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FILM REVIEW: Rocketman
NNPA NEWSWIRE — The music of Elton John, and lyrics by his writing partner Bernie Taupin, have set music industry records, including the #1 single of all time, “Candle in the Wind.” They’ve sold 250 million records in a streak that has lasted from 1970 to now. This R-rated, bio/musical/fantasy covers John’s innocent youth, personal life, career, drug addiction, sexual dalliances, love life, relationships and rehabilitation—from 1960 to 1990.
By Dwight Brown, NNPA Newswire Film Critic

Young pianist/songwriter Reginald Dwight (Targon Egerton) gets some good advice from a very wise soul singer (Jason Pennycooke, Mister Lonely): “Kill the person you were born to be, to become the person you want to be.” If that couldn’t goad the very staid Dwight into creating his new flamboyant Elton John persona, nothing could.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.
The music of Elton John, and lyrics by his writing partner Bernie Taupin, have set music industry records, including the #1 single of all time, “Candle in the Wind.” They’ve sold 250 million records in a streak that has lasted from 1970 to now. This R-rated, bio/musical/fantasy covers John’s innocent youth, personal life, career, drug addiction, sexual dalliances, love life, relationships and rehabilitation—from 1960 to 1990.
Director Dexter Fletcher (Eddie the Eagle and co-director of Bohemian Rhapsody) along with screenwriter Lee Hall (Billy Elliot) took a risk when they decided to not only show John singing in studios, clubs or concert halls. Their strategy involved the pop icon and other characters breaking into song at home, in the middle of conversations and in odd places. This gimmick, off-putting at first, takes a while to get used to. But, after you do, it’s fun.
Watch the screen for more than 10 minutes and you get the feeling that you are viewing a midnight-movie cult classic. There are quirky, indelible scenes that will stick in your mind: Elton jumps into a pool, plastered out of his head and at the bottom he sees a younger version of himself playing a piano and looking up at him innocently. The colors are well saturated, the lighting luminescent and the cinematography impeccable (George Richmond, Snow White and the Huntsman).
Whether John is in his family’s modest home, lounging in his palatial L.A. mansion or dancing in a club, his surroundings look larger than life: Credit the set decorators Kimberly Fahey and Judy Farr for the ornateness. Kudos to production designers Peter Francis and Marcus Rowland for the majesty. The colors, textures and attention to detail by art directors Sophie Bridgman, Steve Carter, Emily Norris, Astrid Sieben and Alice Walker are impressive.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.
Scenes are pulled together tightly (editor Chris Dickens) and erratically, like you’re flipping through someone’s jumbled scrap book or viewing objects in a kaleidoscope. Yet, the plotline moves forward with a clarity that is astonishing, considering a format in which songs and singing represent thoughts and feelings that would normally be rendered in dialogue. The pacing never lags as you watch John’s life unfurl. You realize his music is a soundtrack to our lives, especially if you’re a baby boomer or an adult.
Early scenes depict Reginald Dwight in the Pinner area of London, with his parents: His very stern and aloof father Stanley (Steve Mackintosh) and partially nurturing/partially dismissive mother Sheila (Bryce Dallas Howard, Jurassic World) instilling an ambivalence in their kid that gave him lifelong complexes. His transition from child piano prodigy to fledgling songwriter with lyricist Taupin (Jamie Bell, Billy Elliot), to anxious performer and then outrageous pop/rocker seems fated.
If clothes make the man (costume designer Julian Day, Bohemian Rhapsody), sequins, feathers, metallic costumes with matching shoes and gigantic glasses gave John a signature brand. Yet, it also confined him. Depending on his mood swing, he considered his eccentric and very recognizable facade both a blessing and a curse. That, coupled with his fluid sexuality, added to his inner turmoil. It tested him.
As Elton John fleshes out tunes, based on Taupin’s poetic lyrics, it’s an illuminating experience. When he croons the words to “Your Song,” it’s heartwarming: “It’s a little bit funny this feeling inside, I’m not one of those who can easily hide…” So many of his songs are moving, beautiful, enduring and will peak your emotions.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.
Unlike Remy Malek in Bohemian Rhapsody, Targon Egerton sings all the songs in Rocketman. There are times when he sounds like himself. Times when he sounds like a hybrid of John and him. And then there are those golden moments when you’re looking at Egerton and hearing the purest echoes of Elton’s voice: e.g. “Don’t Let the Sun Go Down on Me.” Though his vocals are just close to perfect, his interpretation of John is perfect. Targon looks like him so much, it’s as if he’s stolen John’s aura. His fits of anger, fear, depression, humiliation, self-love and self-hate are as authentic as they can be.
