbal jabs nothing is off the table. Viagra, becoming a grandparent, the last time either one had sex… The two are extremely competitive and well aware that father time could beat them in a foot race.

Will Smith as Mike Lowrey in Columbia Pictures’ BAD BOYS FOR LIFE.
Equally strong is the chemistry between the two leads. Twenty-five years later, their bromance is as fresh as the day they met. Smith, as the mercurial, perpetual bachelor exhibits his best swagger in years. His Mike is like an old club goer who hasn’t realized the crowd around him is young enough to be his children. Lawrence’s curmudgeon and sensitive character plays perfectly against Smith’s brash attitude. He’s hysterical in ways only true comedians can be. The characters’ bond is easy to like and has been cherished by filmgoers who will likely follow them into old age even as these bad boys start to solve crimes in nursing homes.
Every member of the cast shines brightly: Joe Pantoliano as the very manic Captain Howard; Kate del Castillo is so evil she would make a witch blush. As Aretas, she sneers: “A bullet is mercy for that son of a bitch.” Paola Nunez makes Rita brave and sensual. A very fluid cameo performance by DJ Khaled, as a smarmy crook, should win him more roles. Jacob Scipio as the evil, coldblooded assassin puts his stamp on this movie. Theresa Randle, Nicky Jam, Massi Furlan, José Alfredo Fernandez and John West Jr. fill out the ensemble.
So, what’s the flaw? The finale looks too artificial: The camera focuses on an empty building, the lens targets two rats. The rodents are so clean and white they look like they came from central casting with personal hairdressers and makeup artists. The building is entirely too majestic (production designer Jon Billington, set decoration Lori Mazuer and Daniela Rojas), like an opera set not an abandoned facility. The sequence seems phony—almost corny.
This final battle is saved by the quick edits (Dan Lebental and Petr McNulty), which have given the entire 2H 3M film a very modern, tight and forceful rhythm. The musical score by Lorne Balfe, with brazen horns during action scenes and soft violins during drama, also helps to counteract this imperfection.
Crime/action/thriller fans will be in their glory with this orgy of violence, blue language, sexy flirtations and good versus evil battles. It’s fun. There’s a strong verve that is completely contagious and will likely help this sequel achieve record-breaking box-office success.
Bad Boys for Life is all it needs to be. And then some! Get ready for it. “What you gonna do when it comes for you?”
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
#NNPA BlackPress
Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans
BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.
Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.
To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:
- A 30 percent across-the-board cut in SNAP funding.
- A 15 percent cut in Medicaid funding.
- Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
- Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.
Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.
Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.
“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.
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A Threat to Pre-emptive Pardons
BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

By April Ryan
President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid. The power is unreviewable by the courts.”
However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen. The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.
Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select Committee during the Hill proceedings. Trump has threatened members with investigation or jail.
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Reaction to The Education EO
BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

By April Ryan
There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.
Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.
During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”
Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”
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