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FILM REVIEW: Master Z: The Ip Man Legacy
NNPA NEWSWIRE — With Woo-Ping Yuen as the mastermind, the fight scenes are kinetic, wondrous and almost balletic. At times the combat is violent. Other times it’s as if the fighters are involved in highly elaborate and tightly constructed choreography. Imagine West Side Story told with an Asian twist, where the Jets and Sharks gangs go at it kung fu style. Then hold that thought and ponder if Master Z… would make a captivating theater piece.
By Dwight Brown, NNPA Newswire Film Critic
At first glimpse, this martial arts film is a tad disorientating. Nothing looks real. The footage looks like it was shot entirely on a soundstage. There are few to no exterior shots with actual sun or moonlight. But, if you acclimate yourself to this process, you can enjoy this curious production that sometimes feels like a play, a dance performance or an elaborate opera for people who block, chop, kick and punch.

Jin Zhang and Xing Yu in Master Z The Ip Man Legacy
Before the characters take the stage, here’s a little history: Ip Man was a grandmaster of the martial art Wing Chun. This fighting style is a traditional Southern Chinese Kung Fu that tends to be more defensive than offensive. The movements are quick, strong and soft all at the same time. Ip Man was famous for being legendary fighter/actor Bruce Lee’s teacher. Also, director Woo-Pin Yuen is a well-known Chinese actor/stuntman famous for creating the action choreography for the Matrix series and the Oscar-winner Crouching Tiger Hidden Dragon.
In the 1960s, Cheung Tin Chi (Jin Zhang, The Grandmaster) and his young son Fung have relocated from China to Hong Kong. Cheung, once a Win Chun expert, comes to HK after experiencing a humbling defeat in China by Ip Man. Now he owns a small grocery store and tries to live under the radar. Neighborhood kids bully his boy and disrespect him too. Yet, Cheung refuses to get drawn into any conflict.

Xing Yu, Jin Zhang, Michelle Yeoh and Kevin Cheng in Master Z The Ip Man Legacy
Haphazardly, Tin Chi is forced into a fight with local thugs when he comes to the rescue of Julia (Yan Liu, Badges of Fury), a nightclub singer. She’s defending her opium-addicted friend Nana (Chrissie Chau). Nana owes money to her drug dealer Tso Sai Kit (Kevin Cheng), and Kit and his men attack the women. Tin Chi saves they day, which pisses off the aggressors.
That good deed sets the single dad on a different trajectory. He meets Julia’s nightclub-owning brother Fu (Xing Yu), Kit’s older/wiser crime lord sister Kwan (Michelle Yeoh, Crazy Rich Asians and Crouching Tiger Hidden Dragon) and the smarmy, oaf-sized American ex-pat, restaurant owner and drug kingpin Owen Davidson ( Dave Bautista, former WWE champion turned actor in films like Riddick and Blade Runner 2049).
The plotline by screenwriters Edmond Wong and Tai-lee Chan (the Ip Man trilogy) unfurls and their homage to Ip Man’s style is evidenced as a bounty of characters hits the screen. Rivalries, infernos, street fights and revenge attacks mount. Action scenes explode at the right intervals and are well-paced (editors Kai Pong Chow and Chi-Leung Kwong). Martial arts fans will eat it up, even if some of the stunts employ invisible wires to help the cast leap over opponents and climb buildings. The target audience won’t care one bit.

Dave Bautista co-stars in Master Z The Ip Man Legacy
When Tin Chi crashes into walls and breaks them, you can clearly see that they’re made of thin wood or cardboard. The production looks fake, like a stage setting for a play and oddly it’s a style choice that becomes increasingly engaging. Think back to Francis Ford Coppola’s One from the Heart. That movie was shot almost entirely on Coppola’s Zoetrope sound stages. Master Z… takes a similar approach, which can make viewers think the production quality is rickety or inventive, depending on their tastes. Add in the colorful, well-lit cinematography (David Fu and Seppe Van Grieken), period costumes (Joyce Chan) and saturated colors (art direction by Raymond Chan) and the visuals are a lock.
With Woo-Ping Yuen as the mastermind, the fight scenes are kinetic, wondrous and almost balletic. At times the combat is violent. Other times it’s as if the fighters are involved in highly elaborate and tightly constructed choreography. Imagine West Side Story told with an Asian twist, where the Jets and Sharks gangs go at it kung fu style. Then hold that thought and ponder if Master Z… would make a captivating theater piece.
Jin Zhang’s resemblance to Johnny Depp is almost uncanny. Same lips, pout and stature. He’s every inch a leading man. Yan Liu as the feisty Julia is radiant. Michelle Yeoh brings traces of her persona from CTHG to mind. At 56 years old she can still throw down some very convincing kicks and hits against men half her age. Lurking in the background is a mysterious hitman played by Tony Jaa, who looks like he could beat up an army.
The script takes jabs at British imperialism as it depicts Her Majesty’s men taking bribes to control the local police. They’re getting paid under the table by Owen Davidson, who is masterfully played by Dave Bautista. The WWE showman is the size of a truck. In fact, the final knockdown, drag out battle between Tin Chi and Owen is a complete marvel—in a David versus Goliath way.
Check your disbelief and cynicism at the door. If you’re looking for an artistic martial arts film on the level of Zhang Yimou’s elegant House of Flying Daggers, this isn’t it. Yet, you can still enjoy this very creative and novel piece for its performances, storytelling, rivalries and well-staged action scenes.
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
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Black Feminist Movement Mobilizes in Response to National Threats
BLACKPRESSUSA NEWSWIRE — More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States.