Jamie Bell as John’s rain-or-shine friend Bernie plays the enabler, savior and brother-from-another-mother quite well. The lyricist and the musician had a famous bromance that has to be one of the first straight/gay friendships ever put before the media.
Howard, as John’s mom, strikes the right balance of mentor and homophobe. Sheila says to Elton: “You’re choosing a life of being alone. You’ll never be loved.” The second most interesting performance, next to Egerton’s, is by Richard Madden (TV’s Bodyguard) as John Reid, Elton’s smarmy manager and opportunistic lover. Every drama needs a villain, and Madden is that man.
The potpourri styling in this film will leave you with a barrage of unforgettable images that cover several eras. Keep an eye out for the aforementioned pool scene; also look out for the rockets bursting into space and the “Benny and the Jets” disco scene that looks like it’s straight out of a Pier Paolo Pasolini film.
Rocketman is a fun, trippy hallucinogen. It’s like dropping a tab of LSD and having 1970s flashbacks.
Visit NNPA Newswire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
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Recently Approved Budget Plan Favors Wealthy, Slashes Aid to Low-Income Americans
BLACKPRESSUSA NEWSWIRE — The most significant benefits would flow to the highest earners while millions of low-income families face cuts

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
The new budget framework approved by Congress may result in sweeping changes to the federal safety net and tax code. The most significant benefits would flow to the highest earners while millions of low-income families face cuts. A new analysis from Yale University’s Budget Lab shows the proposals in the House’s Fiscal Year 2025 Budget Resolution would lead to a drop in after-tax-and-transfer income for the poorest households while significantly boosting revenue for the wealthiest Americans. Last month, Congress passed its Concurrent Budget Resolution for Fiscal Year 2025 (H. Con. Res. 14), setting revenue and spending targets for the next decade. The resolution outlines $1.5 trillion in gross spending cuts and $4.5 trillion in tax reductions between FY2025 and FY2034, along with $500 billion in unspecified deficit reduction.
Congressional Committees have now been instructed to identify policy changes that align with these goals. Three of the most impactful committees—Agriculture, Energy and Commerce, and Ways and Means—have been tasked with proposing major changes. The Agriculture Committee is charged with finding $230 billion in savings, likely through changes to the Supplemental Nutrition Assistance Program (SNAP), also known as food stamps. Energy and Commerce must deliver $880 billion in savings, likely through Medicaid reductions. Meanwhile, the Ways and Means Committee must craft tax changes totaling no more than $4.5 trillion in new deficits, most likely through extending provisions of the 2017 Tax Cuts and Jobs Act. Although the resolution does not specify precise changes, reports suggest lawmakers are eyeing steep cuts to SNAP and Medicaid benefits while seeking to make permanent tax provisions that primarily benefit high-income individuals and corporations.
To examine the potential real-world impact, Yale’s Budget Lab modeled four policy changes that align with the resolution’s goals:
- A 30 percent across-the-board cut in SNAP funding.
- A 15 percent cut in Medicaid funding.
- Permanent extension of the individual and estate tax cuts from the 2017 Tax Cuts and Jobs Act.
- Permanent extension of business tax provisions including 100% bonus depreciation, expense of R&D, and relaxed limits on interest deductions.
Yale researchers determined that the combined effect of these policies would reduce the after-tax-and-transfer income of the bottom 20 percent of earners by 5 percent in the calendar year 2026. Households in the middle would see a modest 0.6 percent gain. However, the top five percent of earners would experience a 3 percent increase in their after-tax-and-transfer income.
Moreover, the analysis concluded that more than 100 percent of the net fiscal benefit from these changes would go to households in the top 20 percent of the income distribution. This happens because lower-income groups would lose more in government benefits than they would gain from any tax cuts. At the same time, high-income households would enjoy significant tax reductions with little or no loss in benefits.
“These results indicate a shift in resources away from low-income tax units toward those with higher incomes,” the Budget Lab report states. “In particular, making the TCJA provisions permanent for high earners while reducing spending on SNAP and Medicaid leads to a regressive overall effect.” The report notes that policymakers have floated a range of options to reduce SNAP and Medicaid outlays, such as lowering per-beneficiary benefits or tightening eligibility rules. While the Budget Lab did not assess each proposal individually, the modeling assumes legislation consistent with the resolution’s instructions. “The burden of deficit reduction would fall largely on those least able to bear it,” the report concluded.
