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FILM REVIEW: So Amazing: Dawn Porter Brings Luther Vandross to Life in New Doc

NNPA NEWSWIRE — While there are countless narratives surrounding Vandross’s upbringing, Porter chose to concentrate primarily on his illustrious career. “His siblings and mother have passed, so there wasn’t a lot we could authentically explore,” she explained. “I thought about the audience and what they want to know. The origins of his songs are what truly matter.”

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By Nsenga K. Burton, PhD, NNPA Culture and Entertainment Editor

“Ain’t nothing perfect in this world other than Jesus and Luther Vandross’s first album.” – Ruby (Jenifer Lewis), Black-ish

In the world of documentary filmmaking, few names shine as brightly as Dawn Porter. Known for her poignant explorations of political and social issues (Good Trouble, Power of the Dream, Gideon’s Army), Porter has taken a bold step into the realm of music documentaries with her latest film, Luther: Never Too Much, which celebrates the life and legacy of legendary singer Luther Vandross. In a recent interview, Porter discussed her motivations for choosing Vandross as her subject, the emotional journey of making the documentary, and her hopes for what audiences will take away from the film.

When asked why she chose to focus on Luther Vandross, Porter explained her passion for telling stories that resonate with themes of joy and creativity. “I do a lot of political films and films about injustice,” she noted. “But with Luther, he seems joyous. I wanted to stretch myself and explore a music documentary for the first time.” The abundance of archival materials available through Sony made the project irresistible. “We had so many different materials to work with; it was heavenly for a documentary person,” she said, emphasizing her desire to let Vandross tell his own story.

While there are countless narratives surrounding Vandross’s upbringing, Porter chose to concentrate primarily on his illustrious career. “His siblings and mother have passed, so there wasn’t a lot we could authentically explore,” she explained. “I thought about the audience and what they want to know. The origins of his songs are what truly matters.”

With Vandross’s roots in New York City, Porter felt that focusing on his professional journey would best serve his legacy.

Porter set out to tell a story about Vandross that would satisfy fans and teach those who may not know the artist the significance of his role in Black music. Vandross was a workhorse from writing and producing the music, handling all business dealings, and being the creative lead on the shows, including the costumes. “He wrote music, composed music, arranged music, directed, sketched costumes,” says Porter. “I want viewers to think about his brain – I want people to see the work and his work ethic and how much he cared about his fans. He was doing this work because he was appreciating the audience,” the Sundance Film Festival winner adds.

[This post contains video, click to play]

Nsenga K. Burton Ph.D.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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