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FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages

THE BURTON WIRE — Idris Elba does not disappoint as Djinn. His presentation of this global literary staple is nuanced. This is not the smoldering sex appeal of Stringer Bell or People Magazine’s 2018 Sexiest Man Alive. No, this is a mystical soul tortured by love and loss who remains at its mercy in the presence of the mercurial, and uncooperative, Alithea Binnie. With each release and incarceration, Djinn is deceived by love every time. This is the tale of woe that he shares so poetically with Alithea. From the Queen of Sheba to a 19th century genius maiden, Djinn cannot seem to escape his doom try as he might – but maybe in Alithea there is a glimmer of hope.
The post FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages first appeared on BlackPressUSA.

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“In the world of djinn, we tell each other stories. Stories are like breath to us.” – Djinn

By Nsenga K. Burton, Ph.D, NNPA Newswire Culture and Entertainment Editor

George Miller’s Three Thousand Years of Longing is also like breath. Inhale the rich color palette of the Middle East with all its spices and spaces. Smell the curries, turmeric and saffron of the bazaar. Then exhale any preconceived notions. Writer/Director George Miller and his daughter/Co-Writer, Augusta Gore have written a rich contemplation of love, loss and the stories that skillfully engage our imagination. They carry us to a realm where ancient tales are crafted, and the mythic and mortal meet to spin a yarn for the ages. Adapted from the short story, The Djinn in the Nightengale’s Eye by British writer A.S. Byatt, this oral tapestry of star-crossed lovers and political intrigue spanning centuries, is the fodder of legendary ancient narratives ala Scheherazade and 1,001 Arabian Nights. How appropriate then that the female lead of this film is an expert on story. Three Thousand Years of Longing matches story and its power, with the only thing that could be more powerful – love. Maybe that is why it is so deeply enjoyable.

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We are introduced to the brilliant mind of renowned narratologist, Dr. Alithea Binnie (Tilda Swinton), a self-described solitary creature, whose unruly imagination conjures up unreal friends and enables her to engage the seen and the unseen. The always riveting Swinton delivers an Alithea whose aplomb and curiosity render her perfectly placed in lofty intellectual circles like the conference she’s attending in Istanbul, but we struggle to take seriously her heart cry for romantic love, given her convincing banter about self-sufficiency and the joys of solitude. Nevertheless, fate has another plan. This perfectly content and unsuspecting intellectual has a most fantastic encounter with the deeply feeling and complex mythical character known only as Djinn (Idris Elba). Trapped in a trinket Alithea picks up in the bazaar in Istanbul, the Djinn (genie) is released in her hotel bathroom and upon exit announces that he must grant three wishes to be eternally released and allowed to return to the realm of his own kind – those of fire, rather than dust (humans).

Archetypal to Muslim lore, the djinn is a mythical character full of mischief and wonder, dwelling in the realm of the unseen but able to influence and engage the seen world. Idris Elba does not disappoint as Djinn. His presentation of this global literary staple is nuanced. This is not the smoldering sex appeal of Stringer Bell or People Magazine’s 2018 Sexiest Man Alive. No, this is a mystical soul tortured by love and loss who remains at its mercy in the presence of the mercurial, and uncooperative, Alithea Binnie. With each release and incarceration, Djinn is deceived by love every time. This is the tale of woe that he shares so poetically with Alithea. From the Queen of Sheba to a 19th century genius maiden, Djinn cannot seem to escape his doom try as he might – but maybe in Alithea there is a glimmer of hope.

Djinn begins to plow his craft again by asking: What is your heart’s desire? What is your wish?  What is typical of a genie narrative, becomes the heart cry of every soul to have their heart’s deepest desires granted. Like many, the request and its granting involve love, that most elusive elixir that soothes, satiates, and slays all at the same time. The interplay and exchange between Elba and Swinton are skilled and constrained, each resisting the urge to lean into dated tropes. It is rare anymore to see two actors on screen together in such a nuanced dance of emotion and expression but Elba and Swinton pull it off beautifully and convincingly.

Three Thousand Years of Longing is well worth viewing in the theatre. It will restore your joy in cinematic storytelling and the power of story itself.

Check local movie listings for theater information.

This review was written by Michele R. Brown,  an author, critical thinker and storyteller. Follow Michele @micheles_pen on Twitter and @MichelezPen on Facebook.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

This article originally appeared in The Burton Wire.

The post FILM REVIEW: Three Thousand Years of Longing, a Journey for the Ages first appeared on BlackPressUSA.

Nsenga K. Burton Ph.D.

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OP-ED: The Illusion of Allyship. White Women, Your Yard Signs Mean Nothing to Me

NNPA NEWSWIRE – “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.