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A Threat to Pre-emptive Pardons
BLACKPRESSUSA NEWSWIRE — it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process.

By April Ryan
President Trump is working to undo the traditional presidential pardon powers by questioning the Biden administration’s pre-emptive pardons issued just days before January 20, 2025. President Trump is seeking retribution against the January 6th House Select Committee. The Trump Justice Department has been tasked to find loopholes to overturn the pardons that could lead to legal battles for the Republican and Democratic nine-member committee. Legal scholars and those closely familiar with the pardon process worked with the Biden administration to ensure the preemptive pardons would stand against any retaliatory knocks from the incoming Trump administration. A source close to the Biden administration’s pardons said, in January 2025, “I think pardons are all valid. The power is unreviewable by the courts.”
However, today that same source had a different statement on the nuances of the new Trump pardon attack. That attack places questions about Biden’s use of an autopen for the pardons. The Trump argument is that Biden did not know who was pardoned as he did not sign the documents. Instead, the pardons were allegedly signed by an autopen. The same source close to the pardon issue said this week, “unless he [Trump] can prove Biden didn’t know what was being done in his name. All of this is in uncharted territory. “ Meanwhile, an autopen is used to make automatic or remote signatures. It has been used for decades by public figures and celebrities.
Months before the Biden pardon announcement, those in the Biden White House Counsel’s Office, staff, and the Justice Department were conferring tirelessly around the clock on who to pardon and how. The concern for the preemptive pardons was how to make them irrevocable in an unprecedented process. At one point in the lead-up to the preemptive pardon releases, it was a possibility that the preemptive pardons would not happen because of the complicated nature of that never-before-enacted process. President Trump began the threat of an investigation for the January 6th Select Committee during the Hill proceedings. Trump has threatened members with investigation or jail.
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Reaction to The Education EO
BLACKPRESSUSA NEWSWIRE — Meanwhile, the new Education EO jeopardizes funding for students seeking a higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college.

By April Ryan
There are plenty of negative reactions to President Donald Trump’s latest Executive Order abolishing the Department of Education. As Democrats call yesterday’s action performative, it would take an act of Congress for the Education Department to close permanently. “This blatantly unconstitutional executive order is just another piece of evidence that Trump has absolutely no respect for the Constitution,” said Rep. Maxine Waters (D-CA) who is the ranking member on the House Financial Services Committee. “By dismantling ED, President Trump is implementing his own philosophy on education, which can be summed up in his own words, ‘I love the poorly educated.’ I am adamantly opposed to this reckless action, said Rep. Bobby Scott who is the most senior Democrat on the House Education and Workforce Committee.
Morgan State University President Dr. David Wilson chimed in saying “I’m deeply concerned about efforts to shift federal oversight in education back to the states, particularly regarding equity, justice, and fairness. History has shown us what happens when states are left unchecked—Black and poor children are too often denied access to the high-quality education they deserve. In 1979 then President Jimmy Carter signed a law creating the Department of Education. Arne Duncan, former Obama Education Secretary, reminds us that both Democratic and Republican presidents have kept education a non-political issue until now. However, Duncan stressed Republican presidents have contributed greatly to moving education forward in this country.
During a CNN interview this week Duncan said during the Civil War President Abraham “Lincoln created the land grant system” for colleges like Tennessee State University. “President Ford brought in IDEA.” And “Nixon signed Pell Grants into law.” In 2001, the No Child Left Behind Act was signed into law by President George W. Bush which increased federal oversight of schools through standardized testing. Meanwhile, the new Education EO jeopardizes funding for students seeking higher education. Duncan states, PellGrants are in jeopardy after servicing “6.5 million people” giving them a chance to go to college. Wilson details, “that 40 percent of all college students rely on Pell Grants and student loans.”
Rep. Alma Adams (D-NC) says this Trump action “impacts students pursuing higher education and threatens 26 million students across the country, taking billions away from their educational futures. Meanwhile, During the president’s speech in the East Room of the White House Thursday, Trump criticized Baltimore City, and its math test scores with critical words. Governor West Moore, who is opposed to the EO action, said about dismantling the Department of Education, “Leadership means lifting people up, not punching them down.”
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