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FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages
THE BURTON WIRE — Idris Elba does not disappoint as Djinn. His presentation of this global literary staple is nuanced. This is not the smoldering sex appeal of Stringer Bell or People Magazine’s 2018 Sexiest Man Alive. No, this is a mystical soul tortured by love and loss who remains at its mercy in the presence of the mercurial, and uncooperative, Alithea Binnie. With each release and incarceration, Djinn is deceived by love every time. This is the tale of woe that he shares so poetically with Alithea. From the Queen of Sheba to a 19th century genius maiden, Djinn cannot seem to escape his doom try as he might – but maybe in Alithea there is a glimmer of hope.
The post FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages first appeared on BlackPressUSA.

“In the world of djinn, we tell each other stories. Stories are like breath to us.” – Djinn
By Nsenga K. Burton, Ph.D, NNPA Newswire Culture and Entertainment Editor
George Miller’s Three Thousand Years of Longing is also like breath. Inhale the rich color palette of the Middle East with all its spices and spaces. Smell the curries, turmeric and saffron of the bazaar. Then exhale any preconceived notions. Writer/Director George Miller and his daughter/Co-Writer, Augusta Gore have written a rich contemplation of love, loss and the stories that skillfully engage our imagination. They carry us to a realm where ancient tales are crafted, and the mythic and mortal meet to spin a yarn for the ages. Adapted from the short story, The Djinn in the Nightengale’s Eye by British writer A.S. Byatt, this oral tapestry of star-crossed lovers and political intrigue spanning centuries, is the fodder of legendary ancient narratives ala Scheherazade and 1,001 Arabian Nights. How appropriate then that the female lead of this film is an expert on story. Three Thousand Years of Longing matches story and its power, with the only thing that could be more powerful – love. Maybe that is why it is so deeply enjoyable.
[This post contains video, click to play]
We are introduced to the brilliant mind of renowned narratologist, Dr. Alithea Binnie (Tilda Swinton), a self-described solitary creature, whose unruly imagination conjures up unreal friends and enables her to engage the seen and the unseen. The always riveting Swinton delivers an Alithea whose aplomb and curiosity render her perfectly placed in lofty intellectual circles like the conference she’s attending in Istanbul, but we struggle to take seriously her heart cry for romantic love, given her convincing banter about self-sufficiency and the joys of solitude. Nevertheless, fate has another plan. This perfectly content and unsuspecting intellectual has a most fantastic encounter with the deeply feeling and complex mythical character known only as Djinn (Idris Elba). Trapped in a trinket Alithea picks up in the bazaar in Istanbul, the Djinn (genie) is released in her hotel bathroom and upon exit announces that he must grant three wishes to be eternally released and allowed to return to the realm of his own kind – those of fire, rather than dust (humans).
Archetypal to Muslim lore, the djinn is a mythical character full of mischief and wonder, dwelling in the realm of the unseen but able to influence and engage the seen world. Idris Elba does not disappoint as Djinn. His presentation of this global literary staple is nuanced. This is not the smoldering sex appeal of Stringer Bell or People Magazine’s 2018 Sexiest Man Alive. No, this is a mystical soul tortured by love and loss who remains at its mercy in the presence of the mercurial, and uncooperative, Alithea Binnie. With each release and incarceration, Djinn is deceived by love every time. This is the tale of woe that he shares so poetically with Alithea. From the Queen of Sheba to a 19th century genius maiden, Djinn cannot seem to escape his doom try as he might – but maybe in Alithea there is a glimmer of hope.
Djinn begins to plow his craft again by asking: What is your heart’s desire? What is your wish? What is typical of a genie narrative, becomes the heart cry of every soul to have their heart’s deepest desires granted. Like many, the request and its granting involve love, that most elusive elixir that soothes, satiates, and slays all at the same time. The interplay and exchange between Elba and Swinton are skilled and constrained, each resisting the urge to lean into dated tropes. It is rare anymore to see two actors on screen together in such a nuanced dance of emotion and expression but Elba and Swinton pull it off beautifully and convincingly.
Three Thousand Years of Longing is well worth viewing in the theatre. It will restore your joy in cinematic storytelling and the power of story itself.
Check local movie listings for theater information.
This review was written by Michele R. Brown, an author, critical thinker and storyteller. Follow Michele @micheles_pen on Twitter and @MichelezPen on Facebook.
Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.
This article originally appeared in The Burton Wire.
The post FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages first appeared on BlackPressUSA.
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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