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Political yard signs can symbolize intentions and allegiance. But this year, they’ve also symbolized betrayal. During this general election, Black women were led to believe that more White women would stand with us. Exit polls, however, told a different story. Despite overwhelming displays of support, more White women still chose to vote for the convicted felon, reality TV star, and rapist. White women answered the call but left us hanging at the polls.

A Familiar Disappointment

I live in DeKalb County, Georgia, and the abundance of Harris-Walz yard signs could’ve fooled me. But I’ve seen this before, back when Stacey Abrams ran for governor. White women showed up, put up signs, attended rallies, knocked on doors, and phone-banked. Yet, when it came time to vote, they let us down—not once but twice. I’ve been here for over 15 years, and if there’s one thing I know, it’s that political signs are symbols without weight.

In every election, I’ve talked with White women. Most aren’t the primary earners in their families and vote along party lines, aligning with the preferences of their fathers and husbands. These conversations reveal a reluctance to break from tradition, even when their votes affect women and certainly when their votes impact the lives of people who look like me.

The Illusion of Solidarity—Symbols Are Not Enough

On social media, I’m seeing White women posting pictures of blue bracelets to “prove” they didn’t vote for Trump. “The blue bracelets are something White women are wearing so others can see that they didn’t vote for Trump,” says Liberal Lisa from Oklahoma on X. Chile, bye. These bracelets are hollow symbols, empty gestures that mean nothing to me. An accessory to claim distance from Trump’s legacy is superficial comfort, while the choice to not stand with us in the voting booth is far more profound.

I’ve seen Black Lives Matter signs and black squares posted on Instagram to “prove” support for Black people, but we now know that was a lie, too. Will those same people who claimed Black lives mattered now take down their Harris-Walz signs and show their true selves?

Navigating these truths is a daily struggle for me—professionally and socially. White women often misuse their privilege, supporting us only when it’s convenient. Seeing overqualified Black women sabotaged or abandoned by White women at critical moments is a constant emotional challenge. It’s exhausting to live with this reality, especially when solidarity seems like something they pick up and discard at will.

One clever campaign ad from Harris-Walz that spoke directly to White women. “Your Vote, Your Choice” emphasized that their vote was private—independent of their household situation. Another was from Olivia Howell Dreizen, the “Vote Without Fear” campaign, which empowered women to consider the greater impact of their choices. But it seems many still couldn’t choose the roadmap to freedom—even when it was handed to them.

A Call for Action Beyond Words

White women, I want to believe you care, but actions speak louder than yard signs, bracelets, or Instagram posts. Show up in our communities, advocate in your workplaces, and stand up to dismantle the structures that uphold white supremacy. Only through real action will we know where you stand.

If you choose not to act, we see you—and we know exactly where you stand. Good luck these next four years.

Disclaimer: The views and opinions expressed in this article do not necessarily reflect the official policy or position of BlackPressUSA.com or the National Newspaper Publishers Association.

 

 

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Supernova Parenting Conference Empowers Over 100 Parents with Resources for Neurodivergence and Mental Health

The inaugural Supernova Parenting Conference was co-hosted by Natasha Nelson, known as Supernova Momma, and Yolanda Walker, founder of Parenting Decolonized. It brought together over 100 parents, caregivers, and educators dedicated to fostering understanding and support for neurodivergent children and mental health challenges. The conference provided invaluable resources, expert insights, and a collaborative space for […]

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The inaugural Supernova Parenting Conference was co-hosted by Natasha Nelson, known as Supernova Momma, and Yolanda Walker, founder of Parenting Decolonized. It brought together over 100 parents, caregivers, and educators dedicated to fostering understanding and support for neurodivergent children and mental health challenges. The conference provided invaluable resources, expert insights, and a collaborative space for connection, marking a significant step toward creating a more inclusive parenting community.

The event featured a variety of workshops, panel discussions, and keynote speeches from leading experts in neurodiversity and mental health. Attendees left with practical tools and strategies to enhance their parenting journeys, emphasizing the importance of understanding and supporting the unique needs of neurodivergent children.

“While the conference was a tremendous success, we believe that our work doesn’t end here,” said Natasha Nelson. “It’s crucial to continue providing ongoing support and resources for parents as they navigate this important journey. We want to ensure families can access the tools they need long after the conference.”

To extend the momentum generated at the conference, Natasha and Yolanda are excited to announce the launch of the Supernova Parenting Community. This membership-based initiative aims to offer a safe and supportive environment for parents and caregivers to continue their growth as conscious parents.

Membership is available for as little as $5 a month via Patreon, making it accessible for all families seeking support.

“We know that parenting can be a challenging journey, especially when navigating neurodivergence and mental health issues,” Yolanda Walker added. “Our goal is to build a community where parents feel seen, heard, and supported. We hope you’ll join us in this vital work.”

For more information about the Supernova Parenting Community and to sign up for membership, please visit supernovaparenting.org

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Election Night on The Yard at Howard University

Election Night on The Yard at Howard University

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