By Stacy M. Brown
Black Press USA Senior National Correspondent
More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States. The event, led by the organization Black Feminist Future, is headlined by activist and scholar Angela Y. Davis. Paris Hatcher, executive director of Black Feminist Future, joined Black Press USA’s Let It Be Known to outline the mission and urgency behind the gathering, titled “Get Free.” “This is not just a conference to dress up and have a good time,” Hatcher said. “We’re building power to address the conditions that are putting our lives at risk—whether that’s policing, reproductive injustice, or economic inequality.” Hatcher pointed to issues such as rising evictions among Black families, the rollback of bodily autonomy laws, and the high cost of living as key drivers of the event’s agenda. “Our communities are facing premature death,” she said.
Workshops and plenaries will focus on direct action, policy advocacy, and practical organizing skills. Attendees will participate in training sessions that include how to resist evictions, organize around immigration enforcement, and disrupt systemic policies contributing to poverty and incarceration. “This is about fighting back,” Hatcher said. “We’re not conceding anything.” Hatcher addressed the persistent misconceptions about Black feminism, including the idea that it is a movement against men or families. “Black feminism is not a rejection of men,” she said. “It’s a rejection of patriarchy. Black men must be part of this struggle because patriarchy harms them too.” She also responded to claims that organizing around Black women’s issues weakens broader coalitions. “We don’t live single-issue lives,” Hatcher said. “Our blueprint is one that lifts all Black people.”
The conference will not be streamed virtually, but recaps and updates will be posted daily on Black Feminist Future’s YouTube channel and Instagram account. The event includes performances by Tank and the Bangas and honors longtime activists including Billy Avery, Erica Huggins, and Alexis Pauline Gumbs. When asked how Black feminism helps families, Hatcher said the real threat to family stability is systemic oppression. “If we want to talk about strong Black families, we have to talk about mass incarceration, the income gap, and the systems that tear our families apart,” Hatcher said. “Black feminism gives us the tools to build and sustain healthy families—not just survive but thrive.”
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Hoover’s Commutation Divides Chicago as State Sentence Remains
BLACKPRESSUSA NEWSWIRE — Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The federal sentence for Gangster Disciples founder Larry Hoover has been commuted, but he remains incarcerated under a 200-year state sentence in Illinois. The decision by Donald Trump to reduce Hoover’s federal time has reignited longstanding debates over his legacy and whether rehabilitation or continued punishment is warranted. The commutation drew immediate public attention after music executive Jay Prince and artist Chance the Rapper publicly praised Trump’s decision. “I’m glad that Larry Hoover is home,” said Chance the Rapper. “He was a political prisoner set up by the federal government. He created Chicago Votes, mobilized our people, and was targeted for that.”
But Hoover, the founder of the Gangster Disciples, is not home—not yet. Now in federal custody at the Florence Supermax in Colorado, Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial. “There is a divide in the Black community here,” said Chicago journalist Jason Palmer during an appearance on the Let It Be Known morning program. “Some view Hoover as someone who brought structure and leadership. Others remember the violence that came with his organization.” Palmer explained that while Hoover’s gang originally formed for protection, it grew into a criminal network responsible for extensive harm in Chicago. He also noted that Hoover continued to run his organization from state prison using coded messages passed through visitors, prompting his transfer to federal custody.
Illinois Gov. J.B. Pritzker, who is widely considered a potential 2028 presidential contender, has not issued a statement. Palmer suggested that silence is strategic. “Releasing Hoover would create enormous political consequences,” Palmer said. “The governor’s in a difficult spot—he either resists pressure from supporters or risks national backlash if he acts.” According to Palmer, Hoover’s federal commutation does not make him a free man. “The federal sentence may be commuted, but he still has a 200-year state sentence,” he said. “And Illinois officials have already made it clear they don’t want to house him in state facilities again. They prefer he remains in federal custody, just somewhere outside of Colorado.”
Palmer also raised concerns about what Hoover’s case could signal for others. “When R. Kelly was convicted federally, state prosecutors in Illinois and Minnesota dropped their charges. If a president can commute federal sentences based on public pressure or celebrity support, others like R. Kelly or Sean Combs could be next,” Palmer said. “Meanwhile, there are thousands of incarcerated people without fame or access to public platforms who will never get that consideration.” “There are people who are not here today because of the violence connected to these organizations,” Palmer said. “That has to be part of this conversation.”
#NNPA BlackPress
WATCH: Five Years After George Floyd: Full Panel Discussion | Tracey’s Keepin’ It Real | Live Podcast Event
Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

https://youtube.com/watch?v=OsNLWTz6jU0&feature=oembed
May 25, 2020. The world stopped and watched as a life was taken.
But what has happened since?
Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.
She shares reflections, insights, and the story of a community forever changed. What has a year truly meant, and where do we go from here?
This is more than just a date; it’s a moment in history. See what one leader in the Black press has to say about it.
Recorded live at UROC in Minneapolis, this powerful discussion features:
Panelists:
- Medaria Arradondo – Former Minneapolis Police Chief
- Nekima Levy Armstrong – Civil Rights Activist & Attorney
- Dr. Yohuru Williams – Racial Justice Initiative,
- UST Mary Moriarty – Hennepin County Attorney
- Fireside Chat with Andre Locke – Father of Amir Locke
Special Guests:
- Kennedy Pounds – Spoken Word Artist
- Known MPLS – Youth Choir bringing purpose through song
This podcast episode looks at the past five years through the lens of grief, truth, and hope—and challenges us all to do more.
Subscribe to Tracey’s Keepin’ It Real wherever you get your podcasts or follow @mnspokesmanrecorder for more.
Visit https://spokesman-recorder.com for more coverage and stories from Minnesota’s trusted Black news source.
#GeorgeFloyd #BlackPress #SpokesmanRecorder #Minneapolis #BlackHistory
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