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FILM REVIEW: The Greatest Night in Pop – 2024 Sundance Film Festival
NNPA NEWSWIRE — Legendary artists. Legendary moment. Legendary song. For a certain generation, 1980s lovers and music fans, this is the show of shows. A pop music, pop culture milestone. You get what you’re looking for. You hear what you wanna hear. This nostalgic musical doc rocks as much as a live concert, but in the most divine, communal way.
The post FILM REVIEW: The Greatest Night in Pop – 2024 Sundance Film Festival first appeared on BlackPressUSA.

By Dwight Brown, Film Critic for DwightBrownInk.com and NNPA News Wire
(***1/2)
How many music stars (45) were in the A&M studio on January 28, 1985, and what was that wattage like the night “We Are the World” was recorded? As one wag put it: “If a bomb lands on this place, John Denver is back on top!”
When Harry Belafonte beseeched Lionel Ritchie to help him raise money for hunger in Africa, he had no idea what would come. To his great surprise, Michael Jackson and Ritchie wrote the inspiring and very spiritual, pop gospel song “We are the World.” Then artists from around the country showed up to record their tune, which won a 1986 Grammy for “Song of the Year.”
Director/cinematographer Bao Nyguyen expertly conducts new interviews with the recording session’s veterans (Dionne Warwick, Bruce Springsteen, Cyndi Lauper), displays precious glimpses of legends (Ray Charles, Bette Midler) and captures others in the depths of expressing their vocal insecurities. Huey Lewis confesses: “I was nervous out of my brain.” Clips of Diana Ross and Paul Simon singing around a piano as Stevie Wonder plays are priceless. And who knew that the vocal arranger Tom Bahler chose the singers who did solos based on voice textures, shifting between gritty raspy ones and soft ones for variety?
The communal singing that brings all the artists together is heartwarming. The gossip that’s revealed is still juicy: Sheila E swears she was only invited so they could snare Prince. And he ghosted them! It’s also fascinating to learn that some of the recorded vocals weren’t perfect, or the singers at their best. Yet three months later, when the song premiered simultaneously on radio stations around the world, everything was flawless. Proving that studio engineers are magicians.
Recollecting how hot studio lights made everyone sweat and the room smell provides a nice dose of reality. And watching producer Quincy Jones nurture and herd the musicians reveals both his artistry and diplomacy.
Every cherished moment is here. The emotions, creativity and magnitude of the all-night session are still a wonder. No superfluous footage (editor David Brodie) is shown over the film’s consistently entertaining 96-minute running time. None.
Legendary artists. Legendary moment. Legendary song. For a certain generation, 1980s lovers and music fans, this is the show of shows. A pop music, pop culture milestone. You get what you’re looking for. You hear what you wanna hear. This nostalgic musical doc rocks as much as a live concert, but in the most divine, communal way.
For more information about the Sundance Film Festival go to: https://festival.sundance.org
Visit Film Critic Dwight Brown at DwightBrownInk.com.
The post FILM REVIEW: The Greatest Night in Pop – 2024 Sundance Film Festival first appeared on BlackPressUSA.
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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